Fenton Tower, North Berwick – this ancient Scottish Castle is a unique, magical hideaway with all luxury, homely comforts
Located a forty minute drive from Edinburgh, near the seaside town of North Berwick, Fenton Tower is a hidden, historical gem of a property. Constructed around 1575, this Medieval Tower house was once a place of refuge for King James VI of Scotland, and later destroyed by Oliver Cromwell. It became a derelict ruin for 250 years until it was tastefully and imaginatively renovated into a 5 star property in 2002.
This is an authentic Scottish castle but far from being cold and draughty, expect a warm welcome from the House Manager, his staff ….and a roaring log fire. Within the ancient stone walls, Fenton Tower has been transformed into a graceful country house, where everything is perfectly polished from the tableware to hospitality: this is a luxuriously relaxing home-from-home for the perfect escape, family celebrations, golf and sporting trips.
The owners of Fenton Tower – Ian Simpson, whose family have farmed the surrounding estate since 1900s, and his friend John Macaskill – shared a passion to embark on a four-year project to resurrect this A listed historic monument.
As Historic Scotland stipulated the preservation of the existing structure, they sourced the original quarry stone to renovate the staircase and purchased suits of Armour, Clan heraldry, fine art and furnishings for an authentic period setting.
This is an exclusive-use property suitable for family getaways, romantic retreats, birthdays, weddings, golfing trips, country sports, or a leisure and cultural break to explore the countryside and coastline of East Lothian and the city of Edinburgh.
At the centre of the Tower is the marvellous oak beamed Grand Hall features a huge original Hearth, antiques, armour, old portraits, artwork and tapestries as well as contemporary sink-into sofas piled with cushions, a blend of classic style and all modern comfort.
The overall aim here is for relaxation with the adjacent cosy Library (books, games, TV), and help yourself to a drink – the local NB Gin, sherry or whisky – from the Butler’s Pantry.
Two spiral carpeted staircases lead up to the seven bedrooms, each themed and named after Scottish families associated with the Tower – Stewart, Erskine, Carmichael etc. with a clan plaque on the door.
Each is distinctively designed with Four Poster, Half Tester and Italian silver framed beds, tastefully decorated with vintage European furniture: Armoire wardrobes, armchairs, writing desks, dressing tables, white bedlinen, flowered bedspreads and chintz curtains.
Large, lavish bathrooms boast clawfoot, canopied or copper tubs and separate showers. The Stewart suite has French double basins, a huge clawfoot tub (a warning states that it fills up in just 3 minutes!), fluffy towels, Penhaligon toiletries, cream satin-edged bathrobes.
A modern Lodge in the grounds – charmingly furnished in tweeds and artistic colour scheme – has two double bedrooms, kitchen and lounge offering extra accommodation for guests.
Fenton Tower offers the true experience of a traditional, personally-tailored, house party, fully catered with menus prepared and served by the professional team.
This is the chance to dress up elegantly for the evening, starting with a G&T, champagne or cocktails in the Grand Hall before a grand, candle-lit dinner in the stone arched Dining Room.
This period theatrical setting with fine china, silver and glassware, brings to mind a blend of Agatha Christie and Downton Abbey lifestyle – so glamorously romantic!.
Indulge in a feast of Scottish cuisine: fresh lobster and crab from North Berwick, Belhaven smoked fish, prime beef, seasonal venison, pheasant and grouse from Fenton Tower’s own Shooting estate. End the evening back in the Grand Hall for a dram of Whisky as a warming nightcap.
Breakfast is also traditionally served with a cold Buffet laid out on sideboard – fresh fruit, prunes, apricots, yogurt, cereals, warm croissants and muffins with home made jams, strong hot coffee – Steam Punk, specially roasted for Fenton Tower. A selection of hot dishes is made to order such as Scrambled eggs with smoked salmon, Kedgeree and omelettes. As at dinner, you can be assured of quality produce and personal service.
Family parties, Christmas celebrations and summer holidays would be ideal here with children welcome – this was the film set for Archie’s Castle in the TV series Balamory and there are twenty acres of private grounds for outdoor adventures. Visit the Museum of Flight to see the Concorde aircraft, beach walks galore, horse-riding and boat trips to the bird sanctuary on the Bass Rock.
For sports enthusiasts, there are 15 golf courses within 10 miles of Fenton Tower, including Gullane, North Berwick and the famous Championship course, Muirfield. In the Tower, a collection of photos of famous Scottish golfers including the legendary Tom Morris, is displayed in the old wood panelled Washroom complete with a traditional Thunderbox Loo.
Guests can also arrange to visit Fenton Brunt Estate for pheasant and partridge shooting or go fly fishing in rivers and lochs.
Surrounded by an authentic sense of Scottish royalty and clan history, indulge in luxurious, cosy comfort and personalised service – guests are truly spoiled. Vintage styled bedrooms, exemplary cuisine and Grand Hall with roaring log fire, all create the perfect ambience of a grand country house.
Whatever the occasion, the opportunity to stay in your own private wee Scottish Castle is simply a magical, memorable and unique experience.
What other guests say:
A family celebration – loved every minute, we all want to do it all again, I can’t thank Alan and his team enough for making this stay so memorable.
We promised the grandchildren a weekend in a Scottish castle – wonderful!.
The Tower itself is stunning and cosy whilst the hospitality was spot on.
Fenton Tower was named the best Exclusive Use Property at the Scottish Hotel Awards, 2020.
Fenton Tower: Sleeps 13 | 7 Bedrooms | Dogs Welcome. From £185 per person per night, based on a minimum of 10 guests on an exclusive use basis with breakfast. Minimum two-night stay.
A self-catering rate during low and mid-season will be considered on request.
To book, visit www.crabtreeandcrabtree.com or call 01573 226711
The World Atlas of Beer (3rd Edition) by Tim Webb and Stephen Beaumont – a pub crawl around the planet with two expert drinkers.
This beautifully illustrated guide sweeps through the fascinating heritage, culture and creativity of brewing over the centuries to the most exciting and exemplary new brands of ales and beers today. Travel around the six continents from Czech Republic to China, Mexico to Mauritius, UK to USA on an exuberant, thirst- quenching road trip.
First published in 2012, the third edition has been completely revised and updated by the co-authors, Tim Webb and Stephen Beaumont. Beautifully designed with world map of chapters to browse through at leisure.
Beer is, they say, “the world’s favourite alcoholic beverage” made from fermented, boiled grain, hops, and the finely crafted creation of flavour: “citrus, dried fruits, herbal, floral, toffee, spicy, earthy, vanilla, chocolate and old bookshops … beer is not simple.”
The four largest brewing companies are based in Belgium, Netherlands, China and Denmark, producing the best-selling brands. This book however explores the growth of independent, Craft breweries offering distinctive taste and local character.
The origins of beer dating back to 9000BC in Mesopotamia (modern Iraq) and then the Egyptians who used barley, followed by the Celts who brewed with barley, wheat and oats, from 2000 BC.
In the 7th century hops were added as a preservative and the French chemist, Dr. Louis Pasteur discovered in the mid 19th century that yeast was key to the fermentation process. Learn all about the history and heritage from grain to glass, with diverse international techniques.
Stephen and Tim have selected their favourite bars worldwide, including the charming old pub, The Bow Bar, Edinburgh, Oliver Twist, Stockholm, ‘t, Brugs Beertje, Bruges, Frango, Sao Paulo and Toronado, San Francisco.
The British Beer industry is a fascinating story such as strong, dark Porter, so named as it was popular with stevedore dockworkers, and the export of special pale ale to India, is the original IPA. The entrepreneurial brewer, Samuel Allsopp developed refined IPA for the UK and Empire as well as draught Bitter with great success.
Scotland is renowned for innovation and quality – Traquair House in the Scottish Borders opened the world’s first modern craft brewery in 1965, while Fyne Ales and Tempest are two new award winning companies, leading the way.
Other recommended British brands include Burning Sky, Buxton, Beavertown, and Red Rock wheat beers from Devon. Vintage breweries include St. Austell and Timothy Taylor.
Think of Ireland, think of Guinness, the dark, dry, creamy stout, first produced by Arthur Guinness, Dublin in 1759, one of the most successful alcohol brands worldwide. But there are around 75 small independent, craft breweries vying for attention.
In 2016, Belgian Beer culture was given Unesco Heritage protection status given its global importance. Why? “Striking, expressive beer (with) poise and balance.”
Medieval Abbeys have historically made beer and there are still six Trappist breweries with all profits benefitting the community. Beer-themed tourism is a big business with visitors travelling by train, tram or bike to breweries, bars and Festivals galore.
In the Netherlands, Heineken, is the market leader for industrial lager, as well as around new 700 companies striving to create a distinctive Dutch style beer – names to check out: Walhalla and Oersoep.
France is slowly developing a beer scene with small craft breweries experimenting with spelt and buckwheat. This 1920s advert tried to encourage French wine lovers to drink Bieres Francaises.
Copenhagen, Denmark – Jacobsen and Hansen founded the Carlsberg Brewery in 1847, stating that “Whoever possesses the complete understanding of chemistry will be Europe’s leading brewer in the next generation.” Modern breweries are “outrageously experimental” such as Warpigs and Baghaven.
Germany is a leading grower of hops and the majority of its beer is sold to the home market, e.g. Bavarian blond. Pils, Black and Bock beers. Festivals in September and October.
If you have visited Prague, it may be no surprise to know that the Czechs are “the most dedicated beer drinkers”. Bohemia offers welcoming brewpubs, hotels and restaurants – Zkikov brewery is located within a lakeside, medieval Castle.
A century after Prohibition, the USA has gradually developed its beer industry with 8,000 breweries in 50 states. West Coast is famous for “boldly hoppy, citrusy India Pale Ale.” Washington is on the map for its lively beer scene, new breweries, DC Brau and Red Bear, exciting bar diners and taverns, and in Chicago you can follow the beer trail to taprooms on a Train Crawl. The Great American Beer Festival founded in Denver represents the largest collection of U.S. breweries and beers for a public tasting event as well as a competition, to celebrate the American craft brewing industry. Attracting around 800 breweries and 60,000 visitors, this year’s Festival runs from 7 – 9 October, 2021.
The laid-back Caribbean islands need refreshing cold beers to sip in the sun: Jamaica, Red Stripe, Bahamas, Pirate Republic, Trinidad and Tobago,Tommy’s Brewing, (perfect with a Bake & Shark wrap).
In Canada, Belgian-styled ales are a tradition of French-speaking Quebec and Montreal, with influential breweries, Le Cheval Blanc and Unibroue – strong, dark beers and the award winning La Fin du Monde. Mexico best known for Corona and Cerveza has 1,000 small, independent breweries, with an imaginative use of Tequila barrels and blue Agave hearts as in ingredient in Fiesta Latina.
Brazil is a huge beer drinking nation and Brewing schools have created enthusiastic graduates with technical knowledge to develop modern craft breweries. Amazonian wood barrels and using Tropical fruits has created such beers as a tart, fresh tasting Catharina Sour. Ecuador can boast the first brewery in the Americas, at the Convent of San Francisco, Quito founded 1566 and operating for four centuries. Today, there is a boom in beer making such as Cerveza Santa Rosa producing quality Sours and the 8% ABV Love Bird.
Mention Australia and you think of Fosters and Castlemaine XXXX. Little Creatures began the trend for Indie Beer which has expanded substantially with Stone & Wood launched in 2008 at Byron Bay. Pacific Ale is a flyaway success, “An iconic brew, influential, internationally respected and enjoyable.”
Sail across the Pacific to Rarotonga, where you can sample Cook Islands lager, (Rarotonga brewery), or a pilsner, pale ale and an IPA from Matutu brewing.
The first Japanese-owned Beer Brewery was founded by Syozaburo Shibutani in 1872, in Osaka. For 2,000 years Sake, known as rice wine, has actually been brewed using the same method as beer, but it’s not so popular with the Millennials. Tokyo is now a city of beer bars serving Pilsners, Grape ale, & Hitachino Nest Classic Ale using Sake barrels.
China keeps most of its beer for the locals with just Tsingtao as a key export. Snow, the world’s best selling beer almost unknown globally. San Miguel is the famous brand of the Philippines, with a few new companies, such as Turning Wheels Brewpub, Cebu City.
As an import during the British Raj, India Pale Ale was never produced there, and since 1947 there has been little demand for beer or alcohol with high taxation and strict licencing laws. Craft breweries to check out: Toit, Bangalore, Arbor, Goa and Doolally, Pune.
Sri Lanka is famed for Tea, but a Belgian, Auguste de Bavay, began brewing here in 1881, later developed as the Ceylon Brewing in 1911; today the company name is Lion, renowned for its Lager and Stout, as part of a 125 year tradition.
The scenic Winelands and Dutch industrial brewers take centre stage in South Africa with small progress for small scale beer makers – Mountain Brewing, Western Cape produces a distinctive range and also Banana Jam, Cape Town. Great story behind Red Island brewing in Madagascar, where a group of American, British and Australian Ex-pats are experimenting with recipes using the island’s home grown vanilla.
Just a dot in the Indian Ocean, Mauritius has two breweries, Flying Dodo with its own Lambic café-bar-shop, in Port Louis. Wine merchant, E.C. Oxenham is also developing its Thirsty Fox beers.
And so time to drink.! The last chapter is entitled Enjoying Beer, with advice on buying, reading labels, understanding ABV, serving and glassware from British pints, to German flutes and stemmed “wine” glasses.
A fascinating section is on Food Pairing – Pub food, sharing platters as well as an extensive Affinity Chart. Check the most suitable ales and beers to complement Oysters, Salmon, Cheese, Beef, Pizza and Burgers etc. This colourful, informative and entertaining Atlas will certainly entice you to plan a travel trip to breweries and bars and Beer Festivals worldwide.
Cheers, Salute, À votre santé, Proost, Na zdravi, Cin cin, Kanpai …
The World Atlas of Beer, by Tim Webb and Stephen Beaumont (3rd Edition, 2020)
Mitchell Beazley (Octupus Books) ISBN-13 : 978-1784726270
Lachlan Goudie certainly knows how to communicate with vicacious exuberance as an artist, broadcaster and writer. This lavishly illustrated survey is a fascinating journey from Pagan crafts to Portraiture and Pop Art, to show how the colourful imagination of Scottish artists became a creative influence worldwide.
With 42 chapters across four distinctive Parts, there is a clear road map to follow, or dip into the historical and artistic era of interest.
Let’s start at the very beginning, as they say, 3,000 BC at Kilmartin Glen, Kintyre where you can see ancient stone Cup and Ring carvings and Standing stones across this Neolithic landscape. Similar stone circles and objects are found on Orkney. Here in 2009, on the Isle of Westray a tiny, sandstone figure of a woman was found buried in the sand: “with disarming simplicity, the artist engraved a nose, two pinpricks for eyes, transforming the pebble into an icon of Neolithic civilisation. … the earliest carving of a human figure ever found in Scotland.”
The Westray Wife” is almost Picasso-esque in its simple, naïve, deconstructed form. Archaeological sites have sourced other bone craftwork and pottery, leading to the Bronze Age and the creation of tools for elaborate brooches and jewellery.
Columba arrived on Iona, from Ireland, in 563, “an isle of big skies and turquoise tides,” a place of peace and spirituality; from early Celtic crosses and the decorative Abbey, artists have always been enticed to visit Iona for generations, to capture its natural beauty.
It is believed that the Book of Kells, the 9th century illuminated manuscripts of four Latin gospels was created by the monks at Columba’s Monastery, Iona – “a masterpiece of Christian art .. a work of transcendental beauty.”
Ancient Pictish craftsmanship is preserved around Aberlemno, Angus, with around 250 sandstone monoliths carved with symbols, crosses, figures, horses and a hunting scene. This is also the subject of the elaborately carved St. Andrews Sarcophagus, (8th – 9th century), featuring a hawk, two lions, a ram and a dog.
The Vikings arrived in the late 8th century, “to colonise the isles, Orkney .. and across the Hebrides.” A treasure trove of Viking sculptures was unearthed at Uig, Isle of Lewis in 1831, a set of 93 figures carved from Greenland walrus ivory and whales teeth – the Lewis Chessmen. It is thought they were made in Trondheim (1150-1175), and brought to Lewis by a merchant on route to Ireland, but buried in the sand for centuries.
As Goudie wittily describes these delicately engraved sculptures: “The figures resemble cartoon characters. .. the wild stare of the king, the bishops’ faces bursting with bug-eyed horror .”
Trade with the Low Countries brought “cargoes of exquisitely carved furnishings and Netherlandish paintings.” This led to the commission of Hugo Van der Goes, a celebrated artist in Bruges to paint a new Alterpiece for the Collegiate Church of the Holy Trinity, Edinburgh.
The marriage of James V and Madeline, the daughter of Francis 1 of France led to Royal patronage of the Arts to promote a Renaissance of decorative sculpture and classical painting.
Fast forward to the Union of the Crowns with James VI/1 of Great Britain. His son, Charles 1 was an art collector and commissioned portraits by Van Dyck and Rubens. But George Jamesone from Aberdeen would soon be hailed Scotland’s Van Dyck. To celebrate the Scottish coronation of Charles I, Jamesone painted 109 portraits of the Royal family tree and the King himself with great success.
This encouraged 19 year old Michael Wright to travel from London to Edinburgh to be George’s apprentice, before studying in Rome,“ an unrivalled boot-camp where he acquired technical expertise.”
Charles II was now on the throne and (John) Michael Wright was selected to paint the portrait., a fashionably glamorous portrayal of “a curly-wigged young man with a raised eyebrow and a spiv moustache.”
There is a marvellous narrative about the 22 year old Allan Ramsay on a Grand Tour of Europe in 1736, an early ‘backpacker’, cultural adventure through France and Italy. In the early 1990s, when Goudie was an art student, he “emulated Ramsay’s pilgrimage and spent a year in Rome painting and drawing. An overwhelming experience”.
Ramsay became an eminent portrait artist with “delicate style of brushwork and soft colour palette”, as well as a leading philosopher, central to the intellectual aims of the Scottish Enlightenment.
Henry Raeburn was advised by Sir Joshua Reynolds to study in Italy, before returning home to Edinburgh to set up his studio, painting romanticised, theatrical portraits to great effect.
Moving into the 19th century, the popularity of Landscapes soon took centre stage through Nasmyth, Wilkie and Landseer – “The Monarch of the Glen”, an iconic vision of the majestic wilderness of the Highlands.
“A new generation of truculent art students” would soon shake off tradition. The Glasgow Boys, were a group of artists (Guthrie, Walton, Paterson, Macgregor et al), who were keen to paint en plein air, depicting farming life around Berwickshire, Scottish Borders in the manner of the French Impressionists.
John Lavery went to Paris to be at the heart of this blossoming avant-garde art scene, painting “sun dappled” rowing boats on the river at Grez. Fascinating too to read about the feisty Glasgow College of Art student Bessie Nicol, who went off to Paris in 1892 to study Life Drawing at Academie Colarossi by day, and observe the decadent Bohemian society by night.
A cacophony of creative styles was now embracing the work of Scottish artists. Floral images and geometric lines were interlinked for the architectural designs of Charles Rennie McIntosh, whose modern, minimalist interior décor, created “the greatest genius … a giant of the age rivalling Frank Lloyd Wright and Antoni Gaudi.”
The exuberant portraits and nudes by J. D Fergusson, elegant studies of Edinburgh ladies by Francis Cadell, Samuel Peploe’s exquisitely crafted Still Life paintings and Cezanne-styled landscapes from George Hunter, would soon lead to the collective term, The Scottish Colourists,
From an early struggle to entice dealers, the Colourists’ distinctive, timeless work continue to be a regular highlight at auction house sales today. Cadell and Peploe frequently visited Iona to paint tranquil seascapes.
Then, a fairly brisk sprint through the leading Scottish artists of the 20th century, picking out William McCance, with his bold Cubist form, and the partnership of the two Roberts – McBride and Colquhoun “celebrated as the most pioneering British Artist of his day. Francis Bacon said that he had learnt virtually everything from Colquhoun.”
The era of Abstract Expressionism would soon be the focus with bold, brash canvases by William Gear and Wilhelmina Barns-Graham. Read all about the rock ‘n roll life and times of Alan Davie, whose love of jazz and sports cars informed his improvised, energetic compositions. Peggy Guggenheim bought one at a Venice gallery thinking it was by Jackson Pollock – who, in fact, would later attend a private view of Alan Davies’s work in New York, bringing the two artists together.
Move aside Andy Warhol – Eduardo Paolozzi is widely viewed as the Father of Pop Art with his collages of cartoons, food and Coca Cola adverts. “Imagery of popular culture repackaged as art.” This is ‘Meet the People’ (1948) from the series Bunk.
There’s a quick, comprehensive scamper through the careers of Joan Eardley (quirky street kids and dramatic stormy skies) and John Bellany, renowned for his allegorical studies of fishing boats and wild, red haired women of the sea.
The chapter, ‘The Shock of the New ‘ features a handpicked selection of distinguished. diverse artists – the author’s late father, Alexander Goudie and contemporary work by Bruce McLean and John Byrne.
Alison Watt came to prominence while still at the GSA, when she won the John Player Portrait Award in 1987 and soon commissioned to paint a charming portrait of the Queen Mother, complete with Watt’s emblematic tea cup.
Since then, her exemplary, cool, crisply paintings have moved from the figurative to large, meditative studies of draping, flowing fabric. Over recent years, many graduates of Glasgow School of Art have received prestigious awards including Turner Prize winners and nominees – Christine Borland, Martin Creed, Karla Black, Richard Wright.
Lachlan Goudie writes with a flowing, poetic prose to take the reader on a most inspirational, time travelling, artistic journey through the nation’s cultural heritage. With a passion and talent for art as a birthright, he has followed and been inspired by Hebridean seascapes, beloved by the Scottish Colourists, over a century ago.
“The art of Scotland has its own particular accent … in an international trade of inspiration and global creativity. ” Lachlan Goudie
‘The Story of Scottish Art’ by Lachlan Goudie is published by Thames & Hudson – RRP £29.95.
Scottish Ballet present “The Secret Theatre,” a fantastical, sparkling, Festive Fizz of a Christmas movie.
Every year, Scottish Ballet kickstarts Christmas entertainment, staging sixty- eight performances of a Festive ballet around six cities from early December to February. Sadly, it has now been nine months since all theatres closed and to reflect the company’s artistic commitment for creativity and performance, the Artistic Director, Christopher Hampson decided that the Show must go on.
The world premiere of Scottish Ballet’s first, full-length, feature film “The Secret Theatre” can be viewed in the comfort and safety of your own home from Monday 21st December.
The enchanting story is about a little boy, Leo, who embarks on a fantastical adventure as he kicks his football along a city street until it hits an old door, which opens with a screech; like Alice falling down the rabbit hole, he steps inside the auditorium of a grand, Victorian theatre, its rows of plush red seats left empty and in darkness.
The curtain opens and he ventures backstage, where suddenly, amidst a clutter of costumes and props, a cast of clowns, acrobats and colourful characters from The Nutcracker and The Snow Queen, spring into life.
They are the forgotten, dusty ghosts of Christmas past. hidden in the wings of this secret Theatre.
Jumping out of a wicker basket is Lexi, (aka, the Summer Princess in The Snow Queen) who guides Leo into a magical mash-up of fairy tales, featuring the Sugar Plum Fairy, Nutcracker Prince, Snow wolves, Jack Frosts and dazzling white Snowflakes.
Leo is spellbound, his wide eyes full of joy and wonder, as we follow his rollercoaster ride through snapshot scenes, moving swiftly between the Circus, Roma camp, Ice Kingdom and a glamorous, glittering Christmas Eve party.
The graceful, playful choreography by Christopher Hampson and Peter Darrell, flows together seamlessly, linking the scores of Rimsky-Korsakov and Tchaikovsky – the glorious, romantic music recorded live by the Scottish Ballet Orchestra.
Instead of simply filming a staged production, The Secret Theatre is a genuine work of cinematography. set in outdoor locations, the Tramway, & the King’s Theatres in Glasgow and Edinburgh. Creative camera work and special effects too – disappearing dancers, flying white drapes and a magic carpet with Disneyesque wizardry.
The spectacle is captured through the intimacy of camera lens, observing every swirling step and pirouetting pas de deux, with all the fabulous, glittering costumes, in such fine detail.
The superlative performances are all the more dramatic due to the stunning close ups, such as The Snow Queen, with her ice-blue lips and the prancing peacock of a Ringmaster in his feathered top hat.
This is pure theatre on screen, blending two classical Fairytale ballets with fantastical Narnia and Toy Story– style vision and childlike imagination, all the way to the last magical, tearjerker moment.
While nothing beats seeing Scottish Ballet live on stage, their heart-warming movie is the essential, sparkling Festive treat for 2020 which will appeal to all ages. Book your free tickets now.!
The World premiere of The Secret Theatre is screened on Monday 21 December at 6pm.
Tickets are free and must be booked in advance on the website: 21st December to 24th December, 2020.
Performance duration: one hour.
Donations are welcome to support Scottish Ballet and local theatres. There is an accompanying programme, as well as a series of talks and workshops.
Created by the CEO/Artistic Director of Scottish Ballet, Christopher Hampson and Lez Brotherston
Co-screen directors: Jessica Wright and Morgann Runacre-Temple.
Choreographers: Christopher Hampson and Peter Darrell
Designer: Lez Brotherston
Writer: Sam Brown
Producer: Beth Allan, Forest of Black
Director of Photography: David Liddell
Callan at 60 – An exhibition of evocative and elegant Figurative paintings by Damian Callan @ the Dundas Street Gallery, Edinburgh
As he celebrates his 60th birthday in December 2020, Damian Callan can reflect on a most successful career, specialising in figurative painting and portraits, teaching art classes for adults and children, and as the author of two books, Paint Like Degas and Paint Like Renoir.
This exhibition is partly a retrospective collection from the past twenty-five years (kindly lent by the owners), which are complemented by new sketches and paintings. The subjects for these figurative scenes are his wife Ruth, their four children, cousins and friends while on holiday in Argyll and Outer Hebrides.
Damian Callan has followed in the tradition of two Scottish masters in the genre of painting children. Joan Eardley is renowned for her iconic portraits of the twelve Samson bairns who lived near her Glasgow studio. Born in 1835, William McTaggart grew up on a remote farm in Aros, Kintyre, a memory which would later permeate the subject of his paintings: “the fisherfolk of his past and a recurring vision of children playing in the surf …rosy cheeked kids, bathed in perpetual summer sun.“ Lachlan Goudie, The Story of Scottish Art.
Here too are Callan’s painterly reflections to illustrate the family’s seaside adventures in the summer sun, between 2003 to 2014, from Skipness, Kintyre to the Isles of Berneray. These colourful “snapshot” images capture the joyful sense of freedom as the kids run on the beach, play in the sea, and gather cockles in rock pools.
There is such a tangible feeling of movement in their exuberant, arm waving gestures, as the kids jump and splash in the waves. Several charming paintings show the fun of messing about in boats and rowing a dinghy.
The process starts with photographs and from these prints, sketches are made to create a loose impression of the realistic images, and then finally, working on the composition in oil on canvas, panel or paper. Callan has perfected the inventive use of a printmaker’s roller, to add texture to the surface of the paint to depict the shimmering water and frothy white surf.
These timeless images of happy carefree days bring a real sense of nostalgia for our own childhood, whatever age we are. Children and Lighthouse in particular, has a vintage quality, reminiscent of favourite stories such as Swallows and Amazons and the Famous Five adventures by Enid Blyton.
Fast forward to 2020 and a diverse range of new work – seascapes, figurative sketches and fashionable frocks with oil paintings, small studies and prints for sale.
From the earlier style of composition with impressionistic, smudges of brush strokes, there is now a bolder, brighter approach with vivid colour and clarity.
As shown in Running In and Running Out, these are gleeful moments of youthful energy with a fine depiction of movement, in Callan’s distinctive, characteristic painterly style.
Escape is a lovely picture of a wee boy, standing in the boat as if pretending to be a Venetian gondolier, as the children look out for fish and crabs along the seashore. Again, the vision of carefree, childhood fun, evoking the nostalgic world of Enid Blyton.
Damian Callan has long been influenced by the figurative paintings of Edgar Degas, whose work he examined and explored in academic detail, to write his book, “Paint Like Degas.”
“Degas was spectacularly inventive in his approach to composition,” he says, “Movement characterizes many of his subjects –the dancers, the racehorses – .. .. the pattern and rhythm of repeated figures, the dancers in a line on the Barre.”
With similar, elegant, Degas-esque mood and manner, there is a series of beautifully composed paintings of Damian’s wife Ruth, pinning up her hair, dressing and posing in silky, floaty cocktail gowns.
These are delightful, intimate portraits of the artist’s slender model, as she zips up a blue dress and shows off her posh, crimson-plum frock – humorously described as Lockdown Bedroom Dress. Sadly all dressed up and nowhere to go for a night out at the Ballroom or go to the Ballet.
“Callan at 60” is a most impressive retrospective of his career, from the tranquil, domestic portrait, Ruth, Daffodils and Kettle, (1995), through a time-travelling trip around atmospheric seascapes to the recent Vogue-style fashion shoot.
William McTaggart painted young children to portray “an optimistic symbol of renewal and rebirth.” Likewise, Damian Callan has preserved his memories to portray family life and the innocence of childhood with imaginative vision, humour and heartfelt love.
Callan at 60 @ Dundas Street Gallery, 6 Dundas Street, Edinburgh EH3 6HZ
11th – 17th December, 2020 – open daily, 11am to 6pm.
A well illustrated catalogue with an inspiring introduction by Ruth Callan is available at the gallery.
For more information, view a Gallery of images and details of Online events, see the website:
Monday 14th December: 10am, Live Virtual Tour of Exhibition
Tuesday 15th December: 10am. Artist’s Talk & Short Film with contributions from collectors
Wednesday 16th December: 10am, Painting Demonstration
“Christmas at the Botanics” – an enchanting walk in the park amidst the glittering glow of fairy lights and festive fire.
After enticing 70,000 visitors to the inaugural event in 2017, and 76,000 in 2019, “Christmas in the Botanics” is back again, transforming the garden at night into a winter wonderland. With the pantomime season cancelled for 2020, this outdoor entertainment offers a magical treat for all the family.
Just a short walk from the West Gate, a choral rendition of Joy to the World will put you in festive mood as you stroll beside a meadow of giant snowballs like sparkling Christmas Tree baubles.
All around, the bare winter trees and evergreens glimmer and shimmer in colourful shadows. Wander over the Chinese Hillside with a garland of lanterns hanging from the branches beside the lake with a spouting fountain.
One of the highlights is the ‘Laser Garden’, where you are enveloped in a thick beam of green, glittering fairy lights, while a white mist swirls between the trees, creating a very spooky woodland atmosphere.
Kids will love to try to catch hold of these tiny, Tinkerbelle fairies, as they dance around you and sparkle along the path. This is a magical, theatrical moment and I really felt like a child again.
Another surreal sight, is the beautifully lit, tumbling waterfall at the Rock Garden, where the trees and plants are ‘painted’ in soft shades of green and purple. With the floating waterlilies in the pond, it’s like a landscape by Monet come to life.
Turning along each path of the trail, the Botanics is brightly illuminated with installations such as a crystal, be-jewelled Christmas Tree, ‘Starfield’ featuring twenty twinkling stars, and ‘Constellations’, with sculptures of Orion, Little Bear et al.
Warm up in the ‘Fire Garden’, ablaze with flickering bulbs and flaming torches, while you sing along to Silent Night. Through each different landscape, the air is filled with the familiar classics, Michael Buble is Walking in a Winter Wonderland, Chris Rea, Driving home for Christmas and for Kylie, It’s the Most Wonderful Time.
Listening to the sharp, clear quality of the soundtrack, you would think that the performers, choirs and orchestras are hidden behind the trees!
Enter the ‘Cathedral of Light’, an arch of flower bud lights through a long tunnel with a clever optical illusion. A dazzling, zigzag display of colourful Diamond lights is projected on the architectural structure of the towering Glass Houses, choreographed perfectly to the jazzy-rock music score by Metallica.
An artistic pile of Sledges is reminiscent of the sculpture, “Sled” (1969) by the German Fluxus artist, Joseph Beuys, who in fact visited this garden a few times, for an exhibition at Inverleith House.
This grand 18th century mansion is the backdrop to a magnificent animation with images of iconic places around the city from the Castle to the Forth Bridge.
The windows of the house are like the boxes of an Advent Calendar with the dates flicking over from 1st to 24th December, as Mariah Carey belts out, “All I want for Christmas is You.”
This enchanting walk through this series of installations is like a mixed box of well-designed, glittering Christmas Cards …. but unfortunately, there is no narrative or overall theme. At its heart, this event is for families with young children, so a simple story could link these different theatrical scenes together.
The Fairies in the Laser Garden could be trying to help a lost Reindeer in his search for Santa Claus. Children could then follow a fun and fantastical, Peter Pan-style journey, flying through the Constellation of stars, land of ice, snow and fire, from the Chinese Hilltop to Lapland. (Just an idea!)
And yes, a jolly Father Christmas does makes a magical appearance with his flowing white beard and a majestic red coat, waving outside his log cabin in the forest.
‘Christmas at the Botanics’ runs at the Royal Botanic Garden Edinburgh on selected dates from 2nd December, 2020 to 3rd January 2021.
Information on dates, opening times, travel, parking, entrance gates and tickets: https://www.rbge.org.uk/whats-on/christmas-at-the-botanics-2020/
Tickets prices range from: Adult £19, Member £16, Child £13 (4-16), Family £60. Carers and children under 4, free. (subject to a single transaction charge).
A Pop-up Bar serves a range of food and drink *: e.g. Mulled Wine, Prosecco, Beer, Cider, Hot Chocolate, Tea, Coffee, soft drinks; Hot Dogs, Burgers, Veggie Burgers, BBQ snacks, Fries, & Children’s portions. (* but where are the traditional roasted chestnuts and mince pies?!)
‘Christmas at the Botanics’ is produced by events promoter Raymond Gubbay Limited a division of Sony Music, in partnership with the RGBE and Culture Creative, in collaboration with Mandylights, Lightworks, ArtAV, & Liverpool Lantern Company.
The Holyrood Distillery 2021 Heritage Whisky Cask Auction – recreating a spiritual taste of history …in a dram.
Whisky lovers, collectors and connoisseurs can be part of a unique event when Holyrood Distillery offers a limited edition of thirty casks of specially crafted single malt whiskies at auction. The casks are the innovative recreation of heritage whiskies based on those formerly produced by Edinburgh’s historic distilleries.
In partnership with Whisky Hammer, the Aberdeenshire specialist whisky auctioneers, these unique whisky casks will be sold at an online auction with bidding open from 4th to 13th December, 2020.
Holyrood Distillery was launched in Edinburgh in 2019 to resurrect the lost tradition of whisky making in the Capital after almost a hundred years; the majority of the distilleries closed in the 19th century with the last two, Dean and Glen Sciennes closing in 1922 and 1925.
Using recipes dating back a hundred years, the Distillery has sourced the ancient ingredients, old style brewer’s yeast and authentic barley varieties: Chevallier was used in the 19th century by Bonnington, Croftanrigh and Yardhead distilleries; Plumage Archer was used from the early 20th century by Dean and Glen Sciennes. Only sherry casks will be used – fifteen American oak, Oloroso Sherry Hogsheads and fifteen Spanish oak, Pedro Ximenez Sherry Hogsheads – in the tradition of these former Edinburgh distilleries.
“This is a rare opportunity to own a single malt whisky which is based on the techniques and ingredients used by Edinburgh’s distilling forefathers. Purchasing one of these rare casks is an invitation to own a piece of history and tread in the footsteps of the people who created the city’s whisky industry.” David Robertson, Co-founder of Holyrood Distillery.
The re-creation of an historic whisky has been a successful branding concept for Whyte & Mackay with their iconic Shackleton whisky in tribute to the great Antarctic explorer. Three crates of Mackinlay’s whisky were discovered in 2007 at the Expedition base camp for the officers and crew of the Endurance ship, stranded in the ice in 1915. Master blender Richard Paterson worked with the whisky salvage team to profile the original Mackinlay’s Rare Old Highland Malt, Shackleton’s favourite, to create a contemporary, blended malt.
Likewise, the production of these classic Edinburgh whiskies is an inspirational venture for Holyrood Distillery to preserve a taste of the city’s “spiritual” heritage.
The Scottish, family business, Whisky Hammer, Ellon, Aberdeenshire, was established in 2015 by brothers, Daniel and Craig Milne, to specialise in rare and hard-to-find bottles for whisky connoisseurs worldwide: “The motivation behind the company was from our passion for whisky. We were brought up in Macduff, on the edge of the Speyside region, where some may argue, the best whisky in the world is produced.”
Now one of the most renowned, global, online whisky platforms, at their October auction, a bottle of Macallan 78 year old (Red Collection), sold for £922, 500. Also under the hammer, was a rare Bowmore Hogshead cask, 1987, snapped up for £64.700, and also a Tullibardane, Oloroso cask, 2018, for £1, 550.
“We’re honoured to partner with Holyrood Distillery to offer 30 unique casks exclusively on Whisky Hammer. Having seen increasing interest and demand for old, vintage whisky and cask purchases, this is a golden opportunity to make history and fully participate in crafting a deeply personal and rare spirit, …. an offer not to be missed by our members, who love interesting and unusual whiskies.” Daniel Milne, Managing Director of Whisky Hammer.
Bidding is expected to start at £3,000 for each numbered, sherry hogshead allowing bidders to select the barley variety, cask type and number. The casks will be filled with the fledgling spirit in early 2021 and put to rest in the warehouse to become unique single malts.
Winning bidders will be invited to see their spirit being created and cask filled in the Warehouse and then follow each stage of the maturing process of their own whisky. The hammer price paid will include storage of the cask for up to ten years, annual sampling and insurance.
Holyrood Distillery was founded by a Canadian couple, Rob and Kelly Carpenter and Scottish whisky expert, David Robertson. Rob launched the Canadian branch of The Scotch Malt Whisky Society with wife Kelly, while David has 25 years’ experience in the industry with The Macallan and The Dalmore, as well as co-founding Rare Whisky 101.
Located on St. Leonard’s Lane with views over Holyrood Park, the Distillery is based at a B-listed, 1835 era building, formerly part of the Edinburgh & Dalkeith Railway. As well as single malt whisky they distil gins and liqueurs and there is a 5-star visitor centre offering an interactive, educational experience.
Owning a maturing cask is a dram lover’s dream, the ultimate indulgence, but also be a sound investment for the future. In eight, ten, twelve + years’ time, you will be able to bottle this speciality whisky for your own unique collection.
Whisky Hammer will host the online auction for these thirty heritage whisky casks which kicks off at 7pm (GMT) on Friday 4th and open until Sunday 13th December, 2020.
To register to bid on the Holyrood 2021 Heritage Whisky Cask auction, visit: www.whiskyhammer.com
For more information on the Holyrood Distillery and shop on line: https://www.holyrooddistillery.co.uk/
The quietly composed Landscapes, Flowers and Still Life by Joan Renton, RSW, on show at the Grilli Gallery, Edinburgh
Joan Renton was born in 1935 and studied at the Edinburgh College of Art where she was taught by three exemplary Scottish artists, William Gillies, John Maxwell and Robin Philipson. After a travelling scholarship to Spain in 1959, she was a teacher before becoming a full time artist. The recipient of several Awards, Joan was elected to the Royal Society of Painters in Watercolour in 1974.
This charming exhibition of landscapes, botanical studies and Still Life paintings illustrates the diverse range of subjects and artistic styles which inspire Ms Renton.
Travelling to the wild and wonderful Hebridean Islands off the west coast of Scotland has always been her stomping ground, sketch pad in hand, no doubt. With a photographic eye combined with impressionistic creativity, “Towards Mull” is a majestic panoramic scene. The viewer feels they are standing on the sandy beach looking out across the bay to the shimmer of shapely hills beyond.
While this clearly evokes a realistic ambience, the blending of soft shades, and curving contours of land and sea, creates a misty mood.
‘Although my paintings have their origins in nature, the influences of light and atmosphere are more important to me than realistic representation.’ Joan Renton
This semi-abstract technique is also shown in “Traigh-Mhor, Tiree,” which is most atmospheric: the curving trail in the sand leads the eye between the rocks to the lapping waves, a fleck of white horses and the distant islets. The pinky grey sky of scudding clouds evoke a tangible feeling of a chilly, salt sea breeze in the air on this blustery day.
A most enchanting winter scene is conjured up in “Little Tree,” in which the black, bare, skeletal branches spread across the canvas like a spider’s web.
The bold, imaginative pattern in the foreground reveals a tapestry of the snow-covered fields and rolling heather hills behind. This striking viewpoint would be a magical illustration for a Christmas Card.
The world of nature is captured both outdoors and at home. Here are several botanical paintings such as “Jug of Flowers,” a finely crafted, colourful display with such detail in the leaves, stamens, buds and petals.
And with a more expressionistic style, a swimming swirl of translucent green, blue and amber tones in the watercolour, “Sunlit Summer.”
Edouard Manet described Still Life as “the touchstone of painting,” which tests the skill of an artist to paint household objects, fruit, flowers, jugs, glassware and textiles. “Grey Still Life,” is a quiet, cool composition to illustrate the contrasting texture of a seaside shell, garden pears and flowers on the olive-green cloth.
The renowned artist Anne Redpath, OBE (1895–1965), devised her own iconic style of two dimensional Still Life scenes and domestic interiors. Following in her brushstrokes, Joan Renton is also a master of the genre with such a delicate, elegant and decorative design.
“The moment I stop learning and exploring new avenues, I shall give up and spend all my time in the garden.” Joan Renton
Now in her 85th year, this celebratory exhibition proves that Joan Renton is still very much in her prime and unlikely to exchange her paint brush for a trowel anytime soon.
THE GRILLI GALLERY, 20A Dundas Street, Edinburgh, EH3 6HZ
Joan Renton – A solo exhibition of paintings
31st October to 29th November, 2020
Mon, Tues, Thurs & Fri 11.00am to 4.00pm,
Viewing by appointment: Tel. 0131 261 4264; mobile 07876 013 013
Browse the gallery of images on line: http://www.art-grilli.co.uk/exhibition.html
‘this divine quiet’ – Helen Booth: a painterly meditation on the bleak, serene beauty of Iceland, @ &Gallery, Edinburgh
This is the first solo exhibition by the British artist, Helen Booth to be held in Scotland, and features over 25 artworks inspired by a recent residency in Iceland. She has exhibited widely across the UK, Europe and USA, and in 2019, she received two prestigious accolades in New York – a Pollock Krasner award for painting and an Adolf and Esther Gottlieb Prize for Abstract Painting.
Iceland is known as ‘The Land of Fire and Ice’ due to its ancient topography of giant glaciers, waterfalls, hot springs and fiery volcanoes, a wild, desolate terrain, sculptured through climate and time.
“Standing in a divine landscape has reinforced my personal belief that Nature is the most powerful force and that trying to capture the essence of Nature in its purist form is what is important to me as an artist.” Helen Booth
Feel the chill air in Abstract Landscape, 4, as soft snow flutters in icy dribbles from a billowing thick cloud stretching to the lost, hazy horizon.
Again with atmospheric realism, Abstract Landscape 7, is a swirling, whirling whiteout around the looming mass of a glacial mountain.
This raw, rugged environment is a pale palette of milky-white, cream, pink and blue-greys; the cool, crisp winter light glistens with an ethereal quality etched into frozen lakes and snow-smothered rocky peaks.
Many of these landscapes are pared down to the one essential element – water; the flow and fluidity of melting glaciers in a stream of drips as in Falling Water, with monochrome minimalism.
Also with abstract purity, a flourish of translucent spots and dots depicts the vision of glimmering icicles and a blizzard of drifting snowflakes in Frozen Water.
This seemingly simple, subtle technique is so imaginative, such as in I Think About You All The Time with its sparkling glow like Tinkerbelle fairy lights and stars in the night sky. (This stunning image would be perfect for a Christmas card or fabric design).
The use of symbolic markings is also most effective in the delicate, pointillist pattern of Silent Fall of Snow. Magical, mesmerising, meditative.
The title, ‘this divine quiet’, comes from a memoir by Christiane Ritter, “A Woman in the Polar Night,” about surviving life in the Arctic wilderness. Likewise, with poetic, painterly eloquence Helen Booth captures the bleak, majestic natural beauty of Iceland with a tangible, serene sense of place.
“Abstract Art is always rooted in experience of the real world .. .. and provides an emotional satisfaction similar to that of landscape. ” Pepe Karmel (Abstract Art, a Global History, Thames & Hudson).
this divine quiet – Helen Booth
&Gallery, 3 Dundas Street, Edinburgh, EH3 6QG
Current opening times:
Tuesday to Friday 11am – 5pm; Saturday 11am – 4pm & by appointment.
www.andgallery.co.uk. Tel. 0131 467 0618
The exhibition is beautifully complemented by floral displays of Birch Tree branches and ice-dried, white Amaranthus blossom, created by ‘Flowers by Minty’, Abbeyhill, Edinburgh
“Ethereal Silence:” Paintings of Edinburgh through the seasons by Jamie Primrose @ Dundas Street Gallery, Edinburgh
“Edinburgh isn’t so much a city, more a way of life… I doubt I’ll ever tire of exploring Edinburgh, on foot or in print.” Ian Rankin
Jamie Primrose is sure to agree with this sentiment, as he is unlikely to stop exploring Edinburgh on foot or in oil paint.
Springtime in Edinburgh, 2020 was rather a different city than usual. Like all of us, isolated at home, the artist Jamie Primrose was unable to visit his studio to work. But he could get out and about to observe, photograph and sketch his favourite places and picturesque scenes at a time of complete solitude and tranquillity.
This collection of over fifty original oil paintings, aptly entitled “Ethereal Silence,” is based on his wanderings around the city this year, celebrating Edinburgh through the seasons.
Follow in Jamie’s footsteps on those daily walks during lockdown around his local neighbourhood, Marchmont, and across the wide open space of the Meadows, flourishing in pink blossom. The magical effect of shadows cast by the sun through the trees is captured so well in such works as “Hazy Afternoon Light in The Meadows” and “Spring light on Jawbone Walk.”
At different times of the day and evening he would trek around the craggy landscape of Arthur Seat, and to the top of Calton Hill for a panoramic view across the city of spires. Explorations on foot too around the Old Town, such as the charming curve of Victoria Street, and a stroll through Princes Street Gardens in the summer sun. Primrose’s favourite places now transformed into works of art.
Jamie Primrose is a master at depicting the shimmering soft glow of dawn light as captured in a series of paintings such as “Sunrise from Arthur’s Seat,
and at the end of the day, experience the coral pink and mauve tinted clouds in “Sunset Skyline over Edinburgh.”
Not quite sure of the meteorological term for a mackerel sky, but the distinctive cloud patterns in many cityscapes brilliantly reflect a sense of movement and atmosphere.
Most impressive is “Sunrise over Edinburgh Castle,” a moment in time to catch the golden glimmer of a new blue sky day. It illustrates perfectly the poetic description of the Castle:
“.. this gigantic rock lifts itself above all that surrounds it, and breaks upon the sky with the same commanding blackness of mingled crags, cliffs, buttresses, and battlements.” J. K. Lockhart.
On this painterly journey through the year, you can almost feel the shift in temperature too, by the clarity of light and brightness of Summer sun to the icy grey chill in “Winter Morning looking down Middle Meadow Walk.”
These are just a few key highlights from this captivating and finely composed collection. The exhibition is at the Dundas Street Gallery but if you are unable to visit, you can view the online gallery and take a video tour of the show.
Limited Edition Prints:
In addition to these new original paintings, there are framed limited edition prints of The Meadows, Old Town scenes and city skylines. Also available, East Lothian and West Coast seascapes, atmospheric vistas of Edinburgh, Glasgow, London, Venice, & South of France.
Jamie Primrose: ‘Ethereal Silence’
Thursday 5th – Saturday 14th November 2020
Open Monday to Friday, 11am to 6pm by appointment
To book your appointment contact: Mari Primrose
Saturday – walk in visits from 12 noon – 5pm
The Dundas Street Gallery
6a Dundas Street, Edinburgh EH3 6HZ
View the works on the website: https://jamieprimrose.com/latest/index.html
Video tour of the gallery: https://vimeo.com/476041741