The French Film Festival is back with Screen Horizons@ Summerhall, January to April 2022.
The French Film Festival UK is the only festival dedicated to and embracing French and Francophone cinema in all its diversity. Instead of waiting until November, an inspiring season of French and Francophone cinema comes to Summerhall from 30 January to 17 April, 2022.
Presenting a diverse range of films for all ages, from award-winners to new talent, classics to documentaries and animation. Several will be accompanied by introductions, Q&As and talks by leading experts in film and French culture.
“With the easing of restrictions, we’re delighted to be able to offer Summerhall screenings in the newly re-equipped Red studio theatre with its Seventies’ vibe. Audiences will have the chance to catch up with French Film Festival titles they may have missed the first time around. The programme really does have something for everyone.”
Richard Mowe, Director, French Film Festival UK
Summerhall, located near the Meadows, is a well established and popular visual arts and performance venue, – with a pub, brewery and gin distillery on site too – a buzzing cultural centre year round with exhibitions, drama, music, films and, in August, Edinburgh Festival Fringe shows.
And what must be the best kept secret, a brand new cinema opened here in October 2021!
The Red Lecture Theatre was previously used for the Edinburgh Short Film Festival, Cinefile, French Film Festival and Cinematic, shows films every weekend as well as special events. The revamped cinema was financed from the Screen Scotland’s Cinema Equipment Fund, featuring Dolby 5.1 surround sound and DCP projection and is the only cinema on the southside of Edinburgh. Each Friday, Saturday and Sunday, the venue screens new releases, independent films, modern horror, retrospectives and world cinema.
The French Film Festival UK presents Screen Horizons@ Summerhall.
As Valentine’s Day 2022 fell on a Monday, there is still time for a delicious sweet taste of romance on Sunday 20 February with a 3pm matinee screening of Love Affair(s).
The French title, ‘Les Choses qu’on dit, les chose qu’on fait’ is translated as ‘The Things We Say, the Things We Do,’ a classic brief encounter tale of two strangers thrown together by chance, set against the lush green French countryside. Exploring their notions of what real love is, the chemistry between Daphne and Maxime is viewed with authenticity, elegance and compassion. Directed by Emmanuel Mouret, the film has been described as a more serious Love Actually, pitching between the philosophical and farcical.
This really sounds like a smash hit with rave reviews, awards and accolades:
Best Film nomination, Césars 2021.
Rotten Tomatoes – Critics score,100%
‘ Mouret channels a cacophony of beating hearts in an effortless conversation about the universal trappings of love and monogamy’.
‘A complex romantic drama which twists and turns at every juncture’.
Later that afternoon on 20 February at 5.30pm is Hello World! (Bonjour Le Monde!) for adults and children alike. With perfect topicality in the race to save the planet, this is a whimsical animated study of our fragile ecosystem. How is a bird born, why does one come into the world as an insect, mammal or fish?
Hand crafted papier-mâché puppets with a colourfully painted backdrop interpret the life and habitats of a pike, beaver, bat, salamander, turtle, dragonfly and several birds to illustrate the amazing spectacle of the natural world.
And here a few more highlights over the next couple of months:
Oh Mercy! / Roubaix, une lumière (Sunday 27 February, 15.00)
A fictionalised adaptation of the 2008 French TV documentary Roubaix commissariat central, which followed a police officer and his colleagues in Roubaix, near Lille, as they deal with the shocking homicide of an elderly woman. The investigation has real authenticity to create a riveting, compassionate drama and among the potential suspects are the neighbours who report the crime, Claude and Marie. Grégoire Hetzel’s sombre soundtrack creates a suitably chilling Bernard Herrmann, (Psycho, Citizen Kane, Taxi Driver), mood and ambience.
‘ Engrossing and well worth checking out’. Time Out
Simply Black / Tout simplement noir (Sunday 6 March, 17.00/Sunday 13 March, 15.00)
Jean-Pascal Zadi’s feature debut follows, JP, an actor and activist (played by Zadi himself) who, tired of the bigotry and racism in France, decides to organize a “Black Man’s March” to raise awareness in Paris. The politically incorrect satire is essentially a mockumentary through a series of dramatic, often hilarious misadventures. By exploring how racism remains a serious issue in France, Zadi questions whether the motto ‘liberté, égalité, fraternité’ is more of an ideal than a universal truth.
‘An extraordinary comedic work of lilt and sparkle’. The New Yorker
Léon Morin, Priest / Leon Morin, prêtre: (Sunday 10 April, 17.30/ Sunday 17 April, 15.00)
The French Film Festival always includes a classic programme of vintage movies which are always a joy and here is another classic in Screen Horizons.
In 1961, a year after appearing in Breathless, Jean-Paul Belmondo starred as Léon Morin, Priest, playing a devoted man of the cloth who attracts all the women in a small village in Nazi-occupied France. Holy but human, he finds himself drawn to a widow—played by Emmanuelle Riva—a religious skeptic. Sparse yet utterly convincing in period detail, this is a potent study of desire, religion and politics.
‘ Belmondo is masterly at embodying how Morin uses his charisma and surly, forthright charm. Riva’s emotional vitality powers the story with an oscillating vibrancy .. the accumulation of small expressive touches is as exact and suggestive as a pointillist masterpiece’. Deep Focus review
Adolescents / Adolescentes (Sunday 17 April, 17.30)
Emma and Anaïs are best friends and yet everything in their life seems to set them apart – from their social backgrounds to their personalities. Five years in the making, Adolescentes is a remarkable achievement, charting the lives of the two girls from the age of 13 to 18 as they grow into maturity. Things turn more emotive when the personal meets the political during key moments in French history from the Paris attacks to the election of Emmanuel Macron.
Melancholic and graceful, ‘ ….capturing moments of aesthetic bliss ..comparisons to Richard Linklater’s 12-year narrative ‘Boyhood’ are evident.’ Hollywood Reporter
For the full Screen Horizons programme of films, trailers, dates and tickets – https://frenchfilmfestival.org.uk/2021/front-page/screen-horizons/
Supported by Film Hub Scotland, part of the BFI’s Film Audience Network, and funded by Screen Scotland and National Lottery funding from the BFI.
The 30th anniversary edition of the French Film Festival will run in November and December 2022, as always touring numerous towns and cities across the UK, as well as an online programme. Keep up to date with all news of this special celebratory year.