A timely reminder that Fizz Feast returns to the Edinburgh Academy this weekend, an informative, inspiring event where you can sip a few delicious tipples and meet the expert winemakers to learn all about the wonderful world of Prosecco, Cava, Cremant and Champagne.
It’s the great opportunity to find your favourite Festive Fizz for Christmas and New Year parties.
So book your tickets and join in the seasonal fun at Fizz Feast 2018.
Tickets from £22.50, available from www.WineEventsScotland.co.uk
Saturday 17th November, 2018 – Two sessions, 12 – 3pm; 4 – 7pm
Edinburgh Academy, 42 Henderson Row, Edinburgh EH3 5BL
Whether you are planning a family dinner or a casual get together with friends, with a few bottles off Fizz to share, it guarantees to be a sparkling occasion. Cheers!
“They were crossing the Meadows glaring green under the snowy sky. Their destination was the Old Town, for Miss Brodie had said they should see where history had been lived; and their route had brought them to the Middle Meadow Walk”.
From “The Prime of Miss Jean Brodie” Muriel Spark
Born in Edinburgh in 1918, the novelist Muriel Spark was brought up in Bruntsfield and educated at James Gillespie’s School where an influential teacher inspired the creation of the charismatic Miss Brodie. Renowned worldwide for her literary genius and while Italy became her second home, Edinburgh was always special: she considered herself ‘Scottish by formation.’
Over the past fifteen years, I have followed Jamie Primrose’s artistic journey as he travels around his equally beloved home city of Edinburgh to paint his favourite scenes in colourful oils on canvas. This new exhibition, Sparkling Hues captures the parks, streets, lochs and rolling hills as well as the timeless beauty of the dramatic skyline through the changing seasons.
Primrose has a fascination with “the ephemeral nature of light” and here you can observe similar scenes “snapped” across the shifting times of day from dawn to dusk. Most impressive is the meticulous manner in which he illustrates the distinctive change of seasons from the birth of Springtime to crisp, chilly Winter.
With indepth personal knowledge of Marchmont where he lives, a familiar stomping ground in this show is The Meadows. Here is the flowering, frothy pink blossom of Spring, with shards of sun streaming through the branches, casting long shadows on the grass.
It is stunning to view this wide expanse of parkland and long avenues of trees, each scene showing how the light slowly shifts between the brightness of midday and the first glow of sunset. Muriel Spark would certainly have loved seeing these trees in Springtime, a fond memory from her schooldays:
“It was an Edwardian building with big windows that looked out over the leafy trees, the skies and the swooping gulls of Bruntsfield Links. The school was a ten-minute walk through avenues of tall trees. Leading away was another avenue of hawthorns, flowering dark pink, the May blossoms. Muriel Spark
In March this year, Edinburgh was in the grips of a hard winter with schools closed and normal daily life ground to a frozen halt for a few days. While his children enjoyed sledging in The Meadows, Jamie was keen to capture the quiet, white wonderland.
In paintings such as “Snow Shadows looking towards Arthur’s Seat,” “Last Light on Spottiswoode Street,” and “Sunrise on Middle Meadow Walk”, the icy snow with footprints, car and sledge tracks is depicted with brilliant clarity. Just look at this glowing salmon pink sky as the sun fades away.
Following the year through nature is very much the theme of this collection with the trees also dressed in the gorgeous, golden colours of October. “Autumnal Burst of Colour in the Meadows” is particularly representative of the exhibiton title, Sparkling Hues. Exquisitely crafted, this painting needs to be studied close up and personal to appreciate the subtle, soft haze of sunlight shining on the bright copper leaves.
As you wander around Dundas Street Gallery, you can also trek up Arthur’s Seat to see Duddingston Loch, take in a panoramic view across the city to the Firth of Forth from Blackford Hill and stroll along the towpath of the Union Canal, the charming rural waterway flowing through Polwarth.
Jamie Primrose also specialises in fine black and white Ink drawings of iconic city views, streets and church spires, from cobbled closes of the Old Town to the elegant crescents of the New Town. Commissions are also available for your favourite place to be preserved in a painting.
Visit the Dundas Street Gallery soon to see this marvellous, magical evocation of Edinburgh as observed through the natural world of our seasons.
The Dundas Street Gallery, 6a Dundas Street, Edinburgh EH3 6HZ
Saturday 3rd November to Saturday 10th November: Weekdays, 11am-6pm. Saturday, 11am to 5pm.
The clocks have been turned back an hour, we heading full speed into November, the weather is decidedly frosty and it’s time to start whispering the C word … and all that this implies … Christmas, Celebration, Cards, Chocolate, Cheese, and of course Cava and Champagne.
Save the date – Saturday 17th November 2018
Where: Edinburgh Academy, Henderson Row. Time: Two sessions,, 12 – 3pm; 4 – 7pm
If you have not experienced this super, sparkling show, what’s it all about?
Organised by Diana Thompson of the award winning Wine Events Scotland, Fizz Feast is the only exhibitor event in the country for consumers to meet wine producers, sample tastings, purchase and order a diverse selection of Champagnes and Sparkling wines.
This year, Fizz Feast is showcasing Champagne, Prosecco, Cava & Sparkling Wines from vineyards and wine makers worldwide, literally from A – Z, Ambriel English Sparkling Wine to Zonin1821 Prosecco from Italy.
First established in 1734, the world famous House, Champagne Taittinger Reims, produces high-quality champagnes, a distinctive blend of grapes – Chardonnay (35%) Pinot Noir (50%) and Pinot Meunier (15%), to reflect the unique Taittinger style. This is the finest region of the Champagne country stretching from the Côte des Blancs to the Vallée de la Marne and the Montagne de Reims.
“When it comes to champagne it is hard to beat Taittinger. The Brut Reserve is renowned for its golden yellow colour, hints of fresh fruit, brioche and honey. A delicate, fresh and elegant wine – an excellent aperitif.” Frost Magazine.
To learn more about this Rolls Royce of deluxe brands, from Brut Reserve to Prestige vintages, reserve a place for the Taittinger Masterclass at 12.30pm with Master of Wine Mark O’Bryen. (Tickets £7.50 )
The first Cava labelled Vilarnau was created in 1949 made from grapes grown on the “Can Petit i Les Planes de Vilarnau” estate for several centuries. Today Vilarnau Cava, a small aritisan, cutting edge winery near Barcelona offers a modern, artistic concept to wine making and presentation. Their colourful floral labels reflect the Spanish sunshine, nature and “the character and spirit of Vilarnau: contemporary, elegant and minimalist.”
There’s a fizzing selection, such as Vilarnau Demi Sec, Vilarnau Brut Reserva, Brut Reserva Rosé, Brut Nature Vintage. Cavas which are aged for longer, the bubbles are much finer and rise slowly, creating a long-lasting mousse. Vilarnau is a pioneering Cava house also creating two Organic wines, Vilarnau Brut Nature and Vilarnau Demi-Sec.
Hamish Breden will introduce the various editions of this award winning Vilarnau Cava at a special Masterclass taking place at 1.45pm. Just a fiver a ticket to be booked in advance.
Greyfriars in Surrey produces high quality sparkling wines using the traditional method of secondary fermentation and ageing. The vineyard is planted with the three classic Champagne grape varieties; Chardonnay, Pinot Noir and Pinot Meunier, which suit the unique chalk soil conditions and climate of the North Downs.
At Fizz Feast you may be able to sample of Greyfriars wines – Cuvee Royale, Blanc de Blancs, Non Vintage Sparkling Cuvée, Sparkling Rosé Reserve et al.
Greyfriars Sparkling Rose Reserve “ A delicate pale colour reminiscent of a rose from Provence. Hints of vanilla and summer fruits on the nose with fresh fruity flavours of berries.”
“Greyfriars Blanc de Blancs is a cracker. It comes from the estate’s Chardonnay grapes and is fuller, rounder and creamier and nuttier with a rich softness like lemon curd smeared on a warm brioche.”
Established in 1821, Zonin has become Italy’s largest privately-owned winery and Zonin Prosecco is made from the Glera grape, native to the Veneto region. Zonin Prosecco Brut NV DOC is described as light and refreshing, a palate of fresh pear, dessert apple, with a floral and almond aroma.
“Prosecco is the beginning of almost any Italian celebration, whether as an aperitif or enjoy it throughout the meal. A bottle of Zonin Prosecco is the easy way to make any experience truly Italian and one that enhances the joy of life.
It is not just a sparkling wine, but a wine that sparkles”.
Francesco Zonin, Vice President, Zonin1821.
Digby Fine English Wines is a most inventive brand co-founded by Jason Humphries and Trevor Clough who employ the exemplary Irish winemaker Dermot Sugrue to source fruit from farmers across southern England, to create their Sparkling wines. It is fascintating to learn that Digby is named in honour of Sir Kenelm Digby, a 17th century pirate who was involved in developing the modern wine bottle. Cheers to that!
Most inspiring and extremely vital for a growing consumer market, Vegan Tipples is making their first appearance at Fizz Feast having only launched in 2018 as a one stop shop for quality drinks with the use of no animal products. Eggs, milk, Isinglass (fish bladders) and sometimes Gelatin, are used in the process of alcohol production and many drinkers (vegetarians or not) may be unaware of this. The company is the supplier of a wide range of 100% organic drinks – beers, wines, and spirits sourced worldwide.
Their Fizz selection includes Pierre Mignon Champagne, Cremant de Loire, Blanc de Blancs, Cava Brut, Sparkling Chardonnay and Shiraz. Vegan Tipples is based in Leith so very handy if you wish to visit the store to stock up on a box or two!
The very well established firm, Cockburns of Leith was founded in Edinburgh in 1796 by Robert Cockburn, brother of the famous literary figure, Lord Cockburn. Spanning four centuries, its customers have included Sir Walter Scott, Charles Dickens and King George IV.
Scotland’s oldest wine merchant serves retail, corporate and trade customers offering champagne, sherry, and port, red, white, and sweet wines. Cockburns will be presenting a selection of Champagne, sparkling wines as well as an innovative juicy red Prosecco.
Jonathan Simpkin of Woodhouse Wines will be back this year presenting another excellent tasting event combined with his expert advice, knowledge and passion on the subject. High Street stores, Oddbins and Lidl will also show off an enticing display of cool, crisp fizz for Christmas and New Year celebrations.
Whether you sip a classy Champagne or a cheeky Cava, an aperitif is complemented perfectly with a few nibbles or indeed serve with festive oysters, lobster, fish, meat, cheese and desserts. Festival goers will also find an appetising feast of quality foods to sample and purchase such as Tobermory Smoked Trout and other seafood from the Isle of Mull, Sardinian speciality foods, chunky cheddar from Damn Fine Cheese, Flavour Magic spices and Fairtrade organic Pacari Chocolate from Ecuador.
Pacari Brand Ambassador Juan Santelices will join Fizz Feast organiser Diana Thompson to match this superior chocolate with the perfect fizz in an inspiring Masterclass at 4.30pm. (Book tickets on line).
For a refreshing change of tipple, perhaps try and G&T with Caorunn Gin and slice of red apple. Around the Feast Hall will be candles, crafts and artisan foods – perfect Christmas gifts, as well as tasty treats for the Festive season.
What a fabulously fizzy, effervescent event, huge thanks” – Jonathan Ray, author & exhibitor
“What a fabulous event. Well done Diana!” – Joanna, visitor
“Fantastic excitement and fun. Loved every minute” – Zoe, visitor
“Spectacular! We all really enjoyed it, thank you” – Janine, visitor
So book your tickets and join in the seasonal, sparkling fun at Fizz Feast 2018!
Tickets – starting from £22.50 – available from www.WineEventsScotland.co.uk
Saturday 17th November, 2018 – Two sessions, 12 – 3pm; 4 – 7pm
Four Masterclasses – Taittinger Champagne, Vilarnau Cava, Pecari Chocolate & Fizz, Digby Fine English. Advance tickets, £5 – £ 7.50
Fizz Feast is organised by Diana Thompson of Wine Event Scotland, a qualified Wine & Spirit Education Trust tutor with almost 30 years in the wine industry. Year round she hosts wine courses, workshops and masterclasses with wine producers, importers and Scottish independent retailers.
“Best Hospitality & Drinks Industry Marketing Company – Scotland” Lux Magazine
Wine Event Organiser of the Year, Lux Wine & Drink Awards
“Wine Event Organiser of the Year” – Scottish Enterprise Awards 2018
“Timeless Places” by Anne Butler: an expressive meditation on our natural world with ‘joie de vivre’.
Solo exhibition “Timeless Places:”
15 – 20 September 2018
Dundas Street Gallery, 6a Dundas Street, Edinburgh EH3 6HZ
Opening times: 10am – 6pm.
Anne Butler is renowned for abstract landscapes and floral studies with a vivid, vivacious use of colour. Last year in September, I visited Dundas Street Gallery to view her showcase of paintings entitled “Land and Sea” featuring most evocative scenic views.
As I wrote at the time, “ There is a recurring theme of time, memories, ghosts of the past, the flow of the seasons, Spring flowers to migrating geese. Colour is clearly the dominant aspect of Anne’s vibrant green and blue land and seascapes.”
This new exhibition “Timeless Places” takes the viewer on a journey from the idyllic Hebridean island of Iona to the Canal Du Midi in France, as well as an artistic reflection on a recent loss in her family.
Anne spent a month on Iona in the early part of this summer. As she recalls, “ I like the changing weather on Iona. It can be misty in the morning, wild and windy in the afternoon and calm in the evening.”
The great pioneering Impressionist painters Monet and Cezanne found that they could capture the transient effects of sunlight by working quickly, “en plein air” rather than in a studio.
“For me a landscape hardly exists at all as a landscape, because its appearance is changing in every moment, but it lives through its ambience, through the air and the light, which vary constantly.”—Claude Monet
Likewise she works outdoors and in all weathers, painting in acrylic to build up layers with a rich colourful texture. This creates a marvellous perspective of sand, sky, sea, grass, rock, wild flowers through thick brush strokes to bring an intangible freshness to the scene.
Standing in front of these wildly abstract paintings, it feels as if you are there too on the sandy beach with the breeze of salt sea air and the sound of lapping waves.
Iona has attracted artists for decades most notably the Scottish Colourists. After painting scenic views in Venice and along the Cote d’ Azur, it was on a trip to Iona where Francis Cadell realised that the light on the West Coast of Scotland was perfect and he visited Iona almost every summer from 1912 for the next two decades. He felt very much part of the island community as described in his poem One Sunday in Iona, 1913.
Warmed by the sun, blown by the wind I sat
Upon the hill top looking at the sound.
Down in the church beneath, the people sat
On chairs and laughed and frowned.
No chairs for me when I can lie
And air myself upon the heather
And watch the fat bees buzzing by
And smell the small of summer weather
Let them bow down to God unfound
For me the sound that stretches round
For me the flowers scented ground
Upon the hilltop, looking at the sound.
Iona has preserved its symbolic status as the birthplace of Celtic Christianity since St. Columba arrived here from Ireland in 563 AD to build a monastery. Today the Medieval Iona Abbey has daily church services and residential Retreats.
“Pilgrimage” was painted after chatting to a visitor who had travelled from Minneapolis, just one of thousands of people who come to experience both the religious heritage and the restful, unspoilt beauty of the island.
Shimmering shades of blue reflect both sky and sea against dark grey blocks which could represent the Abbey or rocks on the shore. A sleek streak of aqua paint drips down the centre, creating the fluidity and movement of light and water with a dreamlike, meditative mood.
Tranquility too along the Canal du Midi, Languedoc which has attracted generations of artists. Here, Anne depicts the colourful expanse of vineyards and fields which flourish with pink poppies, lavender and golden sunflowers.
Around the walls are marvellous impressionistic landscapes re-imagined like a patchwork quilt as well as more realistic scenes such as Autumn trees, farmhouses and the grassy meadow around Arthur’s Seat, Edinburgh.
There is a bold immediacy working on a scene while in the scene, a snapshot of the fleeting quality of light amidst painterly patterns. In this masterly new collection or artwork, Anne Butler captures the lingering, lost atmosphere of place, the underlying tranquil timelessness of beauty in our natural world with an expressive joie de vivre.
“Painting from nature is not copying the object, it is realizing sensations.”—Paul Cézanne
“Berlin in Stone” – a photographic journey through place and time with classic artistic vision by Eion Johnston
Berlin in Stone – Photographs by Eion Johnston FRPS
The Life Room, 23B Dundas Street, Edinburgh EH3 6QQ
Tuesday 11th – Sunday 16th September 2018 (open 10.30 – 17.30)
Award-winning photographer Eion Johnston, FRPS, who lives in Edinburgh, has visited Berlin regularly over the past thirty years observing its architectural heritage, past and present. This two part exhibition captures a snapshot of a crumbling building damaged during 1945 and the remaining fragment of the Berlin Wall. These are more than just photographs – these are artistically crafted compositions to reflect, through hindsight and contemporary viewpoint, the aftermath of a city at war.
Through a series of panels, Berlin 1945 depicts a stone wall, punctured with bullet holes and blasts of shrapnel which pierced the fabric of the building. With extraordinary juxtaposition and layering of black and white photographic images, here too we see the ghosts of war captured like a classical sculptured frieze, human figures frozen in mid-movement, representing aspects of comfort, hope, despair and death in their war torn and destroyed city.
The main focus for Ancient Greek artists was to depict ultimate beauty and harmony, the physicality of man, his Olympic strength and endeavour in sport and in battle. With extraordinary vision, Eion Johnston has replicated the stylistic, athletic pose and poise of classic sculptures with images of slim, toned models in Berlin today. The background has a grainy textured quality which emphasises a forgotten, faded sense of place and time. One or two people viewing these photographs were convinced that these were real, historic decorative friezes carved on a wall in Berlin.
What is most moving about combining the bullet blasted stone with modern life studies is that the figures represent both the citizens who suffered and died during World War II and also young Berliners today, surrounded by memories still present within the ruins of the past.
The second part of the showcase, The Wall follows a similar artistic format whereby life studies of models have been placed against the stark grey concrete of the Berlin Wall. About a kilometre has been preserved as a valuable historic monument, a living symbol of the physical and political divisions between East and West Berlin, 1961 – 1989. Now partly destroyed, strips of steel supports are visible which gives the impression of prison bars holding back the male figures, viewed from behind, as if trapped against a cell wall, while another has his arms out stretched as if to represent the Crucifiction.
This dual perspective of Berlin in Stone reflecting the city’s tragic heritage, presents re-imagined classical mural iconography with contemporary vision which is simply breathtaking in its power and poignancy.
A selection of photographs from Berlin 1945 was submitted to the Royal Photographic Society last year, for which Eion Johnston proudly received the award of “Fellowship of the Year, 2017”. A most prestigious honour in recognition of this memorable and masterly collection.
A fresh, new look for Lancers Brasserie celebrating its fine Indian heritage in Stockbridge, Edinburgh
The Bengal Lancers, the Indian Regiment during the British Raj was founded around 1803 when the East India company required an army of native horseman to protect British trade interests in India. The son of a Lieutenant Colonel, James Skinner, born of mixed British/Indian race with Scottish ancestry, was given the task of recruiting soldiers for the Regiment first named “Skinners Horse” or the Yellow Boys due to their uniform.
Lancers Brasserie in Stockbridge, Edinburgh commemorates the pioneering life of Abdhul Samad Choudhury, a hard working cook in the Bengal Lancers – as a Pacifist he would ride backwards into battle. His son then ran a Biryani House in East Bengal. With an adventurous spirit, Abdhul’s grandson Bodrul Hussain left his village on the Barak River and travelled first to Paris and then Edinburgh, where in 1985 he opened this Indian Restaurant.
Thirty three years on, time for a decorative face lift and revamped, modernised menu. The design across two rooms combines royal blue plush fabrics, banquette seating, basket cane bentwood chairs, rose and beech wood, brass and chrome gilt, decorative lamps with woven cane also used in the framed artwork.
Around the plain walls, perhaps there could be the addition of colourful illustrations of the smart horsemen of the Bengal Lancers to reflect the family’s Indian heritage.
Start the evening with an aperitif – there’s a fine list of Cocktails and Spirits to suit all tastes. My partner Ken selected the ’85 Old Fashioned, served here since day one, (Glenfiddich whisky, orange and angostura bitters), garnished with a strawberry rather than the expected orange twist.
While studying the menu, I sipped a Pomegranate Martini, (Edinburgh Gin, Cointreau with lemon and pink Pomegranate juice). Alternatively, Lancers Royale (cherry brandy and prosecco), Mojito and Daiquiri.
The real taste of the British Raj is of course a classic G&T with a varied selection of brands including Jin-Dea from the Goomtree Estate, India and made from First Flush Darjeeling Tea, a floral Himalayan black leaf ‘Champagne of Tea’.
This lemon & grapefruit citrus based gin is infused with aromatic spices, peach, apricots, coriander, ginger, fennel, cardamom, cinnamon and angelica. Jin-Dea is ideal for all highball drinks, G&T’s, Tom Collins and a Classic Martini with a twist of grapefruit.
“I am a gin person and this is the best. I had it in Scotland in a gin and tonic and it was the most delicious and memorable G&T I ever drank.” Mary, Texas
A choice of beers too, from Scottish Brewdog Punk IPA to Kingfisher – The Real Taste of India – on draught for the perfect accompaniment to a spicy curry. Mocktails, non-alcoholic beer and soft drinks for drivers and non-drinkers.
So to the food: A diverse choice of Nastha (Starters) from classic vegetarian Pakora and Samosa for a tasty bite, Sheik Kebab (minced lamb), and King Prawn Bombay Street Tacos. Mallu Fried Chicken is from Kerala – deep fried marinated chicken tossed in curry leaves served with peppers and onions.
Ken selected Okra Fries while I ordered a favourite – Squid. I love to eat these crisp calamari rings with my fingers but a drizzled coating of spicy masala and mayo softened and spoilt the batter. The panko-coated Okra was presented the same way. A little jug of the sauce or garlic aioli served on the side would be better to maintain the texture. While tasty, the portion size of both dishes was extremely generous, each suitable for three or four people.
With our meal we sipped the House Red Wine, a French Merlot, giving a ripe juicy fruit balance for aromatic spicy food. The House White is a French Sauvignon Blanc while the Wine list ranges from Argentina and Spain to Australia and New Zealand, as well as Prosecco & Champagne. A glass of Prosecco might be popular or offer individual bottles.
Carnivores will relish a diverse range of classic and innovative main courses divided between Tandoori, featuring chicken, lamb chops, beef ribs, marinated for 24 hours in a ginger and garlic masala paste for a rich flavour.
Under the title Handi Se are hearty curry dishes, such as Lahori Haleem – slow cooked goat meat cooked in lentils, barley and spices, and the Viceroy’s Jalfrezi, chicken thighs with onions and peppers. A traditional Goan dish is Venison Vindaloo (the game is sourced locally from Bower’s butcher on Raeburn Place), and a choice of Biryani with either spiced meat, fish or vegetables cooked in layers with rice, street-food style.
Vegetarian curries are served either as a main course or as a side accompaniment to your meat and seafood curries, such as Aloo Gobi (potato and cauliflower), Sag Aloo, (spinach and potato) or Dhal – the staple of the Officer’s Mess.
These small portions of vegetarian curries are also ideal for sharing like Indian Tapas. Ken and I selected three – Katti Baigain, Sag Paneer and Tarka Dahl as well as a Peshwari Naan and Pilau Rice.
Two well heated blue flower pattered plates were placed on the table and we were soon surrounded by a selection of small bowls: we thoroughly enjoyed the combination of softly roasted sweet aubergines, spinach and creamy paneer cheese, and classic lentil dahl. The freshly baked, nicely charred Naan bread was again a generous size but quickly devoured along with the perfectly cooked, light fluffy grains of rice.
Four small vegetarian dishes to share would probably suit two hungry diners, depending on the number of starters, sides and desserts ordered.
A feast it certainly was and we finished the wine at leisure without indulging in a sweet treat such as a Mango sorbet and Luca’s Ice-cream, or Gulab Jamun, Indian doughnuts with rose syrup. Or finish with a whisky, brandy or liqueur with coffee.
Open seven days from 5pm – 11pm, the service is casual and relaxed by a front of house team of five waiters under the Restaurant Manager Derek Young with Mukta Hussain overseeing his chefs in the kitchen.
The re-imagined new style from decor to cuisine Lancers brings a fresh wind of change to this well established family business to complement the appetising range of international restaurants – Japanese, South American, Chinese, Italian, Scottish et al. nearby.
Abdhul Samad Choudhury of Skinner’s Horse would surely be proud of his legacy as an Indian chef which has been carried on by Bodrul and Mukta in the Foodie urban village of Stockbridge beside the Water of Leith.
What do other diners say?
“ I went for the venison vindaloo – delicious and the Gulab Jamun dessert was excellent! Will be back.”
“The reason we decided to dine here was it was Sunday, a perfect day for a pint and a curry and when there is a great Indian restaurant on your doorstep, why not support local”.
“Really nice atmosphere and the staff were friendly and efficient. Very impressed and will be back.”
5 Hamilton Place. Stockbridge, Edinburgh, EH3 5BA
Tel: 0131 315 4335
An Indian Feast at Lancers!
Experience a classy G&T, cool cocktails and classic wining & dining at the Printing Press Bar & Kitchen, Edinburgh
The George Hotel opened to its first guests in 1881 within five Georgian townhouses. After a major refurbishment a couple of years ago, it was rebranded as the Principal Edinburgh with classy, classic-contemporary style. Accommodation, lobby lounge, Cocktail bar, Brasserie and buzzing Coffee shop create the ambience of a quintessential American City hotel. In 2017, it was named the Scottish Hotel of the Year.
The design theme reflects the literary heritage of this former home of novelist, Susan Ferrier and Oliphant publishers. Hence the name of The Printing Press Bar, Editor’s Cocktail Bar and Kitchen for drinks, cocktails, wining and dining day and night. Before going through for dinner, my partner Ken and I very much enjoyed a leisurely Gin Master Class with Chris Smart, the Bar Supervisor who certainly understands the brands, botanicals and garnishes for the perfect Serve.
The table is set around a comfortable booth with a selection of distinctive styles of Gin: Botanist which is dry and peppery, Bloom, sweet and floral, Martin Miller’s with spicy notes, and the signature No. 25 created specifically for the Principal Hotel.
Botanist is made at the Bruichladdich Distillery on the Hebridean island of Islay, world famous for its smoky whiskies with the flavour of peat and the sea. The Gin is hand crafted with 22 hand picked local botanicals – berries, herbs, seeds, bark and peel such as mint, sage, juniper, thistle, cinnamon, heather and lemon balm. This is served with Fever Tree Tonic and a slice of grapefruit and a sprig of rosemary to draw out the herbal and citrus flavours. An alternative is to try Botanist with ginger ale for a refreshing kick. The subtlety of the flowers, general smoothness and balance is excellent.
Twenty odd years ago, when ordering a G&T at your pub, (before cocktail bars led the way), there would probably be just be one Tonic available, (advertised as Schhh – you know who).
Founded in 2005, Fever Tree is a major global brand which has embraced the Gin and Cocktail revolution, concocting quality Tonics with a range of flavours – Indian, Refreshingly Light, Mediterranean, Elderflower, Aromatic (pink in colour and aniseed in taste) Lemon and Cucumber. Throughout the fascinating lesson, we each sample different ones to see how the humble G&T is enhanced with a well selected Mixer.
Bloom is a London Dry Gin created at the G&J distillery founded in 1761. As the name suggests, the spirit is inspired from nature and the three main botanicals are chamomile, honeysuckle and pomelo to create a refreshing, garden-scented spirit. The perfect serve is with quartered strawberries and a few rose petals. It could be served with Elderflower or Lemon tonic or classic Tonic to let the fruity garnish sing. This is indeed Summer in a Glass.
It is said that Martin Miller kicked off the whole gin renaissance in 1999 with the launch of his own eponymous brand, an idea sparked by his love of romance and adventure. The secret is a blend of Tuscan juniper, angelica, coriander, Seville citrus peel, nutmeg, cinnamon, liquorice root and Icelandic spring water. Serve with strawberries sprinkled with black pepper and Elderflower Tonic adds a little more sweetness.
Finally we move on to No. 25, the House Gin is crafted in collaboration with Ray Clynick of OroGin in Dalton, Dumfries and Galloway. Like a traditional London dry, it is delicately scented with juniper, citrus, lavender and violets, with a velvety smooth finish, best served with a slice of orange and lavender.
At the launch last winter it was described thus: “Principal Gin is a perfect blend of both style and taste, inspired by the timeless elegance and luxurious ambiance of the hotel. The handpicked botanicals offer a real sense of exotic and Mediterranean blend that fuse beautifully together.”
The Printing Press Bars offers a selection of Principal No. 25 Gin Cocktails, including a very fashionable The Devil Wears Principal, (with cranberry, mint and soda). As an aperitif we sampled the classic 75 (with Taittinger, lemon, lavender) and a deliciously sharp Martini straight up with a twist. If you like Principal Gin, bottles are available to buy here at £39 to take home and enjoy a tipple at your leisure.
After this hugely enjoyable. educational – and rather tipsy – guide to tasting and serving gins by Chris Smart, we made our way to the Printing Press restaurant next door. The smart design is like a Parisian Brasserie, all dark brown leather banquettes, wood panelling and chequered floor. The menu embraces traditional British cuisine, deconstructed and redesigned in a modern manner. For instance a tasty starter of Smoked haggis, pureed neeps and crispy potato, Chicken Terrine with prunes, Blue Cheese and poached pear salad.
Having sampled the gin in a glass, I selected the No 25 Gin-cured Trout which was colourfully presented with a few pickled mussels, avocado and beetroot puree topped with a large spoonful of caviar for a gourmet taste of the sea.
Across the table, Ken quickly finished of his plate of tender, succulent hand-dived Scallops, carrot remoulade, all drizzled with basil and lemon butter.
The Wine List is extremely well selected with around 10 white and red House wines served by the glass (175/ 250ml) and bottle, ranging from an Australian Pinot Grigio to a Chilean Carmenere, as well as a fine range of quality French and New World wines. We were recommended a bottle of Journey’s End, a rich Cabernet Sauvignon from South Africa. The experts describe this as a blend of rich blackcurrants, black plums, white pepper, mixed spice with a velvety texture. Exactly so.
Now time for our main course. Again the menu offers classic favourites such as Lamb Rump, Pork Belly and Ale Battered Fish and Chips as well as Sirloin, Ribeye and Flat iron Steak from the Josper Grill cooked to your liking with choice of sauces.
I selected Stone Bass, served with peas and charred baby gem, and aded a side of Chips to share with Ken, who had ordered one of the three Vegetarian dishes, Charred Cauliflower. While M&S recently launched and then removed their rather expensive Cauliflower Steaks, this humble vegetable is extremely versatile, not just smothered in cheese sauce. Here it was deliciously spiced up with curry oil like a reinvented Indian dish, Aloo Gobi.
While we did not finish with Dessert, the selection of puddings include Pineapple Upside- down cake with coconut ice cream for a tropical treat, Dark Chocolate Parfait, as well as a platter of Cheese and oatcakes.
Experience fine hospitality, quality drinks and cuisine at the Printing Press Bar & Kitchen – the buzzing heart and hub of this world-class Hotel. Gin and Cocktail Master Classes are a new venture and highly recommended for a most informative but entertaining tasting session.
Visit The Principal George Street for a relaxing, luxury city break or for cocktails, a perfectly poured G&T, glass of wine, lunch or dinner soon. This literary heritage hotel is certainly worth writing home about. On a postcard please!
Hotel, Restaurant and Bar Facts:
The Printing Press Bar and Kitchen @ The Principal Hotel,
21-25 George Street, Edinburgh EH2 2BP
Tel. 0131 240 7177 www.printingpressedinburgh.co.uk
Gin & Cocktail Master Classes – email: email@example.com
The Principal Hotel, George Street.
Escape the city life for rejuvenating, relaxing Me Time at the Spa – Principal Hotel, Charlotte Square
The Principal Edinburgh, Charlotte Square – formerly the Roxburghe Hotel and first opened in 1848 – has had a multi-million-pound refurbishment, now transformed into a smart contemporary Boutique hotel within its seven grand townhouses, overlooking Charlotte Square Garden. With vintage travel ephemera and quirky, colourful design across bedrooms, bars, bistros and lounges, it was named the Edinburgh Style Hotel of the Year 2018.
The Spa has also had a makeover to create a relaxing retreat in the centre of the city for pampering treatments and leisure time around the pool, sauna and steam room. Located on the lower ground floor, the cool, quiet, interior space has a calming ambience which envelops you from the moment you arrive at the Spa Reception.
The thematic decor is all about reflecting the fragrant scent and traditional medicinal properties of herbs, plants and dried flowers which fill the large vintage bottles to represent a 19th century Apothocary.
This follows through into the ingredients of the Signature Spa products – OSKIA is a specialist skin care formula created for luxury facial treatments to enhance a healthy complexion.
The other skincare range is ishga, developed from natural, organic seaweed on the Isle of Lewis. In order to experience both of these Spa products, I selected the OSKIA Glow Facial while my partner Ken would be trying the ishga Face and Body Sensation.
We were shown to the Locker Rooms downstairs– very spacious and well laid out, where we changed into towelling bathrobes and slippers. From here, there is a direct access to the swimming pool and thermal suite. We then sat for a few minutes in the Relaxation room until our Therapists came to collect us for our respective beautifying treatments.
The rooms are small but decorated with soft, subtle shades of cappucino and taupe to enhance the sense of calm. Sitting on a hard wooden stool (?!), I was asked to select my preferred scented oil for either energy or relaxation. Lying on the massage bed, I was wrapped up under a duvet and towels, while a CD of Mood music provided a soothing soundtrack.
The OSKIA facial was extremely comprehensive covering the face, neck and décolletage with a flowing series of various creams and a mask to exfoliate, cleanse, tone and moisturise. I always love the contrasting sensation of cold lotions followed by a hot towel to refresh and open the pores. The application of a warm oil, drizzled over my face, was like basting a chicken – but I was not going to be roasted! A gentle massage in circular movements works to penetrate and plump up the layers of skin.
OSKIA was created in 2009 by Georgie Cleeve after she damaged her knee in a skiing accident. Understanding that race horses are given BSM, a natural sulphur supplement, she used this on her knee which helped to repair the tissue and cartilage joint. This was the springboard to create a therapeutic skincare range – the name is derived from ancient Greek meaning beauty and nutrition – which promotes collagen production and has anti-inflammatory elements for a brighter, younger-looking complexion.
Meanwhile Ken was next door for a Back, Neck and Shoulder Massage with ishga seaweed body oils to nourish the skin, pummelling the muscles to release knots and alleviate tension. Other ingredients in the products include lavender, lemongrass and juniper which sound like the botanicals in a perfectly curated Gin! This was followed by a rejuvenating Facial which showed amazing results.
Ishga marine skincare – named after the Gaelic for water – was founded by Malcolm, a Scientist, Joanna his wife, a beauty therapist, and Martin a seaweed expert. Based in Lewis, the Outer Hebrides, they source seaweed harvested from the sandy beaches combined with local salt water, the purest in the world as is the fresh water taken from mountain springs.
Seaweed has been used for centuries for its healing properties, and its vitamins, minerals and amino acid are ideal for people who suffer from acne or dry and itchy skin conditions. Cucumber extract, Macadamia, Jojoba Oil, Thistle Oil, Hebridean Sea Salt and Aloe Vera are other natural ingredients as well as anti-oxidants to maintain a healthy and youthful skin. As Ken noticed afterwards, his face was moisturised, toned and tightened for a brighter, smoother appearance of the skin.
This was a marvellous escape for the afternoon at the Principal Spa – around an hour and a half of recuperative, calming, Chill Out – Me Time followed by a rest in the Relaxation room. The Leisure club is a myriad of corridors, rooms and staircases – the changing room (with the loos) are a bit of a trek and directions are needed to find your way back here.
Afterwards we went upstairs to The Garden – the indoor Greenhouse Conservatory Bar and Café – for a refreshing Cocktail, a Rhubarb and Ginger Sling for him and an Elderflower Collins for me, all very fruity and healthy.
With sunlight streaming in from the glass roof and surrounded by flowers, it was like sitting outside – perfect for ‘al fresco’ coffee, tea, snacks, bar drinks, lunch or supper, whatever the weather.
The Spa offers a diverse menu of massages, facials, manicures and beauty treatments. For a special treat, book an indulgent Spa Day such as Champagne, Deluxe and Signature Lunch or Twilight Tea packages.
While you may visit the Spa as a non-resident as we did, why not plan to stay here for a mini city break. Hotel guests in a Standard bedroom can enjoy the leisure facilities free of charge from 7-9am and again from 6-9pm. Those staying in all other Superior rooms are free to go at any time. As well as the Pool, keep fit in the gym with Intenza Fitness cardio machines and equipment for stretching and strength training. Studio classes offer yoga, zumba, spinning and bootcamp sessions.
Opening hours, Monday to Friday, 6.30am – 10pm, Saturday and Sunday, 7am – 8pm
Address: The Principal Charlotte Square, 38 Charlotte Square, Edinburgh, EH2 4HQ.
Telephone +44 (0)131 240 5500
Yes, it’s all sunshine and roses for the Summer Garden Party at the Union Gallery, an exhibition of regular, favourite artists, including Patsy McArthur, James Newton Adams, Megan Chapman, Lucy Jones, Colin Brown and Sophie McKay Knight and Joyce Gunn Cairns. Expect a distinctively diverse showcase of amazing abstracts, fabulous flowers, posed portraits, lavish landscapes, architectural artwork, galloping horses, punchy Pop Art and comical Caricatures.
On the dove-grey painted wall to the left as you step inside, is a row of five stunning Abstract Expressionist “landscapes” by Megan Chapman, under a series title, “Echoes and Memory.”
“ The foundation of my work is in the balancing of shape and line with colour, texture, and atmosphere. I enjoy creating meditative places to get lost in, such as how we dance between our inner and outer selves .. to explore our connection to the world as we navigate the push and pull of life.”
Having been brought up in Arkansas, USA, Megan has recently returned to Edinburgh (where she now lives and works), from a trip back home to visit family in Winslow, (population 300), very much rural countryside of this Southern State. Using mixed media, her colour palette is soft and subdued with a smooth, smudged blend of grey, charcoal, teal, ochre, cream which is easy on the eye.
‘In the Shallows’ offers an inkling of a realistic place, perhaps a tranquil seashore and beach, but equally, it may reflect a more dreamlike image. Bold brush strokes create an essence of the outdoors, of air, water and sand. (See image in poster above). Certainly more meditative is ‘All That I Am,’ a darker, moody scene where thin spattered, streaks of paint drip like raindrops – or perhaps tears – down the canvas giving the fluidity of movement.
Understanding the artist’s raison d’etre to these works adds a personal dimension. In ‘Return Home’ you can envisage the rich fertile earth of field and grassy meadows, a river and soft clouds on the horizon, as seen through distant memories, a distant past life. Her use of shimmering shades crafted with a cool, delicate touch is simply mesmerising in their imagination – fragile fragments of space, place and time, to capture the precious, elusive landscapes of the mind.
James Newton Adams is a sculptor and painter, who explores Scottish land and seascapes as well as the inherent people, animals and objects to compose a humorous narrative. Here are charming, quirky illustrations such as “Queensferry Lovers” – a couple embracing against a backdrop of the iconic Forth Bridge;
With colourful boats and lobster pots, “Wellies and Creels” is reminiscent of a children’s story book as well as clearly portraying the culture and heritage of small town life around a fishing harbour.
For those who know and love the rather eccentric portraits of women by the late Pat Douthwaite, a similar figurative style is employed by Sophie McKay Knight with her wildly colourful and fashionable ladies. ‘The Queen of Swords’ (see poster above), and a Priestess show off their exuberance, passion and joie de vivre. ‘The Writer’ is a fascinating profile, with no pen or book in sight, simply a madcap Bohemian girl, her serious expression as as frozen focus on whatever she is observing with intent interest.
“Thematically, my work is concerned with the human figure, nature, science, transformation and magic. Although it mostly depicts people, many other things inform my imagery – often a scene I have witnessed, a story I have read, an historical character or event.” Sophie McKay Knight.
And a Garden Party is not a complete without flowers. A vase of ‘Yellow Tulips’ by Joyce Gunn Cairns is an integral part of her trademark subtle sketches of domestic scenes where there are also cats of many colours who lurk and curl in peaceful comfort beside their doting Mistresses, apparently lost in quiet thought.
Aine Divine is also inspired by the natural world of colour and scent with her mixed bouquet of flower paintings, such as gaily patterned jug of ‘Sunflowers,’ as well as delightful ‘Oxi Daisies” and fragrant ‘Freesias’.
As Aine says, “You can understand why Monet was so taken by his garden. The thing that strikes me about flowers is that it’s hard to beat the real thing. I’ve never seen a more beautiful painting of flowers than a Renoir Still Life – they seemed alive and moving on the canvas.”
This overview offers just a brief snapshot of this inspiring, insightful exhibition rather than illustrating the full picture. Take a stroll around this painterly Garden over the next couple of weeks to view the spirit of life and living, a marvellous, magical world as seen through the eyes and minds of these artists – and many others – across the spacious two floors of the Union Gallery.
And view too a flourishing window box of blossoming flowers too within this sunny Summer in the City scene.
Summer Garden Party – 12 July to 4 August, 2018.
Union Gallery, 4 Drumsheugh Place, Edinburgh EH3 7PT
Open – Monday to Saturday, 10.30 – 5.30pm. Closed Sunday.
www.uniongallery.co.uk – tel. 0131 225 8779
“Old-fashioned without sacrificing its characters to simplicity, “An Officer and a Gentleman” successfully walks the fine line between sweeping romance and melodrama”
This neat overview on Rotten Tomatoes (81% ripe) captures the essence of the iconic 1982 movie starring Richard Gere and Debra Winger, which was nominated for 7 Oscars, winning two including for the hit song “Up Where We Belong.”
The title is an historic expression from the Royal Navy (1860) regarding a charge for “conduct unbecoming an Officer and a Gentleman.” The autobiographical tale was based on the experiences of Douglas Day Stewart who served in the military during the Vietnam War era. He attended the Officer Candidate School, at the Naval War College in Newport Rhode Island in 1962, a 12 week course under a tough drill instructor. As the recruits were from diverse social backgrounds, he roughed up his own character, put him on a motorcycle, gave him tattoos and martial arts skills to become Zack Mayo, who like Stewart himself, meets a local factory girl.
He has long believed that such a Cinderella love story was perfect for a classic Musical and in collaboration with Sharleen Cooper Cohen, the narrative was adapted from screen to stage, with a soundtrack featuring a medley of 1980s hit songs, such as Material Girl, Heart of Glass, Alone, Toy Soldiers, Kids in America, The Final Countdown and Up Where We Belong.
To take us on a time travel trip back thirty plus years, an opening screen shows a montage of famous faces of the era from President Reagan to Michael Jackson as well as vintage phones and computers. To a foot tapping rendition of “In the Navy Now,” the long haired, denim-clad recruits arrive, some already sullen, bolshy and bored as they line up to meet the fierce Drill Sergeant Foley.
Zack is here with ambitious plans to improve his lot; brought up by his womanising sailor father, his dream is to be a pilot in the US Navy and break free from the past.
We observe a realistic fitness bootcamp – the ensemble are serious athletes as well as fine singers and dancers – as Foley puts the wannabe officers through their paces with a strict routine. Zack hits it off with two classmates, Sid and the only female candidate Casey, who is desperate to keep up with the guys.
The quick changing scenes are set around the industrial, steel rigged structure of a moveable staircase, lecture room, gymnasium, dormitory with a backdrop video of rolling waves of the sea which is most authentic. A realistic slice of working class labour is witnessed at The Pensacola Paper factory, where a troupe of hard headed, soft hearted women are keen to follow the tradition of generations of factory girls to try to woo a trainee officer into a relationship and then marriage to ensure a military wife-life, travelling the world. in comfort and style.
Glammed up for a party at the Naval base, Factory girls Paula and Lynette are immediately snapped up by Zack and Sid for a formal dance, then head off to TJs Bar for drinks, where “Girls just wanna have fun” until the wee sma’ hours and beyond.
The narrative follows their parallel romantic relationships alongside the gruelling training in an aircraft carrier simulator, exercises and trials, with drop outs and disciplinary action for failure. Ray Shell is exemplary in his portrayal as the brutal, bossy Sergeant Foley who suffers no fools gladly, as well as being a kindly, compassionate father figure.
Taking centre stage are Jonny Fines as Mayo (nicknamed Mayonnaise), and Emma Williams as Paula who express a cool, charismatic chemistry as they slowly get to know each other from strangers to lovers, but each with a ton of emotional baggage from their respective dysfunctional family lives.
The final scene in the movie – regarded as one of the most romantic scenes – is faithfully replicated but unfortunately, it seems to be over in a second, almost lost on a crowded stage and more of an innocent brief encounter than the Gere – Winger moment of impulsive, electrifying, pure passion.
The musical soundtrack of familiar lyrics has been shoe-horned into the plot, some songs slotting in more easily than others to carry the story seamlessly along. Expect a high standard of acting, choreography, music, production values, costumes, lighting, design and fast paced action.
While this could be as cheesy as a Quattro Formaggi Pizza with an extra spoonful of parmesan, this light and frothy jukebox show is rich in dramatic tension and strong characterisation, captured with heartfelt empathy and true grit.
“An Officer and a Gentleman – the Musical” is at the Edinburgh Playhouse from 2 – 7 July www.atgtickets.com/edinburgh Box office 0844 871 3014
Stop Press: Douglas Day Stewart has recently finished the screenplay for a sequel and sending it to Warner Brothers. It is described as a trailblazer, a story of female empowerment personified by Zack’s daughter who wants to be a jet pilot, but who knows her dark secrets.?