Tommy Fitchet @ Saorsa Gallery: 365 landscape paintings on a small scale = a stunning show of mini masterpieces
“ I have found that my art is most fluid and expressive when working directly onto glass. When the sun suddenly comes out and shines brightly upon the sea or the land just for that brief moment – that is what I am trying to capture in my paintings.” Tommy Fitchet
Tommy Fitchet is a self taught artist whose most original and creative artwork showcases distinctive, abstract modern ‘stained glass’ paintings, inspired by the Scottish landscape from the city to the seashore as observed through the seasons.
Following the success of his previous exhibition, 100/100, which raised over £5,500 for Cancer Research, he decided to challenge himself to paint a small scale landscape each day for a year, starting in September 2016.
The result is this new show, 365, at Saorsa Gallery, Stockbridge, Edinburgh, where all the walls are hung, virtually floor to ceiling, with a collection of 365 wonderful wee paintings: each measures 22 x 22 cms in smart wooden frames. Again, all these paintings are sold in aid of charity.
The theme embraces Tommy’s journeys around Scotland, in particular the wild natural beauty of sandy beaches, peaceful farmland and high mountain peaks of the Isle of Arran.
The effect of oil on glass creates a gleaming, glossy layer with a rich, deep sense of colour and soft, shimmering shades of light to reflect marvellous images of sun and sea. These are stunning abstract land and seascapes through a swirl of bright blues, purple haze, sunset orange, grass green fields and forest of trees.
With a dark, intense mood, you can almost depict the icy chill of white snow and dark black rock in stormy winter weather in these impressionistic compositions.
With his palette of oils, from rainbow colours to crisp cool monochrome, the viewer will feel an extraordinary energy and atmosphere of the outdoor air, so well captured in these mini masterpieces.
The paintings on show at this exhibition are available to purchase at a most reasonable £100 each. Most importantly, 50% of the sale price will be donated to two charities, Cancer Research and CHAS (Children’s Hospices Across Scotland).
365 – this exhibition runs from 7 – 24th September, 2017. Thursday to Sunday, 12 noon – 5pm.
SAORSA, 8 Deanhaugh Street, Edinburgh EH4 1LY. Tel. 0131 343 1126
Paperworks 4 – Marion Barron, Trevor Davies and Ruth Thomas – the beauty of nature with painterly precision
During the Edinburgh Festival Fringe 2015, I was delighted to see an exhibition by the Working Lines Collective entitled Paperwork 2 at the Ski Club, Howe Street. As I wrote in my 5 star review on Edinburgh Guide:
Paperwork 2 is an evocative, inspirational collection of diverse yet complementary work, the nuances of shade, line, pattern and composition all pleasing to the eye, as you wander from room to room”.
This year for ten days in August, the Working Lines Collective was back with Paperwork 4, featuring Trevor Davies, Marion Barron and Ruth Thomas, who met and studied at Edinburgh College of Art.
While their Festival Fringe 2017 exhibition is now over, this is an illustrated feature to promote their creatively-crafted Paperworks.
Inspired by contemporary urban landscape, Marin Barron studies the concept of the structure and fabric of buildings: “My recent research has focussed on the aesthetic of post war Brutalist buildings. I explore pattern, form, colour, line and space, the environmental and social aspects, although the visual aspects are of greater interest to me”.
Marion paints in oil on linen, canvas or paper, slowly developing the surface for a strong depth in colour, tone and texture, such as here in “Fold”.
These vibrant colours are most effective, drawing the eye in to study the graceful geometric line and shape. With its backdrop in soft cream and grey, the simple yet bold columns of crimson and coral in “Structure” is also a striking, architecturally-defined image.
Trevor Davies is a master of delicate still life drawings, impressionistic landscapes as well as fine figurative sketches. Heading in a more abstract direction is a series of minimalist landscapes such as Duddingston Loch(1). This comprises a strip of newspaper column, the Lonely Hearts page with tiny requests starting with four letters, WLTM: a whimsical, richly textured work.
Twenty-Two is also an amazing combination of watercolour, muslin, oil, graphite and newspaper on paper. In similar mode to the artist Philip Reeves, these collages involve a process of distilling the theme down to the materials, then re-building the image as a layered construct.
In his quietly composed Still Lifes, meticulous representations of cool circles and curved bowls conjure up the pure contours in the natural world: ‘The endless line of a circle, its internal space both enclosure and entrance, and what might be joints or doorways within a landscape all find their way into my pictures’
Ruth Thomas is an Australian artist who, having studied in Edinburgh, is fascinated by the coastlines of Scotland and New South Wales, “Nature’s calligraphy: the myriad of lines on windswept beaches, the richly coloured rock faces, the delicate structures of shells and seaweed.”
Her work covers painting, printmaking and drawings in which the decorative detail shows her passion for geology as much as art, capturing how the waves of the tide smooth the pebbles on the shore.
Ruth also enjoys the ancient Art of Mokuhanga, Japanese Woodblock Printing to create concertina fold-out books of miniature paintings. She also makes eco-printed paper from fragrant Eucalyptus, Banksia and Grevillea leaves.
These three distinctive artists offer a diverse selection of prints, drawings, sketches and paintings yet complement each other, – sharing a broad theme of the environment with an individual artistic approach. At previous Festival exhibitions, comments in the visitors’ book are most enthusiastic: ‘such varied and beautiful work’ & ‘I loved the delicacy and the thoughtfulness.’
Once again, Paperworks 4 was a most inspiring and evocative collection to express the beauty of nature with fine crafted imagery and painterly precision.
Make a date in the diary for Paperworks 5 – hopefully it will return for the Festival 2018!
For more information:
“Tread softly on the shore, step lightly at the margins,
where the sky is thin and land meets sea,
and heaven touches earth”.
from Tread Softly on the Shore, Sue Mayfield
Anne Butler studied at Leith School of Art, Edinburgh and now lives and works in Dumfries and Galloway. She describes her work as a free and loose style responding to the Scottish landscape, weather and seasons. “Colour is very important to me. I think colour can change moods. I paint in acrylic, building up layers and scraping back to reveal the colours beneath”.
Sue Mayfield is a writer of many talents, publishing award winning fiction and non fiction for children and adults. Her most recent books are Under the Sea (2012) and Hill of the Angels (2016). Around the gallery is a series of lyrical poetry to reflect the dramatic mood of Anne’s paintings.
Colour is clearly the dominant aspect of Anne’s vibrant green and blue land and seascapes. Country fields are created like a patchwork quilt with bold abstract cubist style blocks, representing yellow summer corn, verdant green grasses and russet red leaves of Autumn.
“Full Moon over Blue” is a marvellous scene, reminiscent of Joan Eardley’s “Catterline in Winter” – pale moon, snow and clifftop cottages.
What the viewer will appreciate so much is how these dreamlike illustrations of land and sea are evoked with such emotion through the power of the written word.
Most impressive are the wild energetic waves and splashing spray of the sea in “Taste the Salt Drench,” as described beautifully in Sue’s poem, “A Thousand Thousand Tears.”
To cross the ocean, face the deep….
Taste the salt drench of a thousand thousand tears.
from A Thousand Thousand Tears, Sue Mayfield
There is a recurring theme of time, memories, ghosts of the past, reflected in an underlying narrative about fishermen, ships which pass in the night, the flow of the seasons, Spring flowers to migrating geese.
While Anne paints the grey expanse of skies, stormy seas, boats and birds, Sue captures each vivid view in verse:
Out of the blue … a man emerges bearing fish,
a wish, a skylark sings, a heron uncrumples sailcloth wings.
from Out of the Blue, Sue Mayfield
There is such poignancy in her perfectly crafted phrases, richly reminiscent of the short, sharp poetic style of Sylvia Plath observing rural life, tulips and honey bees in her Devon garden.
These paintings and poetry create an artistic and literary dialogue, where images of moorland, meadows, sandy beach and ocean waves are echoed both in colour on the canvas and words on the page.
The Dundas Street Gallery,
6 Dundas Street, Edinburgh
2 – 7 September 2017 – daily, 10am – 6pm.
for more information:
‘The passion of creating clothing comes from the idea that if they are stylish, yet practical and robust, they allow you to be carelessly elegant and have confidence to look good.’ Paul Walker
Walker Slater, the Scottish tweed tailoring company, was founded in 1989 in Laggan before opening on Victoria Street, Edinburgh, followed by stores in Glasgow and London.
Specialists of fine casual and formal clothing for ladies and gentlemen, it was named Retailer of the Year 2015 at the Scottish Fashion Awards.
From traditional tailoring to contemporary style, Walker Slater is renowned for tweed jackets, trousers, waistcoats, three piece suits, overcoats and knitwear in quality wool and tweed produced in the Borders, Shetland and Harris. What could be more classic than a beautifully designed, made-to-measure three piece suit for a special occasion.
The Caledonian Hotel, Princes Street, Edinburgh is celebrating its fifth birthday in September as a Waldorf Astoria. With the grand art deco hotel as a backdrop, Walker Slater will stage a fabulous fashion show – a sneak preview of the Autumn/Winter 2017/18 collection.
This style event will take place in the hotel’s glamorously elegant Peacock Alley on the afternoon of Friday 15th September, hosted by Scottish broadcaster and Deacon Blue drummer, Dougie Vipond.
During the catwalk show, guests will experience a luxury Afternoon Tea inspired by the botanicals of Edinburgh Gin. Enjoy a seasonal selection of sweet and savoury treats, complemented by a crafted gin cocktail, delicately flavoured with orange, lemon, heather, coriander, juniper, and pine.
The new curated WS clothing range is sure to keep you warm during the Autumn and Winter months. Ladies may relish beautiful Scottish cashmere, everyday clothes from city street to country walks, and day to evening wear.
The preview will also launch ‘Messrs,’ a youthful collection with a contemporary look, fit and colour palette, from Harris Tweed suits to leather jackets.
“As an old Victorian railway station, The Caledonian has over 110 years of rich heritage in Edinburgh, of which we are very proud. Walker Slater also has a strong Scottish heritage and worldwide reputation for style, offering the perfect synergy with Waldorf Astoria Edinburgh.” Dale MacPhee, General Manager, Waldorf Astoria Edinburgh, The Caledonian.
The much beloved “Caley” hotel today as part of the Waldorf Astoria portfolio, represents the epitome of international luxury travel, and this classic Scottish fashion brand, creates the ideal partnership.
Walker Slater boutiques also presents a range of fabulous, must-have accessories for women and men including bags, gloves, scarves, shoes, tweed-wrapped hip flasks and gifts, perfect for the winter season and Christmas.
“They have an attention to detail befitting a Parisian couturier and the flair of a Tokyo street-wear brand.”
Tickets for the Waldorf Astoria & Walker Slater fashion show with Afternoon Tea, are priced at £45 per person.
Be the first to join the A –List FROW * by reserving your place soon! (* Front Row @ fashion show)
Book tickets at Eventbrite at: http://bit.ly/2g4WiqA
Throughout the month of September, an inspiring diary of events will celebrate the 5th birthday of The Caledonian as a Waldorf Astoria. Highlights include a luxurious stay in the Caley Suite, an Oyster & Champagne Masterclass at Galvin Brasserie de Luxe and classic Cocktails in the Caley Bar.
For more information:
The British custom of Afternoon Tea was invented by Anna, the seventh Duchess of Bedford around the 1840s. With a long wait until dinner, every day around 4pm, she felt ” that sinking feeling” and requested a pot a tea and light snack during the afternoon. She then began inviting a few friends to join her sociable soiree. This innovative idea soon spread, with ladies hosting afternoon tea parties where guests enjoyed a perfectly poured cup of tea, slices of cake and lively gossip and conversation.
As popular today as ever, traditional Afternoon Tea continues at many luxury hotels around the UK: In Edinburgh, it is served in elegant style at The Sheraton, The Balmoral and in the Peacock Alley @ Waldorf Astoria, Edinburgh.
Warmly recommended is the colourfully-designed Cucina at the G&V Hotel, George IV Bridge, to sample a mini feast of tiny savoury sandwiches, scones, clotted cream & jam and patisserie, served with speciality leaf teas. And do indulge yourself with an ice-chilled, beautifully crafted Cocktail or a delicious sparkling Prosecco.
What a delightful, leisurely way to spend the afternoon, far from the madding crowd and cultural buzz of the Festivals this August. On sunny days, there’s an outdoor terrace outside Cucina, for a special summertime treat.
And, of course, you can always book a table here anytime .. . not just through this National Afternoon Tea Week!
Cucina @ G&V Hotel, 1 George IV Bridge, Edinburgh EH1 1AD
After a very successful exhibition last year on the Edinburgh Festival Fringe, Alice Boyle is back this summer with a showcase of scintillating new work at Howe Street Arts, Howe Street, Edinburgh, from 25 July to 13 August, 2017.
The title “Think Less, Feel More” is taken from a 5 star review by Waldemar Januszcak of the Abstract Expressionism exhibition last year at Royal Academy, in which he concluded:
“.. art that set out to paint the way we feel through evocation and sensation. There’s not enough emotion in our art any more. We think too much and feel too little”.
Inspired herself by the Royal Academy retrospective of Rothko, Pollock, Gorky, de Kooning, et al, Alice has taken a new route in the mode and manner of her own abstract expressionistic paintings.
Moving away from vibrant colours to a simplified palette, this exciting new collection exudes more of a sense of free-flowing energy and spontaneity, such as “Dancing on Waves” with its powerful force of deep, surging, surfing water.
There are also quietly subdued images such as “Are We Nearly Home Yet,” a delicately composed flurry of whiteness, depicting a cool, icy isolated landscape, real or imaginary, with a warming streak of bright orange.
Quirky titles reflect the human spirit and changing complexities of contemporary life, such as “Keep Connecting”, “It will Get Easier”, “Choices.” In similar vein is “Decisions, Decisions”, a mass of swirling circles like a cloud of confusing thoughts, the feeling when one is unable to make up one’s mind.
In a more celebratory mood, “Feel the Bright” is a vibrant display of what could be fireworks, with sparkling bursts of light and fire, in which you can almost hear the sound of snap, crackle, pop.
“Shine like a Bright Diamond” captures the sharp-edged, multi-faceted features of the gemstone with against an abstract flurry of colour, and dribbles of white paint like a precious pearl necklace.
Alice Boyle originally studied Interior Architecture and there are subtle influences here of monochrome, diagrammatic building blocks, blended with the Bridget Riley or Missoni approach to stylistic, structured pattern.
Alice uses acrylic paint with plaster to create richly textured layers on hardboard.
This is clearly evident in a humorous painting, “Let’s believe in Magic”, where thick brushstrokes create a golden yellow brick road ….perhaps leading us merrily along, off to see the Wizard, the Wonderful Wizard of Oz.
Around the gallery, spot Boyle’s artistic trademark of crescent moons, sparkling stars, swirling circles and oval eggs, which all reflect her own interest in the power of mythology as a way to understand the human condition. birth, life and our place in the universe. “Come Lie with Me” is a whimsical, childlike image of two round button figures, yet with an evocative sexual subtext of romantic love.
Following this theme, a most distinctive work is the visually imaginative, “Tree of Chaos” akin to a surreal Miro-esque environment, a symbol of growth and the natural world.
“Creativity is a wild mind and a disciplined eye” Dorothy Parker.
Boyle’s distinctively original work is both wildly creative, yet composed with an astutely detailed, decorative vision: expect to be challenged, emotionally touched and frequently amused.
As the title of the exhibition suggests, we should observe this enigmatic work without too much thought and analysis – just go with the flow, simply let the eye follow curving lines and dancing shapes without trying to find hidden depth and an absolute clarity of meaning.
Alice has let her dreams and imagination run riot and fly sky high – the viewer can only excited and exhilarated by these bold and boisterous paintings. Choreographed like a dance, you will feel a sense of spirited movement, rhythm and energy, representing a passionate love of life, joy and renewed hope – a fresh, new, sassy and sophisticated style of Abstract Expressionism for the 21st century.
“Think Less, Feel More” – Alice Boyle
Howe Street Arts, 2 Howe Street, Edinburgh EH3 6TD
25 July to 13 August, 2017 – 10am to 7pm daily.
“New Growth”: Abstract, Conceptual and Figurative Paintings by Davy Macdonald. Dundas Street Gallery, Edinburgh
“Until this point of my artistic journey I have focussed predominately on figurative painting together with landscape and still life studies. I now find my art evolving in new directions and recently have become interested in the development of abstract and conceptual art”
With his own unique and innovative series of artistic genres, Davy Macdonald has been exhibiting in Edinburgh and London since 2009. He has specialised in figurative works set within an historic or cultural background for his excellent Heritage Series such as Harris Tweed and Herring Lassies. These are stunning, dramatic paintings which tell the story of the women who wove the wool, against a backdrop of wild Hebridean seascapes, as well as the iconic fisherwomen at Newhaven harbour, shucking oysters and salting herring.
This exhibition, “New Growth” is a diverse and dramatic range of Figurative, Abstract and Conceptual work, which clearly show how he has developed his style with a renewed creative spirit. His fascination with history, as illustrated with his impressive narrative paintings, is also matched by an interest in mythology and symbolism.
A new departure is venturing into abstract paintings – bold, vibrant patterns which express a freedom of movement, colour and geometric shape. “3 Ways North” is a humorous, quirky representation of a map with the sign North, shown in three positions. Hang the picture any which way, to view the landscape of meandering roads, undulating hills, where the eye follows the compass direction upwards, right and left.
Follow Davy on an artistic journey, real or imagined. Reflecting on the political and environmental challenges which the world is now facing, “Weeping Earth” is a poignant and powerful illustration.
Picture the bleak scene: a wild sky of threatening dark clouds, a mass of grey, black and white captured in bold brushstrokes. Streaks of crimson red appear to drip like blood on to the stark, dry desert below, scorched in the heat. Simple in structure, it packs a punch in its vibrancy and apocolyptic vision.
With his interest in Chinese art, “Jade Mine” is another striking conceptual image, reflecting the Yin and Yang theory of passive and active energy. Against the dark green of high mountain peaks, there’s the fiery glare of a red sun. Jade gemstones hold a significant place in the Chinese culture, believed to be a bridge between heaven and hell, symbolising knowledge, perfection, constancy and immortality.
Japanese cinema from the 1970s is also the subject of a few works, featuring such characters as such as Lone Wolf and Lady Snowblood. This cult classic movie from director, Toshiya Fujita, a young woman (Meiko Kaji), trained as an assassin to seek revenge for the murders of her father and brother; the choreographed swordplay is described as visual poetry.
Macdonald has returned to his Heritage series of the Herring Lassies, evolving the theme by placing two or three young women in a less defined landscape. They stand, holding baskets of fish, gazing out at distant hills at sunrise, perhaps remembering and dreaming of their island home.
Rather than the naturalistic setting of Newhaven harbour, this could be the Scottish Highlands, Outer Hebrides, Finland, Norway, Iceland. These are most impressive figurative-landscapes, evocative of a freeze frame in a film, a moment in time, expressing a quiet emotional sense of nostalgia and loss.
Around the gallery are new Portraits such as the artist’s muse, Evelyn Nesbit, the fair-skinned beauty from Tarentum, Philadelphia.
After her father died, leaving her Scottish-Irish family in debt, Nesbit became a muse, modelling, fully clothed,for artists. In June 1900, she moved to New York City and soon, she was the most in-demand model, for portraits and fashion advertising, in Manhattan.
There are also examples of the classic Gothic Edinburgh paintings, and from the original Herring Lassies series. These are popular images with prints and originals being shipped around the world across Europe to Beijing.
Having known Davy Macdonald’s work for a few years, this is an inspiring and imaginative exhibition of figurative and abstract oil paintings, as well as Limited Edition Prints. Prints are available to purchase from the ETSY shop. Each paper edition is strictly limited to 125. Canvas prints are limited to 18 for each series.
Commissions for Portraits are also welcome.
See more information at – www. dmacart.com
New Growth – Paintings by Davy Macdonald
Dundas Street Gallery, 6 Dundas Street, Edinburgh EH3 6HZ
Saturday 22 July to Saturday 29 July, 2017. 10am – 6pm daily.
“The Lightness of Being” – Alison Simpson and Amanda Baron – delicate, decorative paper and glass artwork at the Birch Tree Gallery, Edinburgh
The Birch Tree Gallery opened on Dundas Street, Edinburgh in March 2017 specialising in showcasing the fine art of Craft. The gallery name represents the simple yet effective image of the texture of bark to denote the wider world of nature as represented through art. A range of regularly changing exhibitions feature a diverse selection of artists who specialise in natural materials, creatively working with textiles, wood, glass, ceramics, paper, porcelain, metals, silver, gold, gemstones, as well as linocuts, mezzotints and screen prints.
“The Lightness of Being” currently showcases the innovative work of Alison Simpson and Amanda Baron, who specialise respectively in Paper and Glass.
At Art College, Alison trained first and foremost as a sculptor, forging a career in metalwork, constructing and casting in steel, bronze and iron. But after a decade or more, the heat, heavy weight and hardness of the work and materials ceased to be an inspiration, and she wisely turned to learning about and experimenting with the delicate art of paper-crafting. Paper can be made from any plant, and Alison uses the fibres from cotton and linen and locally grown Scottish flax.
Around the gallery is a series of beautifully framed, white and gold, textured, decorative Paper squares. “Through Trees” shows what seems like a woodland of tall slender trunks, with perhaps the glow of the moon beyond. It is meticulously crafted, to reflect the light-as-a-feather, literally “paper-thin” material of the delicate fibrous fabric.
Around the gallery is also a marvellous display of sculptured paper ornaments such as a linked chain of bluebells with pretty petals, shapely shells and tiny birds.
Alison lives and works on the Moray Firth, where the natural environment of the sea, beach, changing light and weather is all a rich stimulus in her creativity. As she explains, “When I make a piece of art, I want the viewer to stop struggling to understand, just to stand, to breathe, to rest the eye. The complex and miraculous properties of paper allow me to do this, creating sculptural pieces that weigh little in comparison to their visual impact. ”
To complement Alison’s enriching papercrafts, Amanda Baron is exhibiting an enticing collection of decorative glass and jewellery. She studied Architectural Glass at Edinburgh College of Art, later Artist in residence here, and worked for many years as a conservator of stained glass.
This exhibition features stunning framed works of kiln-fired enamel on mouth blown glass. The theme of the environment is inspired from a visit to the Isle of Eigg where along the Singing Sands and Laig Bay Beach, Amanda observed the sky, clouds, rock pools, ferns, lichen and sand patterns created by the tide.
In such meticulous craftwork, “Sand Movement”, “Cloud Study”, and “Rock Pool,” the soft shades of blue, white and grey shapes almost appear floating in the transparency of the glass.
Here are circles, discs, ovals and patterned shapes to represent the impression of shards of light and droplets of water, grains of sand, shells, seaweed – fragments of the seashore recreated as imaginatively composed works of art.
As Amanda describes the process: “I make paintings on glass that reflect my research into elements of Scottish landscape. I highlight the qualities of glass using traditional painting, staining and enameling techniques that are relatively unchanged since the medieval period. The work is hand painted using kiln fired glass paints and can have up to six firings to build up surface layers. They embody and crystallise my response to the craft of the material and the beauty of landscape”.
The result is a masterly effect of landscape painting and botanical illustration inspired by traditional stained glass. See also her collection of jewellery, such as exquisitely polished and perfected orange, gold and green glass pendants.
This is truly a most inspirational and imaginatively curated exhibition, where the beauty of Scottish land and sea, from the Highlands to the Hebrides has been translated into such finely crafted artworks composed in paper and glass.
The Lightness of Being – Alison Simpson and Amanda Baron
6 July to 1 August, 2017
Birch Tree Gallery 23a Dundas Street, Edinburgh EH3 6QQ
I first came across the beautifully crafted and atmospheric landscapes of the Scottish Borders by Rose Strang when she exhibited her work at Whitespace Gallery, Howe Street, Edinburgh in July 2015.
At the time, I wrote: “There’s a distinctive sense of physically being outside in the open air as you study each canvas; it’s the subtlety of thin shards of sunlight through leaves as well as such a realistic perspective of each landscape”.
Rose is clearly inspired by the sense of place, the outdoor natural world and wide open spaces. This exhibition of new paintings, entitled Moonscapes, is based on her journey this summer to the Isle of Harris, the Outer Hebrides…..certainly a painterly destination for a breath of fresh air and stunning scenic views of mountains and seashore.
Before I describe the artworks, this is a fascinating story. Take a look at this photograph.
The white sands and gently lapping turquoise sea at Kai Bae Beach, Thailand looks like heaven on earth.
There is just one problem. The photograph is actually of West Beach on the beautiful, but slightly cooler, island of Berneray in the Outer Hebrides. Instead of sending a photographer to Kai Bae, Thailand tourism simply Googled images of idyllic beaches and borrowed one of Berneray. The sand dunes and calm azure water may look tropical, but distant Harris hills and a lack of coconut palms is not Thailand!
The diverse scenery around Harris is simply stunning and certainly an artist’s paradise.
Take a tour around Harris to view the lush, languid beauty of Luskentyre Bay with its iconic undulating dunes of pure white sand, etched with wild machair grasses along the shore.
A totally different terrain is experienced on the east coast of the island where you’ll find a rugged, rocky, raw and wild seascape. Rose must have studied each place for hours to capture the change of light from dawn to dusk. As the title suggests, there are delicate scenes of lochs and distant hills bathed in soft moonlight.
What is especially creative is the method by which thick brushstrokes of oil, perhaps with the addition of grass or sand added, (similar to the masterstroke by Joan Eardley) to create a realistic aspect to denote the texture and tone of the natural environment on the canvas.
Colour palette is muted but again, natural, with blends of turquoise and navy blue to show the shallow and deep water of the sea, matched by the bracken brown and sage green shades of wild flowers and foliage.
The paintings range from large landscapes to miniature vignettes, but all composed with extraordinary detail, especially the study and movement of waves and clouds.
What I admire about Rose’s briskly painted, sketchy style of land and seascapes, is that they are purposely not photographic. A Kodak or digital image represents the accuracy of a scene, but not the atmospheric mood, the gentle graduation of light and shade.
This is the work of someone who is totally absorbed by what she sees, and with the astute eye of an artist, is able to present a fresh, impressionistic clarity of vision.
Just like her paintings of the Borders, here again you really feel that you are standing there on the beach or wild moorland on the Isle of Harris. Catch the whiff of the salt sea air, the warmth of the sun or chill breeze of late evening – as you walk around the gallery.
Moonscapes: Isle of Harris by Rose Strang
14 – 20 July, 2017
Whitespace Gallery, East Crosscauseway, Edinburgh EH8 9HQ
If you cannot visit the gallery this week, do take a look at her website for images and information:
Underbelly, which stages Edinburgh Fringe productions from Cowgate to Bristo Square, and UK wide outdoor events year round, has been chosen as the new creative management team., taking over the reins from Unique Events.
Directors, Ed Bartlam and Charlie Wood, have brought together a crack creative team under Executive Producer, Martin Green. For five years he was Head of Events for London’s New Year, oversaw the 2012 Olympic Games celebrations, and is currently the director of Hull UK City of Culture, 2017.
From the programme line up, they are certainly starting their first year with a colourful spectacle and big bang.
An underlying theme is to take the New Year celebration back to its roots of the old Hogmanay parties at home, when revellers would tour around to “first foot” family and friends, with gifts of coal, shortbread and whisky. Edinburgh’s Hogmanay 2017/2018 will present an enormous “House Party” to bring local residents and international visitors together for a modern remix of the traditional Hogmanay.
Once again, it will be an exciting, colourful three day Festival starting with the ever popular Torchlight Procession on 30 December, when thousands of people will create a river of light down the Royal Mile to the Palace of Holyroodhouse and Queens Park.
As 2018 is the Year of Young People, a special project will bring kids and youngsters together to select one universal word, the #ScotWord to illustrate what Scotland means to them.
Another innovation in welcoming Festival goers of all ages, is a special event, Bairns Afore, a Hogmanay party for families which children in Princes Street gardens with their own mini firework display at 6pm. Then the bairns can be packed off to bed before the adults can go out again and party.!
Several years ago, on 30 December there was the regular “Night Afore Fiesta” with a parade of street theatre, music and entertainment, stilt walkers and giant puppets along George Street. When this ended, it was sorely missed. However, this style of Fiesta is back even bigger and better this year.
On Hogmanay, 31 December, the gates to the famous Street Party will open at 7pm. This will be a dramatic, exciting, new revamp to the usual event, with a fabulous Carnival of street theatre, acrobats, dancers and a spectacle of light and sound. Along and around Princes Street there will be three stages for a diverse range of musical entertainment. There will also be a Ceilidh in the Gardens, and the annual Concert at the Ross Bandstand – further details on bands and singers will be announced soon.
At midnight, the Fireworks will have an impressive and extended display to bring in the New Year with sparkling light, fizz, crackle and pop to delight the crowd of 60,000 revellers.
The festivities continue on 1st January when the brave or foolhardy can take a trip to South Queensferry to join in the traditional Loony Dook (or Daft Dip) in the Firth of Forth. Fancy dress encouraged!
After a rousing Hogmanay rendition of Auld Lang Syne by Robert Burns, the New Year will continue in literary mode, to celebrate its status as the first UNESCO City of Literature, and inspired by Burns’ poem, “Sketch New Year’s Day. ” Message from the Skies will feature a unique murder mystery written by best selling crime writer, Val McDermid in collaboration with director, Philip Howard. Taking city residents and visitors on a journey around the city, the short story will be projected around the streets and landmark buildings each evening from 1 – 25 January, Robert Burns’ birthday.
Edinburgh’s Hogmanay 2018 will celebrate the 25th anniversary of the first ever Princes Street Party, an event which gradually developed into a three day, world famous Winter festival. It is extraordinary to realise that it was Edinburgh which led the way to herald in the New Year with dazzling Fireworks from the Castle. This later inspired London, Sydney and Hong Kong and other cities to light up the skies at midnight.
Join in the party, the fun, fireworks, #Scotword, stories, songs and the fiesta spirit at Edinburgh’s Hogmanay 2018.
Say to the World: I WAS THERE.
“…. this is not the end of a year,
but the beginning of a new.
We will clasp the hands of every stranger,
Because this belongs to all of us.
This is our New Year.
This is ‘the’ New Year.
We’ll leave as beacons, shining lights
That say to the world:
I – WAS – THERE.
It’ll leave its mark.”
For more information: