Tommy Fitchet @ Saorsa Gallery: 365 landscape paintings on a small scale = a stunning show of mini masterpieces
“ I have found that my art is most fluid and expressive when working directly onto glass. When the sun suddenly comes out and shines brightly upon the sea or the land just for that brief moment – that is what I am trying to capture in my paintings.” Tommy Fitchet
Tommy Fitchet is a self taught artist whose most original and creative artwork showcases distinctive, abstract modern ‘stained glass’ paintings, inspired by the Scottish landscape from the city to the seashore as observed through the seasons.
Following the success of his previous exhibition, 100/100, which raised over £5,500 for Cancer Research, he decided to challenge himself to paint a small scale landscape each day for a year, starting in September 2016.
The result is this new show, 365, at Saorsa Gallery, Stockbridge, Edinburgh, where all the walls are hung, virtually floor to ceiling, with a collection of 365 wonderful wee paintings: each measures 22 x 22 cms in smart wooden frames. Again, all these paintings are sold in aid of charity.
The theme embraces Tommy’s journeys around Scotland, in particular the wild natural beauty of sandy beaches, peaceful farmland and high mountain peaks of the Isle of Arran.
The effect of oil on glass creates a gleaming, glossy layer with a rich, deep sense of colour and soft, shimmering shades of light to reflect marvellous images of sun and sea. These are stunning abstract land and seascapes through a swirl of bright blues, purple haze, sunset orange, grass green fields and forest of trees.
With a dark, intense mood, you can almost depict the icy chill of white snow and dark black rock in stormy winter weather in these impressionistic compositions.
With his palette of oils, from rainbow colours to crisp cool monochrome, the viewer will feel an extraordinary energy and atmosphere of the outdoor air, so well captured in these mini masterpieces.
The paintings on show at this exhibition are available to purchase at a most reasonable £100 each. Most importantly, 50% of the sale price will be donated to two charities, Cancer Research and CHAS (Children’s Hospices Across Scotland).
365 – this exhibition runs from 7 – 24th September, 2017. Thursday to Sunday, 12 noon – 5pm.
SAORSA, 8 Deanhaugh Street, Edinburgh EH4 1LY. Tel. 0131 343 1126
In the grand, baroque St Stephen’s Centre @ Saint Stephen’s Church, (designed in 1827 by William Playfair), this year’s Charity Chic Fashion Show in aid of Cancer Research UK (Stockbridge), will be another glitzy, glamorous and inspirational evening. When? Friday 6th October, 2017 – 7pm to 9.30pm
Where? St Stephen’s Centre, 105 St. Stephen Street, Edinburgh EH3 5AB.
Charity Chic offers a fabulous night out featuring a colourfully creative Fashion Show, live music, a Bar and stalls to buy quality clothes, raffle tickets, cakes and much much more.
Organised once again by Elaine Lennon, the assistant manager of Cancer Research, Stockbridge, the highlight of the evening is a Catwalk Extraordinaire: members of staff, customers and friends of the shop will showcase the best of Charity Chic from High Street fashion to Designer couture, for men and women.
From Top Shop to Top Brands, (e.g. Prada, Versace, Westwood), gorgeous clothes are donated year round to the Stockbridge branch by the public. After a fine collection is shown off in style and swagger along the Catwalk, these clothes and accessories will then be available to purchase – if you are quick off the mark! – after the show.
This is the perfect opportunity to jazz up your Autumn-Winter wardrobe with a ‘nearly new’ coat, cosy sweater, smart trousers, shoes, handbag, hat, scarf, jewellery and perhaps a little black dress or dinner suit for festive parties.
The POP-UP Shop opens from 7pm, bringing the Cancer Research Boutique along to St. Stephen’s Centre with some amazing fashion bargains, gifts, treasures and gems, to be snapped up for one night only.
This is the eighth time Cancer Research Stockbridge has staged an annual Charity Chic fashion show, raising an estimated thirty thousand pounds at these fun, sociable evenings. Proceeds go towards funding clinical research, medical trials and specialist nurses, all of which are vital in the fight against cancer.
The spacious theatre-style venue at St. Stephen’s Centre will create a party atmosphere to meet friends, enjoy the Catwalk, have a drink, browse around the stalls and dress up in some lovely new fashionable clothes.
Volunteers are most welcome – do get in touch if you’d like to try your hand at modelling, run one of the stalls or help to organise the event.
Tickets are priced at £10. And of course, this show is for a very good cause.
Pick up your tickets at the Cancer Research Shop, 30 Raeburn Place, Edinburgh. Tel. 0131 343 6343
Or purchase on line:
Paperworks 4 – Marion Barron, Trevor Davies and Ruth Thomas – the beauty of nature with painterly precision
During the Edinburgh Festival Fringe 2015, I was delighted to see an exhibition by the Working Lines Collective entitled Paperwork 2 at the Ski Club, Howe Street. As I wrote in my 5 star review on Edinburgh Guide:
Paperwork 2 is an evocative, inspirational collection of diverse yet complementary work, the nuances of shade, line, pattern and composition all pleasing to the eye, as you wander from room to room”.
This year for ten days in August, the Working Lines Collective was back with Paperwork 4, featuring Trevor Davies, Marion Barron and Ruth Thomas, who met and studied at Edinburgh College of Art.
While their Festival Fringe 2017 exhibition is now over, this is an illustrated feature to promote their creatively-crafted Paperworks.
Inspired by contemporary urban landscape, Marin Barron studies the concept of the structure and fabric of buildings: “My recent research has focussed on the aesthetic of post war Brutalist buildings. I explore pattern, form, colour, line and space, the environmental and social aspects, although the visual aspects are of greater interest to me”.
Marion paints in oil on linen, canvas or paper, slowly developing the surface for a strong depth in colour, tone and texture, such as here in “Fold”.
These vibrant colours are most effective, drawing the eye in to study the graceful geometric line and shape. With its backdrop in soft cream and grey, the simple yet bold columns of crimson and coral in “Structure” is also a striking, architecturally-defined image.
Trevor Davies is a master of delicate still life drawings, impressionistic landscapes as well as fine figurative sketches. Heading in a more abstract direction is a series of minimalist landscapes such as Duddingston Loch(1). This comprises a strip of newspaper column, the Lonely Hearts page with tiny requests starting with four letters, WLTM: a whimsical, richly textured work.
Twenty-Two is also an amazing combination of watercolour, muslin, oil, graphite and newspaper on paper. In similar mode to the artist Philip Reeves, these collages involve a process of distilling the theme down to the materials, then re-building the image as a layered construct.
In his quietly composed Still Lifes, meticulous representations of cool circles and curved bowls conjure up the pure contours in the natural world: ‘The endless line of a circle, its internal space both enclosure and entrance, and what might be joints or doorways within a landscape all find their way into my pictures’
Ruth Thomas is an Australian artist who, having studied in Edinburgh, is fascinated by the coastlines of Scotland and New South Wales, “Nature’s calligraphy: the myriad of lines on windswept beaches, the richly coloured rock faces, the delicate structures of shells and seaweed.”
Her work covers painting, printmaking and drawings in which the decorative detail shows her passion for geology as much as art, capturing how the waves of the tide smooth the pebbles on the shore.
Ruth also enjoys the ancient Art of Mokuhanga, Japanese Woodblock Printing to create concertina fold-out books of miniature paintings. She also makes eco-printed paper from fragrant Eucalyptus, Banksia and Grevillea leaves.
These three distinctive artists offer a diverse selection of prints, drawings, sketches and paintings yet complement each other, – sharing a broad theme of the environment with an individual artistic approach. At previous Festival exhibitions, comments in the visitors’ book are most enthusiastic: ‘such varied and beautiful work’ & ‘I loved the delicacy and the thoughtfulness.’
Once again, Paperworks 4 was a most inspiring and evocative collection to express the beauty of nature with fine crafted imagery and painterly precision.
Make a date in the diary for Paperworks 5 – hopefully it will return for the Festival 2018!
For more information:
“Tread softly on the shore, step lightly at the margins,
where the sky is thin and land meets sea,
and heaven touches earth”.
from Tread Softly on the Shore, Sue Mayfield
Anne Butler studied at Leith School of Art, Edinburgh and now lives and works in Dumfries and Galloway. She describes her work as a free and loose style responding to the Scottish landscape, weather and seasons. “Colour is very important to me. I think colour can change moods. I paint in acrylic, building up layers and scraping back to reveal the colours beneath”.
Sue Mayfield is a writer of many talents, publishing award winning fiction and non fiction for children and adults. Her most recent books are Under the Sea (2012) and Hill of the Angels (2016). Around the gallery is a series of lyrical poetry to reflect the dramatic mood of Anne’s paintings.
Colour is clearly the dominant aspect of Anne’s vibrant green and blue land and seascapes. Country fields are created like a patchwork quilt with bold abstract cubist style blocks, representing yellow summer corn, verdant green grasses and russet red leaves of Autumn.
“Full Moon over Blue” is a marvellous scene, reminiscent of Joan Eardley’s “Catterline in Winter” – pale moon, snow and clifftop cottages.
What the viewer will appreciate so much is how these dreamlike illustrations of land and sea are evoked with such emotion through the power of the written word.
Most impressive are the wild energetic waves and splashing spray of the sea in “Taste the Salt Drench,” as described beautifully in Sue’s poem, “A Thousand Thousand Tears.”
To cross the ocean, face the deep….
Taste the salt drench of a thousand thousand tears.
from A Thousand Thousand Tears, Sue Mayfield
There is a recurring theme of time, memories, ghosts of the past, reflected in an underlying narrative about fishermen, ships which pass in the night, the flow of the seasons, Spring flowers to migrating geese.
While Anne paints the grey expanse of skies, stormy seas, boats and birds, Sue captures each vivid view in verse:
Out of the blue … a man emerges bearing fish,
a wish, a skylark sings, a heron uncrumples sailcloth wings.
from Out of the Blue, Sue Mayfield
There is such poignancy in her perfectly crafted phrases, richly reminiscent of the short, sharp poetic style of Sylvia Plath observing rural life, tulips and honey bees in her Devon garden.
These paintings and poetry create an artistic and literary dialogue, where images of moorland, meadows, sandy beach and ocean waves are echoed both in colour on the canvas and words on the page.
The Dundas Street Gallery,
6 Dundas Street, Edinburgh
2 – 7 September 2017 – daily, 10am – 6pm.
for more information:
‘The passion of creating clothing comes from the idea that if they are stylish, yet practical and robust, they allow you to be carelessly elegant and have confidence to look good.’ Paul Walker
Walker Slater, the Scottish tweed tailoring company, was founded in 1989 in Laggan before opening on Victoria Street, Edinburgh, followed by stores in Glasgow and London.
Specialists of fine casual and formal clothing for ladies and gentlemen, it was named Retailer of the Year 2015 at the Scottish Fashion Awards.
From traditional tailoring to contemporary style, Walker Slater is renowned for tweed jackets, trousers, waistcoats, three piece suits, overcoats and knitwear in quality wool and tweed produced in the Borders, Shetland and Harris. What could be more classic than a beautifully designed, made-to-measure three piece suit for a special occasion.
The Caledonian Hotel, Princes Street, Edinburgh is celebrating its fifth birthday in September as a Waldorf Astoria. With the grand art deco hotel as a backdrop, Walker Slater will stage a fabulous fashion show – a sneak preview of the Autumn/Winter 2017/18 collection.
This style event will take place in the hotel’s glamorously elegant Peacock Alley on the afternoon of Friday 15th September, hosted by Scottish broadcaster and Deacon Blue drummer, Dougie Vipond.
During the catwalk show, guests will experience a luxury Afternoon Tea inspired by the botanicals of Edinburgh Gin. Enjoy a seasonal selection of sweet and savoury treats, complemented by a crafted gin cocktail, delicately flavoured with orange, lemon, heather, coriander, juniper, and pine.
The new curated WS clothing range is sure to keep you warm during the Autumn and Winter months. Ladies may relish beautiful Scottish cashmere, everyday clothes from city street to country walks, and day to evening wear.
The preview will also launch ‘Messrs,’ a youthful collection with a contemporary look, fit and colour palette, from Harris Tweed suits to leather jackets.
“As an old Victorian railway station, The Caledonian has over 110 years of rich heritage in Edinburgh, of which we are very proud. Walker Slater also has a strong Scottish heritage and worldwide reputation for style, offering the perfect synergy with Waldorf Astoria Edinburgh.” Dale MacPhee, General Manager, Waldorf Astoria Edinburgh, The Caledonian.
The much beloved “Caley” hotel today as part of the Waldorf Astoria portfolio, represents the epitome of international luxury travel, and this classic Scottish fashion brand, creates the ideal partnership.
Walker Slater boutiques also presents a range of fabulous, must-have accessories for women and men including bags, gloves, scarves, shoes, tweed-wrapped hip flasks and gifts, perfect for the winter season and Christmas.
“They have an attention to detail befitting a Parisian couturier and the flair of a Tokyo street-wear brand.”
Tickets for the Waldorf Astoria & Walker Slater fashion show with Afternoon Tea, are priced at £45 per person.
Be the first to join the A –List FROW * by reserving your place soon! (* Front Row @ fashion show)
Book tickets at Eventbrite at: http://bit.ly/2g4WiqA
Throughout the month of September, an inspiring diary of events will celebrate the 5th birthday of The Caledonian as a Waldorf Astoria. Highlights include a luxurious stay in the Caley Suite, an Oyster & Champagne Masterclass at Galvin Brasserie de Luxe and classic Cocktails in the Caley Bar.
For more information:
The British custom of Afternoon Tea was invented by Anna, the seventh Duchess of Bedford around the 1840s. With a long wait until dinner, every day around 4pm, she felt ” that sinking feeling” and requested a pot a tea and light snack during the afternoon. She then began inviting a few friends to join her sociable soiree. This innovative idea soon spread, with ladies hosting afternoon tea parties where guests enjoyed a perfectly poured cup of tea, slices of cake and lively gossip and conversation.
As popular today as ever, traditional Afternoon Tea continues at many luxury hotels around the UK: In Edinburgh, it is served in elegant style at The Sheraton, The Balmoral and in the Peacock Alley @ Waldorf Astoria, Edinburgh.
Warmly recommended is the colourfully-designed Cucina at the G&V Hotel, George IV Bridge, to sample a mini feast of tiny savoury sandwiches, scones, clotted cream & jam and patisserie, served with speciality leaf teas. And do indulge yourself with an ice-chilled, beautifully crafted Cocktail or a delicious sparkling Prosecco.
What a delightful, leisurely way to spend the afternoon, far from the madding crowd and cultural buzz of the Festivals this August. On sunny days, there’s an outdoor terrace outside Cucina, for a special summertime treat.
And, of course, you can always book a table here anytime .. . not just through this National Afternoon Tea Week!
Cucina @ G&V Hotel, 1 George IV Bridge, Edinburgh EH1 1AD
Calling all art lovers. Exciting news for summer 2017 with the re-opening of the former Edinburgh Gallery. After a few years away, Catherine Grilli is back “home” at her new, beautifully decorated Grilli Gallery, Dundas Street.
For the first of two exhibitions for the Edinburgh Festival, there’s a marvellous solo showcase of paintings by Joan Gillespie. Her artistic training at college started in fine style, being fortunate to study under Alberto Morrocco and also with Sir Robin Philippson. Developing her career, she became inspired by both the Expressionist tradition of The Scottish Colourists and the modern masters of Fauvism – Derain, Matisse and Cezanne.
The Fauves (“wild beasts”), a revolutionary group of French painters were influenced by Van Gogh and Gauguin, to experiment further with the use of intense colour to describe light and space without having to be true to the natural world. “When I put a green, it it not grass. When I put a blue, it is not the sky.” Henri Matisse
The diversity of Gillespie’s work is quite extraordinary. Walk around this light-filled, L- shaped gallery to see an enchanting collection of Portraits, Figurative works, Landscapes and Still Life.
Here are fresh-faced portraits defining the essence of feminine grace and beauty. For example, “Window Seat” captures the cool, calm pose of a young woman through the simplicity of quick, broad brushstrokes with just a couple of lines to depict her expressive eyes and thoughtful mood. Akin to a fashion designer drawing a quick sketch, this is enhanced to bring a sense of realism and depth of emotion.
As a homage to Derain and Matisse, this demonstrates her own individual, bold, vibrant approach to colour, both in palette choice and wild, carefree application; spot the splashes of blue and green on her face and dress, to echo the scenic seascape. Despite the vibrancy of tone and texture, this is a most evocative, quiet composition.
These simple, subtle and serene figurative studies are a visual delight, such as Model in Navy Blue and Night Window and Model in Stripes, each lost in their own thoughts and solitude.
“What I dream of is an art of balance, of purity and serenity ..” Henri Matisse
Gillespie develops her own manner and interpretation of the female form with a sensual series of nudes to create delicately intimate scenes which are so expressive in just a brief moment in time – a girl drying herself after a bath, another taking off her blue shirt. Bold, thick lines give clarity to body shape, limbs and flowing hair with a vivid sense of movement and life.
A sensual series of nudes create delicately intimate scenes which are so expressive, interpreting a brief moment in time – a girl drying herself after a bath, another taking off her blue shirt. Bold, thick lines give clarity to body shape, limbs and flowing hair with a vivid sense of movement and life.
Here too around the gallery walls, breathe in the fragrant scent wafting around from the vases of gorgeous Sunflowers, slender Tulips, vivacious Irises and sweet Roses. No wonder people love to collect still life paintings such as these joyous images, to bring warmth and the natural world into our homes all year round.
“There are always flowers for those who want to see them.” Henri Matisse
Joan Gillespie, like so many artists across the generations, is drawn to explore the South of France with her paintbrushes and sketchbook, to experience the heat and light along the Cote d’Azur in reality and on canvas.
Like a richly illustrated travel brochure, be enticed by her luscious landscapes which layer white sand beaches and the ultramarine blue of the Mediterranean Sea, under the dazzling warmth of the summer sun.
Do visit the Grilli Gallery soon to view this exuberant and alluring showcase which will certainly brighten your day.. or indeed your home, if you decide to purchase one of these paintings. Joan Gillespie is a most refreshingly imaginative artist who has clearly followed her own private, painterly journey, enriched by Fauvism philosophy:
“We were intoxicated with colour, with words that speak of colour, and with the sun that makes colours live.” Andre Derain
The Grilli Gallery
Festival Solo Exhibition by Joan Gillespie
29 July to 16 August, 2017
20a Dundas Street, Edinburgh EH3 6HZ tel. 0131 261 4624
After a very successful exhibition last year on the Edinburgh Festival Fringe, Alice Boyle is back this summer with a showcase of scintillating new work at Howe Street Arts, Howe Street, Edinburgh, from 25 July to 13 August, 2017.
The title “Think Less, Feel More” is taken from a 5 star review by Waldemar Januszcak of the Abstract Expressionism exhibition last year at Royal Academy, in which he concluded:
“.. art that set out to paint the way we feel through evocation and sensation. There’s not enough emotion in our art any more. We think too much and feel too little”.
Inspired herself by the Royal Academy retrospective of Rothko, Pollock, Gorky, de Kooning, et al, Alice has taken a new route in the mode and manner of her own abstract expressionistic paintings.
Moving away from vibrant colours to a simplified palette, this exciting new collection exudes more of a sense of free-flowing energy and spontaneity, such as “Dancing on Waves” with its powerful force of deep, surging, surfing water.
There are also quietly subdued images such as “Are We Nearly Home Yet,” a delicately composed flurry of whiteness, depicting a cool, icy isolated landscape, real or imaginary, with a warming streak of bright orange.
Quirky titles reflect the human spirit and changing complexities of contemporary life, such as “Keep Connecting”, “It will Get Easier”, “Choices.” In similar vein is “Decisions, Decisions”, a mass of swirling circles like a cloud of confusing thoughts, the feeling when one is unable to make up one’s mind.
In a more celebratory mood, “Feel the Bright” is a vibrant display of what could be fireworks, with sparkling bursts of light and fire, in which you can almost hear the sound of snap, crackle, pop.
“Shine like a Bright Diamond” captures the sharp-edged, multi-faceted features of the gemstone with against an abstract flurry of colour, and dribbles of white paint like a precious pearl necklace.
Alice Boyle originally studied Interior Architecture and there are subtle influences here of monochrome, diagrammatic building blocks, blended with the Bridget Riley or Missoni approach to stylistic, structured pattern.
Alice uses acrylic paint with plaster to create richly textured layers on hardboard.
This is clearly evident in a humorous painting, “Let’s believe in Magic”, where thick brushstrokes create a golden yellow brick road ….perhaps leading us merrily along, off to see the Wizard, the Wonderful Wizard of Oz.
Around the gallery, spot Boyle’s artistic trademark of crescent moons, sparkling stars, swirling circles and oval eggs, which all reflect her own interest in the power of mythology as a way to understand the human condition. birth, life and our place in the universe. “Come Lie with Me” is a whimsical, childlike image of two round button figures, yet with an evocative sexual subtext of romantic love.
Following this theme, a most distinctive work is the visually imaginative, “Tree of Chaos” akin to a surreal Miro-esque environment, a symbol of growth and the natural world.
“Creativity is a wild mind and a disciplined eye” Dorothy Parker.
Boyle’s distinctively original work is both wildly creative, yet composed with an astutely detailed, decorative vision: expect to be challenged, emotionally touched and frequently amused.
As the title of the exhibition suggests, we should observe this enigmatic work without too much thought and analysis – just go with the flow, simply let the eye follow curving lines and dancing shapes without trying to find hidden depth and an absolute clarity of meaning.
Alice has let her dreams and imagination run riot and fly sky high – the viewer can only excited and exhilarated by these bold and boisterous paintings. Choreographed like a dance, you will feel a sense of spirited movement, rhythm and energy, representing a passionate love of life, joy and renewed hope – a fresh, new, sassy and sophisticated style of Abstract Expressionism for the 21st century.
“Think Less, Feel More” – Alice Boyle
Howe Street Arts, 2 Howe Street, Edinburgh EH3 6TD
25 July to 13 August, 2017 – 10am to 7pm daily.
“New Growth”: Abstract, Conceptual and Figurative Paintings by Davy Macdonald. Dundas Street Gallery, Edinburgh
“Until this point of my artistic journey I have focussed predominately on figurative painting together with landscape and still life studies. I now find my art evolving in new directions and recently have become interested in the development of abstract and conceptual art”
With his own unique and innovative series of artistic genres, Davy Macdonald has been exhibiting in Edinburgh and London since 2009. He has specialised in figurative works set within an historic or cultural background for his excellent Heritage Series such as Harris Tweed and Herring Lassies. These are stunning, dramatic paintings which tell the story of the women who wove the wool, against a backdrop of wild Hebridean seascapes, as well as the iconic fisherwomen at Newhaven harbour, shucking oysters and salting herring.
This exhibition, “New Growth” is a diverse and dramatic range of Figurative, Abstract and Conceptual work, which clearly show how he has developed his style with a renewed creative spirit. His fascination with history, as illustrated with his impressive narrative paintings, is also matched by an interest in mythology and symbolism.
A new departure is venturing into abstract paintings – bold, vibrant patterns which express a freedom of movement, colour and geometric shape. “3 Ways North” is a humorous, quirky representation of a map with the sign North, shown in three positions. Hang the picture any which way, to view the landscape of meandering roads, undulating hills, where the eye follows the compass direction upwards, right and left.
Follow Davy on an artistic journey, real or imagined. Reflecting on the political and environmental challenges which the world is now facing, “Weeping Earth” is a poignant and powerful illustration.
Picture the bleak scene: a wild sky of threatening dark clouds, a mass of grey, black and white captured in bold brushstrokes. Streaks of crimson red appear to drip like blood on to the stark, dry desert below, scorched in the heat. Simple in structure, it packs a punch in its vibrancy and apocolyptic vision.
With his interest in Chinese art, “Jade Mine” is another striking conceptual image, reflecting the Yin and Yang theory of passive and active energy. Against the dark green of high mountain peaks, there’s the fiery glare of a red sun. Jade gemstones hold a significant place in the Chinese culture, believed to be a bridge between heaven and hell, symbolising knowledge, perfection, constancy and immortality.
Japanese cinema from the 1970s is also the subject of a few works, featuring such characters as such as Lone Wolf and Lady Snowblood. This cult classic movie from director, Toshiya Fujita, a young woman (Meiko Kaji), trained as an assassin to seek revenge for the murders of her father and brother; the choreographed swordplay is described as visual poetry.
Macdonald has returned to his Heritage series of the Herring Lassies, evolving the theme by placing two or three young women in a less defined landscape. They stand, holding baskets of fish, gazing out at distant hills at sunrise, perhaps remembering and dreaming of their island home.
Rather than the naturalistic setting of Newhaven harbour, this could be the Scottish Highlands, Outer Hebrides, Finland, Norway, Iceland. These are most impressive figurative-landscapes, evocative of a freeze frame in a film, a moment in time, expressing a quiet emotional sense of nostalgia and loss.
Around the gallery are new Portraits such as the artist’s muse, Evelyn Nesbit, the fair-skinned beauty from Tarentum, Philadelphia.
After her father died, leaving her Scottish-Irish family in debt, Nesbit became a muse, modelling, fully clothed,for artists. In June 1900, she moved to New York City and soon, she was the most in-demand model, for portraits and fashion advertising, in Manhattan.
There are also examples of the classic Gothic Edinburgh paintings, and from the original Herring Lassies series. These are popular images with prints and originals being shipped around the world across Europe to Beijing.
Having known Davy Macdonald’s work for a few years, this is an inspiring and imaginative exhibition of figurative and abstract oil paintings, as well as Limited Edition Prints. Prints are available to purchase from the ETSY shop. Each paper edition is strictly limited to 125. Canvas prints are limited to 18 for each series.
Commissions for Portraits are also welcome.
See more information at – www. dmacart.com
New Growth – Paintings by Davy Macdonald
Dundas Street Gallery, 6 Dundas Street, Edinburgh EH3 6HZ
Saturday 22 July to Saturday 29 July, 2017. 10am – 6pm daily.
“Venice: The Diary of an Awestruck Traveller” by Gillian Angrave – your perfect, personal companion in your pocket.
A recurring travel bug has certainly afflicted Gillian Angrave. Her globetrotting career began in 1967 as Assistant Purser with P & O cruise line followed by working for the Foreign & Commonwealth Office. Now enjoying a very active retirement, she continues to explore the world often returning to her favourite city, Venice.
She is flamboyant, magical and unique, like nowhere else on earth.”
“Venice – The Diary of an Awestruck Traveller,” volume 1, From Swamp to La Serenissima, begins in March 2015 when Gillian arrives for her first visit, describing her initial impressions and experiences. This is different from the typical guide book for tourists, full of historical facts and figures, a long directory on hotels and lists of key sites. Instead, this personal travelogue is for the independently-minded visitor, in search of art, culture, heritage and off the beaten track adventures.
To start, her advice if flying here, is to ensure you arrive into Venice by water, either by the efficient Alilaguna Ferry from Marco Polo airport or water taxi. “Nothing quite prepares you for your first sight of the Canal Grande ..it really is awesome.”
There’s a brief history of Venice from 421 AD, when it had developed from the flooded River Po delta to a living “patchwork quilt” of 116 island communities around the Lagoon. Then follow in Gillian’s footsteps as she eagerly sets off around this flamboyant “water city,” in the Venetian manner of “andare per le fodere,” back-tracking the maze of narrow alleyways and a myrad of bridges to get from A to B.
Getting lost is part of the fun and it’s easy to find your bearings with signs for Rialto and San Marco to keep you on the right track. Soon this “virgin Venetian” is jumping on Vaporetti (water buses) here, there and everywhere – “Hop on and off with a three day pass” she recommends.
Where to eat is always a difficult decision, but Gillian very soon finds Le Café, Campo Santo Stefano, to relish the perfect Spaghetti Bolognaise – a friendly, family run Ristorante which she returns to again and again.
A walking tour takes her to La Merceria district, “a shopper’s paradise” followed by an excellent lunch at Café Saraceno. She zigzags her way along and around Il Canalazzo (Grand Canal), with its four famous bridges and iconic architecture, taking a stroll one day along the waterfront promenade, Zattere Ponte Lungo, lined with bars and pizzerias, overlooking the island of Guidecca. She also illustrates how the historic vision of the city has been preserved: the view of the Entrance to the Arsenale as painted in 1773 by Canaletto is virtually unchanged today.
Day by day, we tour Venice with Gillian as our personal guide. An early morning visit to see the Campanile, the 328 foot high Bell Tower in St. Mark’s Square, relating how the original tower collapsed on 14 July, 1902, but was rebuilt in just nine years. Further restoration in 1962 included the installation of a much appreciated lift.!
And of course, there are stunning Churches galore, such as Santa Maria della Salute, in such a perfect location near the mouth of the sweeping S shaped Canalazzo. “ I do like La Salute with its octaganol cupola, six chapels, Titian’s great works and organ recitals are held regularly. …”
For an exhilarating day trip by Motonavo, (a large Vaporetto), three charming islands out in the Laguna are Murano, famous for glassware and Burano with its row of former fishermen’s pretty coloured houses, giving its name Harlequin Island.
Torcello is renowned for its beautiful cathedral and where gourmands flock to eat at the legendary Locanda Cipriani restaurant. Queen Elizabeth II and Prince Philip once visited for lunch, when the menu included ravioli, fried fish, pasta, beans and risotto!
Although Gillian doesn’t cover this, here’s a little more of its fascinating story. Its founder, Giuseppe Cipriani was a hospitality entrepreneur, first inventing Harry’s Bar in 1931, (near Piazza San Marco), which was like a private club for Hollywood stars, who sipped the house cocktail, Bellini and dined on Beef Carpaccio. A typical lunch here for Orson Welles was shrimp sandwiches, washed down with two bottles of Dom Perignon. Following the Bar’s celebrity success, in 1935 he founded the Ristorante on Torcello, ( beloved by Ernest Hemingway and other Harry’s Bar clientelle). Then in 1953, he planned his grand Hotel Cipriani on Giudecca, today the luxury, hideaway Belmond Cipriani Resort (a favourite of George Clooney).
At the end of Chapter 1, Gillian writes, “ My love affair with Venice had now begun – I knew I would be back”. Chapter 2 begins on 28 September, 2015, the diary of her second visit, where she stays at Hotel Flora, “ a 17th century palazzo tucked down a little alley off the Calle Larga XX11 Marzo” and she was soon back at her favourite Le Café for dinner.
And so her exploration continues, this time on a literary-inspired journey, visiting the former homes of Marco Polo, the intrepid traveller to the far East, and also of Robert Browning whose former address is now a museum. As the poet wrote, “Open my heart and you will see, graved inside of it, Italy.” Gillian enjoys “sauntering .. soaking up the atmosphere” and is an expert at finding hidden gems such as a music museum of vintage instruments, and the statue, Il Gobbo de Rialto, a character in Shakespeare’s “The Merchant of Venice. ” The Venice Biennale Festival of Modern Art since 1895, proves an enlightening experience as she tours around the galleries.
It is also interesting to read about the Venice in Peril Fund, an appeal first launched by UNESCO in 1966 following the devastating flood to protect the city from further disaster. Residents say that “Venice is not sinking, the water is rising”. The fasinating chapter, Watercraft of Venice tells the colourful history of the various boats, barges, ornately painted gondolas and the traditional role of the gondolier.
Gillian ends the book, with a fond farewell, “my love of Venice will grow ever stronger with the years to come. Ciao Venezia, e grazie mille”.
“Venice” by Jan Morris, (first published 1960) is now a modern classic and described as one of the best travel books about Venetian life and character, its waterways, architecture, bridges, tourists, curiosities, brought vividly to life.
In similar vein, Gillian Angrave shares her love affair with Venice, capturing its timeless, dreamlike sense of place. In his “Guide to Alexandria”, E. M. Foster advises the best way to look at the city is to “wander aimlessly about”. That is exactly what Gillian accomplishes on her own wandering, meandering and sauntering around La Serenissima.
Her observations are not intended to be a comprehensive city guide covering the usual list of where to stay, eat, drink and what to see. Instead, her humour, enthusiasm, knowledge, passion and quirky anecdotes offer a most enlightening narrative. Pack a copy of this slim, well illustrated book as your perfect travel companion in your pocket for your next trip to Venice.
Venice: The Diary of an Awestruck Traveller – Volume 1, From Swamp to La Serenissima
by Gillian Angrave
(available on Amazon – https://www.amazon.co.uk/dp/0995573948
P.S. See also Venice: The Diary of an Awestruck Traveller, Volume 2. (review to follow soon).