The Cheddar Gorge Cheese Company – the only Cheddar made in Cheddar – preserves a thick, tasty slice of English Heritage.
The Cheddar Gorge Cheese Company, the only dairy in the village of Cheddar, Somerset, produces authentic cheese, recreating the ancient 12th century craft and tradition.

Although versions of cheddar are made today around the world, the original cheese was produced in Cheddar dating back to 1170. With the absence of refrigeration the problem of how to store surplus milk was solved by turning it into cheese. Cheesemakers discovered that if you pressed the fresh curd to squeeze out the moisture, the cheese lasted much longer, transforming milk to ensure ‘the perfect food’ was available all year round.
The Cheddar Gorge features a series of caves which provided the ideal chilled environment for maturing the cheese.

This fine cheese became popular with the aristocracy and received Royal patronage. The Great Roll of the Exchequer records that in 1170 King Henry II purchased 10,240 lb (4.6 tons) of Cheddar Cheese at a farthing per pound totalling £10.13s 4d. He declared it to be the best in Britain and his son, Prince John, continued to serve Somerset cheddar cheese at banquets.

In the 19th century, Joseph Harding, a Somerset dairyman was known as “the father of Cheddar cheese” for inventing the revolving breaker for curd cutting, saving hard manual labour.
Harding believed that Cheddar cheese is “not made in the field, nor in the byre, nor even in the cow, it is made in the dairy.” Joseph Harding and his wife were key pioneers in the introduction of the cheese into Scotland and North America.

The Cheddar Gorge Cheese Company, formerly a tourist shop selling fudge, sweets, cards and making “a bit of cheddar in the back room,” was taken over in 2003 by John and Katherine Spencer with entrepreneurial vision. With previous long experience in the dairy industry, they have developed their successful, independent, Artisan business through extensive research, experimentation and plenty of passion.
The cheese is hand made in the traditional way from unpasteurised raw milk delivered to the dairy each morning from one local farm, and the truckles are slowly matured, wrapped in muslin cloths.
“Using only fresh, local, unpasteurised milk, we preserve the original character of our namesake. This, we believe, is our responsibility and privilege.” John and Katherine Spencer
In 2006, the Spencers had the innovative idea to reintroduce the unique, traditional method of storing cheese in the Cheddar Gorge Caves, which has significant influence on flavour and texture – Gough’s Cave is the original, historical Cheddar Cheese larder.

The Company produces 60 tons of cheese each year. It takes about 10 litres of milk to make 1 kilogram of cheddar. In total about 333,000 tons of cheddar are produced in the UK per year.
So, now the important question, how is their authentic Cheddar Cheese made?
“All cheese is made in a similar way. It’s a process that transforms milk into curds and whey. The whey is drained and the curd remains; this curd is already ‘fresh’ cheese.

Cheddaring involves cutting, turning and stacking blocks of curd, allowing it to cool, drain further and ‘knit’ together again over a period of time.

After pressing in moulds, the whole cheeses are dressed in traditional cotton/muslin cloth before being transferred to the maturing stores. The use of cheesecloth is a vital and historical way of allowing the cheese to gradually dry and develop a rind.

Whole cheeses weigh around 26Kg and are matured slowly. Generally, the older the cheese, the stronger the flavour. Our youngest mellow cheddars are around six months old and the oldest cheddar is usually around two years old.
Now – time to sample a selection of three cheeses from the Cheddar Gorge Cheese Company.

Vintage Cheddar (aged for 20 – 26 months)
“ A robust mighty strong cheese – extended maturing time resulting in a more vibrant, nutty cheddar with drier harder body” Best Cheddar at both the World and British Cheese Awards
The taste test: The slow, slow production over two years is like the finely crafted creation of a fine vintage wine. With its thin grey rind, it is certainly very hard, similar in texture to Parmesan, with a pungent, punchy strong flavour. You only need a thin slice – (so economical!) – to experience the extraordinary rich creamy taste. Marvellously, majestically mature. King Henry 11 would approve.
It’s a hearty cheese ideal for Toasted Cheese or even better, Welsh Rarebit; as they say, when the leaves fall in Autumn and Winter, the cheese melts.
Welsh Rarebit – ‘caws pobi’, which is Welsh for toasted cheese. This simple, homely dish of toasted bread covered in melted cheese and topped with mustard and spices has been popular since the 1500s – the first recorded reference was Welsh Rabbit, although it never had rabbit in it.!
A 16th-century tale tells how God asked Saint Peter to get rid of the Welsh from heaven, as they kept causing a ruckus. Saint Peter stomped outside the Pearly Gates and shouted ‘caws pobi!’, to which all the Welshmen duly tumbled out excitedly, allowing the gates to be slammed shut behind them.
As a traditional dish it has its own national day – September 3rd is Welsh Rarebit Day.
There are various recipes but this is rather tasty. “When you’re cold, tired and hungry, nothing beats this posh cheese on toast,” say the Hairy bikers.

Welsh Rarebit – serves 4.
25g butter 25g plain flour, 110 ml strong dark beer, 150 g mature Cheddar, grated, 1 free range egg yolk, 1 tsp English mustard, pinch of Cayenne pepper, 4sp Worcester sauce, 4 thick slices granary or wholemeal bread, freshly ground pepper.
Preheat the grill to high. Melt the butter in a non-stick saucepan and stir in the flour. Cook over a low heat for 30 seconds, stirring constantly. Slowly add the beer. Simmer for 2-3 minutes, stirring constantly until the sauce is thick and smooth.
Add the cheese, egg yolk, mustard, Worcestershire sauce and cayenne pepper, Stir constantly, until the cheese melts. Season with freshly ground black pepper and set aside. Place the bread on a baking tray lined with aluminium foil and toast on each side until golden-brown. Spread the cheese sauce thickly over the bread, making sure the slices are completely covered so the edges don’t burn. Return to the grill for 20-30 seconds longer until lightly browned and bubbling.
Add a fried egg for a nourishing, Cheesey feast, a Buck Rarebit.

Cave matured (aged for 12 months)
“Matured in the natural Cheddar Gorge cave, the natural environment with constant temperature and humidity provide perfect conditions. A unique, complex cheddar flavour.”
Silver Medal, British Cheese Awards, Bronze Medal, World Cheese Awards.
The taste test: Lighter in texture than the Vintage with a distinctive, slightly smoked flavour – almost crumbly like a Cheshire, but a seriously fine mature cheddar.
Serve with a selection of crisp crackers and water biscuits, slices of British apple – perhaps Cox Orange Pippen or Russet – and sweet, fruity Quince jelly. Alternatively, the classic accompaniment of chutney or pickle.

Oak Smoked Cheese (aged for 6 months)
“When we say smoking, we mean smoking! Cold smoked over smouldering oak chippings from old whisky barrels. Think bonfire night or wood burning stoves.”
Champion cheese, Devon County show, (the first time a smoked cheddar won the category). Gold, 2018 and 2019.
The taste test. Wow! is the word, this is so distinctively unique. Earthy with a hint of truffle, this is intensely smoky, like a sipping a dram of Laphroaig or Bowmore single malt from Islay, with a subtle seaweed saltiness. The oak chippings from the whisky barrels have done their work brilliantly.
To some astute or sensitive palates, the strength of smokiness is also reminiscent of smoked fish such as salmon or kippers.
Enjoy a slither or two with chunky bread or crackers; With the complex layer of flavours, this would also jazz up a Wild Mushroom or Butternut Squash Risotto which often have the addition, respectively, of Parmesan and Gorgonzola. Just sprinkle this delectable cheese on top of these dishes would add the perfect, rich, smoky creaminess.
Cheese Straws
The Cheddar Gorge Cheese Company is also renowned for their Cheese Straws. These are handmade with puff pastry and mature cheddar.

Best to warm in the oven for a few minutes although they can be nibbled cold. Stuffed with 37% of cheddar in each straw, these are seriously cheesy and crispy. Like a Ploughman’s Lunch baked as a thick, flaky biscuit. The rich buttery texture is amazing.

The Cheddar Gorge Cheese Co. certainly do preserve a thick, tasty slice and slab of English Heritage with their high quality, traditional Cheddar Cheese.
Visit the Cheddar Gorge Cheese Co. Shop in Cheddar, Somerset where you can taste samples of the complete range including Mellow, Extra Mature, Vintage, Cave Matured, Oak Smoked and Herb, Cider and Port flavours
Purchase cheese, pickles and preserves, cheese straws, savoury biscuits and crackers as well as pottery, cheeseboards and cheese knives.

“Cheese your Bundle” – choose your choice of three or six portions of Cheddar from the wide range. Christmas and corporate gifts, hampers and selection packs of cheese and accompaniments.

The Visitor Centre – Small groups are welcome by appointment to watch the cheesemakers at work on a 30 minute tour which also features a film showing the complete process.
Browse the website for all information on produce, visiting the shop and on line purchase.
Online mail order: efficient, eco-friendly next day delivery.
The Cheddar Gorge Cheese Co.
The Cliffs, Cheddar, Somerset, BS27 3QA
Tel. 01934 742810
Cheddar Gorge Cheese is also available at a wide selection of Farm shops and Delis around the country, including:
Riches Cider – Highbridge, Somerset, Whiterow Farm Shop – Frome, Wiltshire, Owtons At Country Market – near Haslemere in Hampshire, Village Larder – Washington, West Sussex, Allington Farm Shop – Chippenham, Wiltshire, Royal Windsor Farm Shop – Windsor, A F Blakemore & Sons – Darlaston (Nr Wolverhampton), Cobbs of Engleford – Theale, Reading, Berkshire, Brace of Butchers – Dorchester, Darts Farm Shop – Topsham, Exeter, Devon
Solace
Botanical paintings by Julie Croft & photographs by Alexander Van Der Byl, Dundas Street Gallery, Edinburgh.

Solace – as defined in the dictionary, a noun to mean “comfort or consolation in a time of distress or sadness.”
During this difficult, disruptive year to normal life, work and travel, many people have been inspired by nature – whether city park, country ramble or a wind-blown stroll along a beach. This strange, surreal time at home has given the opportunity to listen to bird song and observe blossoming flowers in Spring and now the changing trees in Autumn.
Julie Croft studied illustration at Leicester Polytechnic, and then developed her artistic technique and medium as a mural artist during the 1980’s and 1990’s. Today, her paintings are on a much smaller scale, working at her home in Edinburgh.
The theme of Nature and the Landscape has inspired Julie over the past few months, during the worst times of lockdown, the brighter days through the summer and now heading through the Autumn into Winter. Here is a most wonderful series of her botanical illustrations and miniature landscapes.

So take a look back to the emerging flourish of plants during April and May with charming watercolours such as Spring Greens. These slender twigs with their tiny leaves and burst of buds is beautifully sketched and painted in soft colours with such delicate detail.
Moving on swiftly into June and July, blossom blooms with a whiff of Summer Scent from three flowers, which look like, a pink poppy, white daisies and lilac grape hyacinth. They do transport you into the garden on a warm summer day.

On a walk in October, it’s all about berries, conkers and all the leaves turning golden brown. This is another charming trio, with a small, dry, curled up leaf, in Autumn Berries.

And a wonderful collection of golden, sand and burgundy leaves fallen from the trees in the soft shades of the Fall.

Winter Trees is a lovely pencil and watercolour sketch which perfectly sums up the chilly days at the dark end of a year in Nature.

The wet dawn inks are doing their blue dissolve.
On their blotter of fog the trees
Seem a botanical drawing —
Memories growing, ring on ring,
A series of weddings.
Winter Trees, Sylvia Plath
Julie Croft also paints atmospheric land and seascapes – watercolours on Daler Rowney paper which create a richly textured backdrop. These intimate, small scale scenes are so pleasing to the eye.

At the other side of the gallery is a collection of photographs by Alexander Van Der Byl who is in his final year as a Photography Student at Edinburgh College of Art.
A successful career is already on the cards as this year he was awarded the Astaire Art Prize 2020. It is presented for outstanding undergraduate work by a third or fourth-year student at the ECA, founded by Mark Astaire, a University of Edinburgh Politics graduate and investment banking professional. This year four winners were chosen from a shortlist of twenty artists, each receiving £250.
“I could see all the students produced such wonderful and varied collections of work. It was difficult, but I had so much fun trying to select just four works!” Mark Astaire
“ … work that is sophisticated, intelligent and dynamic.” Gordon Brennan, School of Art Painting Lecturer

Van Der Byl’s award winning photograph is entitled The Anticipation of Change, which was taken in a former carpet shop in Leith; shabby, peeling flock wallpaper, tartan lino, blue carpet, gas meter, the table laid with a teapot and glasses, beneath a Vettriano print of the “The Billy Boys” on the wall. A cold, empty room perhaps, but there is a sense of pride and belonging in what is someone’s business.
This photograph is part of a series called “Return to Sender, No Such Address” of ten Hahnemühle German Etching Photograhic prints, “documenting the process of leaving a domestic space, (and) explores a presence which is transient and short lasting.”

Home from Work focuses on another empty room, with an enticing warm light shining through the open door, perhaps the kitchen and a meal being prepared for the person arriving back home at the end of the day. With shimmering shadows and a half hidden portrait, this is such a haunting image.
Again, a fascinating glimpse of a domestic scene, with a television, an empty bookshelf, plant, vase, lamp in Rocking Horse Winner – the blurred effect of a child’s toy horse cleverly depicting a flash of movement.

Here are also a few black and white portraits, which capture the thoughtful facial expression of the subject, in a quiet, quick, snap shot moment.

From Julie’s painterly nature walk through gardens, woodland and the seashore, enter Alexander’s contemplative world of deserted rooms and streets. With their distinctively different artistic vision, they share a theme of nostalgic memory, time past and present, the experience of isolation and silence, with a comforting, joyful sense of peace. Solace indeed.
SOLACE – Dundas Street Gallery, 6 Dundas St, Edinburgh EH3 6HZ
17th – 24th October, 2020. 11am – 6pm daily.
Exhibition closes Saturday 24th, 2pm
Land, Sea and Sky – majestic coastal paintings by Steven Hood at the Dundas Street, Gallery, Edinburgh
It is not only this sense of place but the uniqueness of experience at a specific moment in time. These new paintings offer a kind of permanence to that experience, to what was observed and more importantly for what was felt. Steven Hood

Steven Hood studied drawing and painting at the Edinburgh College of Art (1985-89) and has enjoyed a prestigious career with regular solo exhibitions at private galleries, and amongst numerous others, at the Society of Scottish Artists, Noble Grossart Award and the Royal Scottish Academy.
Living and working in the Edinburgh, the foreshore around Granton has been a favourite stomping ground since childhood. With such a close affinity to the iconic views over Firth of Forth, here is a magnificent, moody seascape, ‘Haar over Cramond Island.’

For those who don’t know the word, Haar: noun – a cold sea mist off the North Sea. Just a vague glimpse of the distant island can be seen through a hazy light struggling to break through the mass of greyness.

The fine perspective in ‘Haar Enveloping Inchkeith Island’ leads the eye from the grassy sandy cover, rocks and lapping waves to the slither of an island lost in the fog on the horizon. These two mesmerising scenes, enveloped in a semi opaque, soft light, convey the chilly, swirling haar, with such delicate atmospheric quality.
Following in the brushstrokes of the pioneering Impressionists, Monet, Cezanne, Van Gogh et al, Steven Hood likes to paint natural landscapes outside “en plein air,” for a personal, direct response to swiftly changing light and weather.

A recent trip to the Aberdeenshire coastline shows he is a master at capturing the movement and patterning of clouds. Like the artist, in “Evening Sky, Gamrie Bay,” near Gardenstown, we too stand on the beach under a wide shimmering sky in the rosy dusk.
Van Gogh was fascinated by wheat fields, painted again and again with cypress trees, reaper or birds. Hood also depicts the glorious golden harvest, the tall stalks bent over in the sea breeze in “Cliff Top Wheat Fields, Aberdeenshire.” The blocks of bold colour are most effective.

Observing the light over the seashore at the end of the day is very much a recurring theme, such as the ambient detail in “Setting Sun, the Mouth of the River Almond.” The dark waves and grey rain clouds contrast with a glimmer of pink rays casting a faint glint on the water.

Most inspiring is a duet of sunsets, “snapped” quickly over a few minutes on 26th June, looking over to Fife. This is all part of his aim to seize the likeness of a place at a specific moment, akin to a painterly photograph.

A large drop of sun lingered on the horizon and then dripped over and was gone, and the sky was brilliant over the spot where it had gone.
― John Steinbeck, ‘The Grapes of Wrath’

Turner created hundreds of sketches and paintings of different weather conditions, especially clouds and rain such as “Beach, English coast” (1835).

With similar powerful abstract expression, “Rain Clouds over Inchkeith Island,” the slanting, lashing downfall dramatically evoked with a flurry of thick, brash, brushstrokes.

Art is more than a visual response, and Steven Hood clearly conveys the enriching emotional experience, a real sense of place.
These paintings are even more powerful when viewed in the gallery and this is a great space to stand back and observe the wild natural beauty of the Scottish coastline. They recall so poignantly the sentiment of Masefield’s poem, “I must down to the seas again, to the lonely sea and the sky.”
Land, Sea and Sky – Steven Hood
Saturday 10th October to Wednesday 14th October 2020
10.30am – 5.30pm
Dundas Street Gallery. 6 Dundas Street, Edinburgh EH3 6HZ
Social distancing measures will allow for 6 people in the gallery at any given time. Masks must be worn and hand sanitiser will be provided.
Visit the website to view the exhibition www.stevenhoodartist.com