Fenton Tower, North Berwick – this ancient Scottish Castle is a unique, magical hideaway with all luxury, homely comforts
Located a forty minute drive from Edinburgh, near the seaside town of North Berwick, Fenton Tower is a hidden, historical gem of a property. Constructed around 1560, this Medieval Tower house was once a place of refuge for King James VI of Scotland, and later destroyed by Oliver Cromwell. It became a derelict ruin for 350 years until it was tastefully and imaginatively renovated into a 5 star property in 2002.
This is an authentic Scottish castle but far from being cold and draughty, expect a warm welcome from the House Manager, his staff ….and a roaring log fire. Within the ancient stone walls, Fenton Tower has been transformed into a graceful country house, where everything is perfectly polished from the tableware to hospitality: this is a luxuriously relaxing home-from-home for the perfect escape, family celebrations, golf and sporting trips.

The owners of Fenton Tower – Ian Simpson, whose family have farmed the surrounding estate since 1900s, and his friend John Macaskill – shared a passion to embark on a four-year project to resurrect this A listed historic monument.
As Historic Scotland stipulated the preservation of the existing structure, they sourced the original quarry stone to renovate the staircase and purchased suits of Armour, Clan heraldry, fine art and furnishings for an authentic period setting.
This is an exclusive-use property suitable for family getaways, romantic retreats, birthdays, weddings, golfing trips, country sports, or a leisure and cultural break to explore the countryside and coastline of East Lothian and the city of Edinburgh.

At the centre of the Tower is the marvellous oak beamed Great Hall features a huge original Hearth, antiques, armour, old portraits, artwork and tapestries as well as contemporary sink-into sofas piled with cushions, a blend of classic style and all modern comfort.
The overall aim here is for relaxation with the adjacent cosy Library (books, games, TV), and help yourself to a drink – the local NB Gin, sherry or whisky – from the Butler’s Pantry.
Two spiral carpeted staircases lead up to the seven bedrooms, each themed and named after Scottish families associated with the Tower – Stewart, Erskine, Carmichael etc. with a clan plaque on the door.
Each is distinctively designed with Four Poster, Half Tester and Italian silver framed beds, tastefully decorated with vintage European furniture: Armoire wardrobes, armchairs, writing desks, dressing tables, white bedlinen, flowered bedspreads and curtains.
Large, lavish bathrooms boast clawfoot, canopied or copper tubs and separate showers. The Stewart suite has French double basins, a huge clawfoot tub (a warning states that it fills up in just 3 minutes!), fluffy towels, Penhaligon toiletries, cream satin-edged bathrobes.
A modern Lodge in the grounds – charmingly furnished in tweeds and artistic colour scheme – has two double bedrooms, kitchen and lounge offering extra accommodation for guests.
Fenton Tower offers the true experience of a traditional, personally-tailored, house party, fully catered with menus prepared and served by the professional team.
This is the chance to dress up elegantly for the evening, starting with a G&T, champagne or cocktails in the Great Hall before a grand, candle-lit dinner in the stone arched Dining Room.
This period theatrical setting with fine china, silver and glassware, brings to mind a blend of Agatha Christie and Downton Abbey lifestyle – so glamorously romantic!.
Indulge in a feast of Scottish cuisine: fresh lobster and crab from North Berwick, Belhaven smoked fish, prime beef, seasonal venison and pheasant from Fenton Tower’s own Shooting estate. End the evening back in the Grand Hall for a dram of Whisky as a warming nightcap.

Breakfast is also traditionally served with a cold Buffet laid out on sideboard – fresh fruit, prunes, apricots, yogurt, cereals, warm croissants and muffins with home made jams, strong hot coffee – Steam Punk, specially roasted for Fenton Tower. A selection of hot dishes is made to order such as Scrambled eggs with smoked salmon, Kedgeree and omelettes. As at dinner, you can be assured of quality produce and personal service.
Family parties, Christmas celebrations and summer holidays would be ideal here with children welcome – this was the film set for Archie’s Castle in the TV series Balamory and there are 350 acres of private grounds for outdoor adventures. Visit the Museum of Flight to see the Concorde aircraft, beach walks galore, horse-riding and boat trips to the bird sanctuary on the Bass Rock.
For sports enthusiasts, there are 15 golf courses within 10 miles of Fenton Tower, including Gullane, North Berwick and the famous Championship course, Muirfield. In the Tower, a collection of photos of famous Scottish golfers including the legendary Tom Morris, is displayed in the old wood panelled Washroom complete with a traditional Thunderbox Loo.
Guests can also arrange to visit Fenton Brunt Estate for pheasant and partridge shooting or go fly fishing in rivers and lochs.
Surrounded by an authentic sense of Scottish royalty and clan history, indulge in luxurious, cosy comfort and personalised service – guests are truly spoiled. Vintage styled bedrooms, exemplary cuisine and Great Hall with roaring log fire, all create the perfect ambience of a grand country house.
Whatever the occasion, the opportunity to stay in your own private wee Scottish Castle is simply a magical, memorable and unique experience.
What other guests say:
A family celebration – loved every minute, we all want to do it all again, I can’t thank Alan and his team enough for making this stay so memorable.
We promised the grandchildren a weekend in a Scottish castle – wonderful!.
The Tower itself is stunning and cosy whilst the hospitality was spot on.
Fenton Tower was named the National Exclusive Use Venue of the Year at the Scottish Hotel Awards, 2020.
Fenton Tower: Sleeps 13 | 7 Bedrooms | Dogs Welcome. From £185 per person per night, based on a minimum of 10 guests on an exclusive use basis with breakfast. Minimum two-night stay.
A self-catering rate during low and mid-season will be considered on request.
To book, visit www.crabtreeandcrabtree.com or call 01573 226711
Lies to Tell by Marion Todd – D.I. Clare Mackay is back for another crime-busting, thrilling, twisting rollercoaster ride.
Marion Todd is a full-time crime novelist based in North-east Fife, overlooking the River Tay, but like many aspiring, talented writers – including J.K. Rowling – it has been a long road to success. She first studied music with the Open University and worked as a piano teacher, accompanist and a hotel lounge pianist. After a busy family life, (married to a Detective with Police Scotland), bringing up three children, she then had time to write short stories for magazines and was shortlisted for a Scottish Arts Council Award.
With a life long love of the crime genre, since reading Agatha Christie in her youth, she then created a feisty character, Detective Inspector Clare Mackay as the star of her debut thriller, “See Them Run” published in 2019.
On the night of a wedding celebration, one guest meets a grisly end when he’s killed in a hit-and-run. Set in St. Andrews, the ancient University town and international home of Golf, DI Clare Mackay is on the hunt for a cold, systematic, serial killer.
‘All the ingredients of a cracking crime novel: a strong female lead, a vivid sense of place, a rising body count and a twist you don’t see coming … A welcome addition to the Tartan Noir genre’ Claire Macleary, author of ‘Cross Purpose.’
An immediate smash hit, “See Them Run” was nominated for the Bloody Scotland Scottish Crime debut of the Year, 2020.
Canelo commissioned Todd for a three book deal and so DI Mackay was back again in the second novel, “In Plain Sight.” When a baby girl is snatched from the crowd of spectators at a fun run on West Sands beach, the local police have a major investigation on their hands. Which of the residents of St Andrews is hiding something – and why?
And most recently published is the third thriller in the series, “Lies to Tell.”
LIES TO TELL by Marion Todd
If you have not yet read the first two in the series, like me, no problem at all as this is a stand-alone novel and it’s easy to pick up important elements of the backstory.
Early one morning DI Clare Mackay receives a message from her boss DCI Alastair Gibson telling her to accompany him on a secret mission to meet Gayle Crichton, an ethical hacker who is to investigate a serious security breach inside Police Scotland. However, Clare must conceal Gayle’s true identity and undercover work from her team at the St. Andrews station.
Meanwhile, DI Mackay is dealing with a key witness under police protection in a Safe House before an important Court case, and the report of a missing university student. The action takes place over a short time frame, 15th to 24th May, so expect a pacey, tense and dramatic narrative.
Getting to grips with the full rounded personality of realistic characters is essential to grab the reader’s attention. Within the first couple of pages, we learn that Clare lives alone with her dog, Benjy, at Daisy Cottage, with its wildly overgrown garden. At work, she wants to prove she is a competent, ambitious detective, as good as her male, macho counterparts, and dresses smartly for the professional image.
Todd has an easy, free flowing style of storytelling, with vivid descriptions such as this picture of DCI Alastair Gibson:
“ The DCI, dressed to impress in a fine dark grey suit … Giorgio Armani. His tie was knotted tightly at the neck and his shirt cuffs were held by a pair of plain silver cufflinks.”
The location setting too is vitally important for a realistic sense of place – whether Rankin’s Edinburgh or Dexter’s Oxford.
“ The Safe House was a two bedroomed flat in busy Market Street, above a shop selling what Clare called, tartan tat for tourists. The street was cobbled with a dried up fountain . .. busy with mums wheeling pushchairs and red gowned students going between lectures.”
As Mackay tries to navigate the increasingly complex, convoluting maze of criminal cases, the underlying theme is all about secrets, lies and whom she can trust. As the pressure builds up, we can see her strong minded, feisty nature focussed on the job.
But we also see the softer, feminine side, as she misses her partner Geoffrey who has moved to Boston, and her new singleton lifestyle is now akin to Bridget Jones: “She opened the fridge – a Cottage pie from M&S stood alone on the shelf .. and she took a bottle of red from the wine rack, pouring herself a large glass.”
Footloose and fancy free, enjoying many a glass of vino and Prosecco, we soon follow her tentative steps through text messages to the temptation of a closer relationship with a senior officer. Romantic encounters aside, the heart of this gripping, gritty plot line, is a murky mire of dangerous liaisons involving scams, money laundering, abduction and a gruesome murder.
Clare is a tough cop, (a former armed response officer), but she is also vulnerable, emotional woman, which is well portrayed. As she confides DS Chris West, “I don’t know who I can trust” …. “The strain of the past week, she felt as if it was all coming crashing down on her.”
With so many unexpected, terrifying twists, the reader is taken on a rollercoaster ride until the clever, cliff hanger ending which indicates a tricky romantic entanglement for Clare to solve.
As a genuine, believable, leading lady, DI Clare Mackay could easily follow DI Rebus in Edinburgh, and DI Perez & DS Macintosh on Shetland to the small screen, amidst the atmospheric setting and wild seascapes around St. Andrews in the Kingdom of Fife.
https://www.canelo.co/authors/marion-todd/
https://www.canelo.co/books/lies-tell/
In September 2020, independent publisher Canelo launched a new crime fiction imprint, Canelo Crime.
“ I remain convinced that crime fiction offers the most exciting combination of thrills, deceit and cleverness. The best of the genre will emotionally invest its reader, and give hope that good can overcome evil, (though only with a brilliant sleuth or fearless hero in charge). We have been proud of the recognition that Marion Todd received a nomination for the Bloody Scotland, Scottish Crime Debut of the Year, 2020. Marion’s ongoing DI Clare Mackay series has quickly been established as a favourite with crime fiction fans. Keep an eye on our website for forthcoming news about Marion’s new novel, ‘What They Knew’.
Louise Cullen Publishing Director
CANELO | CANELO CRIME
“What They Knew” by Marion Todd is to be published on 11 February 2021 by Canelo Crime. The New Year starts with a death ...
‘The Story of Scottish Art’ by Lachlan Goudie – 5000 years of creative spirit and imagination.
Lachlan Goudie certainly knows how to communicate with vicacious exuberance as an artist, broadcaster and writer. This lavishly illustrated survey is a fascinating journey from Pagan crafts to Portraiture and Pop Art, to show how the colourful imagination of Scottish artists became a creative influence worldwide.
With 42 chapters across four distinctive Parts, there is a clear road map to follow, or dip into the historical and artistic era of interest.
Let’s start at the very beginning, as they say, 3,000 BC at Kilmartin Glen, Kintyre where you can see ancient stone Cup and Ring carvings and Standing stones across this Neolithic landscape. Similar stone circles and objects are found on Orkney. Here in 2009, on the Isle of Westray a tiny, sandstone figure of a woman was found buried in the sand: “with disarming simplicity, the artist engraved a nose, two pinpricks for eyes, transforming the pebble into an icon of Neolithic civilisation. … the earliest carving of a human figure ever found in Scotland.”
The Westray Wife” is almost Picasso-esque in its simple, naïve, deconstructed form. Archaeological sites have sourced other bone craftwork and pottery, leading to the Bronze Age and the creation of tools for elaborate brooches and jewellery.
Columba arrived on Iona, from Ireland, in 563, “an isle of big skies and turquoise tides,” a place of peace and spirituality; from early Celtic crosses and the decorative Abbey, artists have always been enticed to visit Iona for generations, to capture its natural beauty.
It is believed that the Book of Kells, the 9th century illuminated manuscripts of four Latin gospels was created by the monks at Columba’s Monastery, Iona – “a masterpiece of Christian art .. a work of transcendental beauty.”
Ancient Pictish craftsmanship is preserved around Aberlemno, Angus, with around 250 sandstone monoliths carved with symbols, crosses, figures, horses and a hunting scene. This is also the subject of the elaborately carved St. Andrews Sarcophagus, (8th – 9th century), featuring a hawk, two lions, a ram and a dog.
The Vikings arrived in the late 8th century, “to colonise the isles, Orkney .. and across the Hebrides.” A treasure trove of Viking sculptures was unearthed at Uig, Isle of Lewis in 1831, a set of 93 figures carved from Greenland walrus ivory and whales teeth – the Lewis Chessmen. It is thought they were made in Trondheim (1150-1175), and brought to Lewis by a merchant on route to Ireland, but buried in the sand for centuries.

As Goudie wittily describes these delicately engraved sculptures: “The figures resemble cartoon characters. .. the wild stare of the king, the bishops’ faces bursting with bug-eyed horror .”
Trade with the Low Countries brought “cargoes of exquisitely carved furnishings and Netherlandish paintings.” This led to the commission of Hugo Van der Goes, a celebrated artist in Bruges to paint a new Alterpiece for the Collegiate Church of the Holy Trinity, Edinburgh.

The marriage of James V and Madeline, the daughter of Francis 1 of France led to Royal patronage of the Arts to promote a Renaissance of decorative sculpture and classical painting.
Fast forward to the Union of the Crowns with James VI/1 of Great Britain. His son, Charles 1 was an art collector and commissioned portraits by Van Dyck and Rubens. But George Jamesone from Aberdeen would soon be hailed Scotland’s Van Dyck. To celebrate the Scottish coronation of Charles I, Jamesone painted 109 portraits of the Royal family tree and the King himself with great success.
This encouraged 19 year old Michael Wright to travel from London to Edinburgh to be George’s apprentice, before studying in Rome,“ an unrivalled boot-camp where he acquired technical expertise.”

Charles II was now on the throne and (John) Michael Wright was selected to paint the portrait., a fashionably glamorous portrayal of “a curly-wigged young man with a raised eyebrow and a spiv moustache.”
There is a marvellous narrative about the 22 year old Allan Ramsay on a Grand Tour of Europe in 1736, an early ‘backpacker’, cultural adventure through France and Italy. In the early 1990s, when Goudie was an art student, he “emulated Ramsay’s pilgrimage and spent a year in Rome painting and drawing. An overwhelming experience”.
Ramsay became an eminent portrait artist with “delicate style of brushwork and soft colour palette”, as well as a leading philosopher, central to the intellectual aims of the Scottish Enlightenment.
Henry Raeburn was advised by Sir Joshua Reynolds to study in Italy, before returning home to Edinburgh to set up his studio, painting romanticised, theatrical portraits to great effect.
Moving into the 19th century, the popularity of Landscapes soon took centre stage through Nasmyth, Wilkie and Landseer – “The Monarch of the Glen”, an iconic vision of the majestic wilderness of the Highlands.
“A new generation of truculent art students” would soon shake off tradition. The Glasgow Boys, were a group of artists (Guthrie, Walton, Paterson, Macgregor et al), who were keen to paint en plein air, depicting farming life around Berwickshire, Scottish Borders in the manner of the French Impressionists.

John Lavery went to Paris to be at the heart of this blossoming avant-garde art scene, painting “sun dappled” rowing boats on the river at Grez. Fascinating too to read about the feisty Glasgow College of Art student Bessie Nicol, who went off to Paris in 1892 to study Life Drawing at Academie Colarossi by day, and observe the decadent Bohemian society by night.
A cacophony of creative styles was now embracing the work of Scottish artists. Floral images and geometric lines were interlinked for the architectural designs of Charles Rennie McIntosh, whose modern, minimalist interior décor, created “the greatest genius … a giant of the age rivalling Frank Lloyd Wright and Antoni Gaudi.”
The exuberant portraits and nudes by J. D Fergusson, elegant studies of Edinburgh ladies by Francis Cadell, Samuel Peploe’s exquisitely crafted Still Life paintings and Cezanne-styled landscapes from George Hunter, would soon lead to the collective term, The Scottish Colourists,
From an early struggle to entice dealers, the Colourists’ distinctive, timeless work continue to be a regular highlight at auction house sales today. Cadell and Peploe frequently visited Iona to paint tranquil seascapes.
Then, a fairly brisk sprint through the leading Scottish artists of the 20th century, picking out William McCance, with his bold Cubist form, and the partnership of the two Roberts – McBride and Colquhoun “celebrated as the most pioneering British Artist of his day. Francis Bacon said that he had learnt virtually everything from Colquhoun.”
The era of Abstract Expressionism would soon be the focus with bold, brash canvases by William Gear and Wilhelmina Barns-Graham. Read all about the rock ‘n roll life and times of Alan Davie, whose love of jazz and sports cars informed his improvised, energetic compositions. Peggy Guggenheim bought one at a Venice gallery thinking it was by Jackson Pollock – who, in fact, would later attend a private view of Alan Davies’s work in New York, bringing the two artists together.
Move aside Andy Warhol – Eduardo Paolozzi is widely viewed as the Father of Pop Art with his collages of cartoons, food and Coca Cola adverts. “Imagery of popular culture repackaged as art.” This is ‘Meet the People’ (1948) from the series Bunk.
There’s a quick, comprehensive scamper through the careers of Joan Eardley (quirky street kids and dramatic stormy skies) and John Bellany, renowned for his allegorical studies of fishing boats and wild, red haired women of the sea.
The chapter, ‘The Shock of the New ‘ features a handpicked selection of distinguished. diverse artists – the author’s late father, Alexander Goudie and contemporary work by Bruce McLean and John Byrne.
Alison Watt came to prominence while still at the GSA, when she won the John Player Portrait Award in 1987 and soon commissioned to paint a charming portrait of the Queen Mother, complete with Watt’s emblematic tea cup.
Since then, her exemplary, cool, crisply paintings have moved from the figurative to large, meditative studies of draping, flowing fabric. Over recent years, many graduates of Glasgow School of Art have received prestigious awards including Turner Prize winners and nominees – Christine Borland, Martin Creed, Karla Black, Richard Wright.
Lachlan Goudie writes with a flowing, poetic prose to take the reader on a most inspirational, time travelling, artistic journey through the nation’s cultural heritage. With a passion and talent for art as a birthright, he has followed and been inspired by Hebridean seascapes, beloved by the Scottish Colourists, over a century ago.
“The art of Scotland has its own particular accent … in an international trade of inspiration and global creativity. ” Lachlan Goudie
‘The Story of Scottish Art’ by Lachlan Goudie is published by Thames & Hudson – RRP £29.95.
ISBN: 978–500-23961-2