‘The Appeal’ by Janice Hallett: an ingeniously plotted, finely crafted, murder mystery with masterly Miller-esque dramatic style.
Dear Reader – enclosed are all the documents you need to solve a case. It starts with the arrival of two mysterious newcomers to the small town of Lockwood, and ends with a tragic death. Someone has already been convicted of this brutal murder and is currently in prison, but we suspect they are innocent. What’s more, we believe far darker secrets have yet to be revealed.
Throughout the Fairway Players’ staging of ‘All My Sons’ and the charity appeal for little Poppy Reswick’s life-saving medical treatment, the murderer hid in plain sight. Yet we believe they gave themselves away. In writing. The evidence is all here, between the lines, waiting to be discovered.
Will you accept the challenge? Can you uncover the truth?
‘The Appeal’ is the widely critically acclaimed, debut novel by Janice Hallett, a former magazine editor, journalist and political speechwriter. She co-wrote the psychological thriller feature film The Retreat and has had several plays produced with further scripts in development.
The cover image illustrates the Defence Barrister’s Brief neatly tied up in pink ribbon. Roderick Tanner, QC is representing a client who is appealing against their sentence and sets his trainees, Femi and Charlotte, the task of studying the papers to see if they agree with his conclusions.
Open the book to find this collection of emails, texts, WhatsApp messages, police interviews and QC’s notes which will guide the reader too through all the legal evidence to unravel the truth behind the murder and if there has been a miscarriage of justice.
We are introduced to the large and colourful cast list of characters through their testimony in this flurry of correspondence – personal observations, anecdotes, chit chat, gossip, facts, and, no doubt, many secrets and lies.
Many of these are members of the Fairway Players, getting ready for the casting and rehearsals for a production of Arthur Miller’s, All My Sons (1947).
The award winning play is based on a true wartime story about a corrupt businessman, Joe Keller, who sold defective airplane parts, driven by a thirst for money and success even if it comes at the cost of family relationships and tragic consequences.
A play within a play is a clever device. Michael Frayn’s Noises Off is a farce set behind the scenes of a theatre production where mounting egos, memory loss and secret affairs turn every performance of Nothing On into real drama from dress rehearsal, the opening night and a performance towards the end of the run.
Alan Ayckbourn also used the scenario in ‘A Chorus of Disapproval’: A widower attempts to escape loneliness by joining the local amateur light operatic company for a performance of The Beggar’s Opera with all the day to day, often immoral, activities of the actors off stage.
So here we have a modern murder mystery set around a classic play. Very much in charge of proceedings is Martin Hayward, the director, a respected local businessman who owns The Grange Golf and Country Club. In the cast of All My Sons are his wife Helen as Kate Keller, their daughter Paige is Lydia, three members of the McDonald family; Sam and Kel Greenwood, are new members having recently been voluntary aid workers in Africa. Isabel is a bit of a loner, neurotic and obsessive, desperately keen to make friends and have a starring role with the Fairway Players.
Drama off stage too when Martin and Helen’s grand-daughter Poppy is diagnosed with a brain tumour, and a Crowdfunding campaign is launched to raise £250,000 for experimental drug treatment in the USA. Medical evidence on Poppy’s condition is supplied mainly by Dr Tish Bhatoa, an Oncology Consultant.
Of course, we are well aware that these amateur actors are playing a role on stage, who may well have a talent to deceive friends, family and the police in real life too.
This is a complex maze of intertwined events: behind the scenes of the theatre production, Poppy’s terminal illness, the fundraising appeal – all leading up to the night of the murder. The correspondence between the characters together with police reports, offer a conflicting summary of everyone’s involvement, grudges, suspicions, arguments and strained friendships, as we try to work out the timeline of action. But whom can we trust.?
Rather curiously as the Fairway Players are the prime suspects, the characters and motives in All My Sons, dealing with a fraudulent business scam and family deceit, are never explored by Martin and his cast, despite the close thematic links to the central plotline of The Appeal.
On Page 296 there is an essential List of Individuals totalling 81 characters. This would be far better published as a pull- out Theatre programme, as you have to keep referring to it as a reminder of who everyone is – the key players, family relationships and the small but important cameo roles.
Another point to make is that Femi and Charlotte communicate by WhatsApp, with some messages printed in dark grey and difficult to read clearly (as illustrated above).
However, what does work so brilliantly is that through the dialogue of emails and texts, we can virtually ‘hear’ each character’s voice, giving a first-person narrative with sharp, psychological insight. The antitheses of a fast paced, action thriller, the focus in The Appeal is on detailed discussion and debate with a slow methodical pace, ingeniously plotted and finely crafted with masterly Miller-esque dramatic style.
From a Review of the premiere of ‘All My Sons’, 30th January, 1947:
‘Mr. Miller has written an honest, forceful drama about a group of people caught up in a monstrous swindle. Writing pithy yet unselfconscious dialogue, he has created his characters vividly with hearts and minds of their own. His drama is a piece of expert construction .. an original play of superior quality by a playwright who knows his craft and has unusual understanding of the tangled loyalties of human beings.’ Brooks Atkinson, New York Times.
THE APPEAL by Janice Hallett is published by Viper @ Serpent’s Tail.
Will you accept the challenge? Can you uncover the truth?
ISBN: 978-1788165280 – Hardback.
ISBN: 978-1788165303 – Paperback to be published on 1st July, 2021.
Artistic Licence: Still Life paintings by Ian Mastin present a banquet of fruit, cheese, brandy and wine with classic style.
This most inspiring exhibition of Still Life paintings opened on Saturday 3rd April, 2021 at “Art on Cairncross”, Maleny, Queensland, Australia.
The good news is that the artwork is also now available as an online exhibition in the UK, through select galleries such as The Torrance Gallery, Ian Mastin’s exclusive agent in Edinburgh.
“The concept of a physical exhibition in Australia accompanied simultaneously by the same exhibition online in the UK was not something I’d ever have considered pre-COVID – an experimental endeavour.”
Ian Mastin
Ian Mastin was born in England before his family later emigrated to Australia. With no formal training, he enjoyed sketching for recreation, and when living in Scotland for over a decade, he began to study artistic technique and styles, and is now a full time, professional artist, based in Queensland.
Known in French as Nature Morte, Still Life paintings are a stylised arrangement of objects on a table, such as fruit, flowers, glassware and textiles.
It really is extraordinary to compare Mastin’s exceptional natural talent and skill with the 16th and 17th century Dutch and Flemish Masters. Their subjects ranged from flowers, human skulls and candles to depict Memento Mori, the fleeting nature of life, to simple breakfast dishes and lavish Baroque displays of fruit, wine goblets and books to illustrate culture and wealth.
A superb example is ‘Still Life with Cheese’ by Floris van Dyck, an elaborate feast of grapes, apples, nuts and wine.
From this Golden Age, fast forward to see how these domestic scenes were modelled and modernised by such Impressionist artists as Cezanne, Gauguin, Manet, Van Gogh and Valadon.
“Bring a brioche, I want to see you paint one: Still Life is the touchstone of painting.” Edouard Manet.
Paul Cezanne seemed to be fascinated by orchard fruits especially apples of all shapes and sizes which were the star subject for numerous paintings.
” I am captivated by the deep roots of the past .. the relationship between inanimate objects and our origins .. a simple relic of some antiquity immediately stirs within a hunger to connect with its provenance.”
Ian Mastin
Let’s take a look around the ‘Artistic Licence’ exhibition of contemporary Still Life acrylic paintings:
Bread, Wine and Cheese
You could be forgiven for assuming this softly lit composition was painted around 1620 …..not 2020. Here the dark varnished, cracked old wooden table is set for a meal: the delicately, draped fold of a linen napkin, the glistening glass of white wine, a scatter of crumbly cheese and crusty bread, all finely crafted with such intimate precision.
Still Life with Pears and Grapes
It may appear a more simplified display, but this has exceptional photographic quality. Look at the surface of the splintered table, the purple-black skin of the grapes with sharp stalks and shapely pears with tiny nicks in the skin. All so aesthetically pleasing to the eye.
Spoilt for Choice
Following the recurring theme of Paul Cezanne, here too is a fine collection of crisp, shiny, polished apples – perhaps Gala, Granny Smith, McIntosh, Pink Lady et al. – in contrast to the gnarled timber grains of the table.
“I always love painting fruits and never tire of the subtleties and richness of their colours and textures. I’m also drawn to the bonhomie evoked by images of good wine and food. I never need much encouraging to go searching for a succulent cheese to complement a classic burgundy – used purely for artistic purposes, needless to say.”
Ian Mastin
Moulin des Carruades 1977
A meticulously detailed and most appetising Study of wine, bread and cheese as similarly depicted by the Dutch Masters. You could view this for hours and still find hidden facets in the tactile textures. First the dusty sheen on this vintage wine bottle, as if just retrieved from the cellar, the ripe, melting Camembert in greaseproof paper with freshly baked bread. Note too, the hinged metal lock on this antique chest.
Moulin Des Carruades from Domaine Barons de Rothschild: Merlot, Cabernet Sauvignon and Cabernet Franc – “Rich fruit, blackcurrant, tobacco, cedar, oak, well-balanced.”
Chateau d’Angluet Margaux
The wine estate, Château Angludet has belonged to the Sichel family for six generations so this represents a real sense of heritage: the dark green bottle with its intricately sketched label and the reflection of glinting sunlight. Uncorked, it’s ready to serve with grapes and slice of cheese. A blend of Cabernet Sauvignon, Merlot, & Petit Verdot, this vintage 2006 Bordeaux is described as deep red with black tints, ripe and elegant.
Age Before Beauty
This may certainly appeal to those in Scotland and worldwide who relish a dram of these fine Single Malt Scotch Whiskies from the Speyside and Highland regions. The fisherman’s rod and basket create a dramatic setting, to illustrate a day out on the River Dee, Aberdeenshire or, indeed, Baroon Pocket Dam, Queensland. Slainte Mhath!
Still Life paintings provided the best opportunity for the pioneering 16th century artists to show off their painterly skills.
With artistic licence and photo-realism accuracy, as a modern master of the genre, Ian Mastin demonstrates such delicate beauty and classic style in these exquisite compositions. Whether a bowl of cherries, a carafe of port or a pile of antiquarian books, this is an artist with a dedicated passion for perfecting this iconic, timeless tradition.
Artistic Licence – a showcase of Still Life paintings by Ian Mastin
3 – 25th April, 2021
Maleny, Queensland: ‘Art on Cairncross’ – if you live locally, visit the gallery.
Edinburgh: available online at The Torrance Gallery
View the exhibition here:
https://www.torrancegallery.co.uk/ian-mastin-artistic-licence
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