Kurt Elling Swings Sinatra with the SNJO: a performance of evocative style and musical passion
In April 2002, I was fortunate to attend the annual Tartan Week in New York celebrating Scottish heritage and culture and our contribution to the United States. In downtown Chelsea, the Distilled contemporary music festival included Mull Historical Society and the talented young Jazz Saxophonist Tommy Smith, who wowed the crowd of young Manhattanites.
As a teenager, Smith left Edinburgh to take up a scholarship at Berklee College, Boston and it seems that American music has been the heart and soul of his work ever since.
Twenty years ago, he founded the Scottish National Jazz Orchestra in order to promote the world of jazz, inspire young musicians, performing and recording afresh the works of Ellington, Gershwin, Gillespie, Goodman, Monk and Miles et al.
The “Kurt Elling Swings Sinatra” concert tour over the past week brought the SNJO together again with American guest star Kurt Elling as a centenary tribute to the voice, the music, the man, the legend.
Sinatra was born in Hoboken, New Jersey on December 12, 1915, the only child of Italian immigrants. As a young boy, he would sit at the waterfront staring across the Hudson, just a ferry boat ride to a different world – Manhattan.
He began singing in local nightclub gigs before work at WNEW Radio, New York City with bandleader Harry James for $75 per week, the start of his 50 year show business career. Sinatra’s charismatic appeal may be explained in his own words: “When I sing, I believe. I’m honest.”
On Saturday night, the Usher Hall there was a near capacity audience (an age range across the generations from around 21 to 81) to hear those enduring Sinatra songs set to the melodic sound of an American Big Band.
Chicago-born Kurt Elling is regarded as the world’s most accomplished Jazz singers –“Since the mid-1990s, no singer has been as daring, dynamic . to embody the creative spirit in jazz.” Washington Post
He is immaculately dressed in a double breasted grey suit, with orange silk lining, (Sinatra’s favourite colour) and with the SNJO Big Band in formal black tie, there’s an evocative, nostalgic sense of 1950s debonair style.
Elling is also an excellent narrator, telling stories about Sinatra’s life, career and background to the songs; 1,400 recordings, Grammy awards galore and, bizarrely he adds, Frank has 5 million Facebook Friends!.
We are treated to a broad repertoire – I Only have Eyes for You, The Good Life, I’ve Got You under my Skin, In the Still of the Night, Luck be the Lady, My Kind of Town….and many more familiar ballads.
But this is not a performance which aims to parody or imitate Sinatra. Elling’s rich baritone vocal range spans four octaves with such masterly control of lyrical phrasing; at times it seems he does not take a breath throughout a complete verse.
He is accompanied by the exciting, exuberant musicianship of the SNJO which leads the underlying rhythm and tone, from gentle, romantic mood to raunchy, foot-tapping swing. Tommy Smith as well key members of the orchestra perform stunning solos, improvising and enhancing the original harmonies with cool and colourful jazz-blues beat.
Kurt Elling and the SNJO well deserved the enthusiastic applause and a standing ovation for this sassy, sophisticated show: a magical, passionate celebration of such an iconic songbook and timeless music.
Scottish National Jazz Orchestra – 20th anniversary, 1995-2015.
Forthcoming Concerts and Tours – http://www.snjo.co.uk
The beauty of the natural world as viewed by four Artists : Exhibition at The Scottish Gallery, Edinburgh
From its founding as Aitken Dott, ‘Gilders, Framers and Artists’ Colourmen’, on South St. David Street, the Scottish Gallery has continued the business as Contemporary Art Dealers for nearly 175 years. The palatial light-filled space on Dundas Street presents monthly exhibitions covering a select range of paintings, prints, ceramics, glass, jewellery, sculpture and silverware.
The May exhibition presents the work of a quartet of artists – the pioneering artist-explorer, Derrick Guild, Japanese ceramicist, Tsubusa Kato, superlative jeweller, Nel Linssen and the delicate watercolours of Angie Lewin.
Mother Figures is the first major solo show at the Scottish Gallery by Perth-born artist, Derrick Guild, who is internationally renowned from London to New York.
A few years ago, Guild had the opportunity to experience an extended visit to Ascension Island which lies south of the Equator in the middle of the Atlantic Ocean. Like a Garden of Eden, he was able to observe, like a latter-day Darwin, the curious range of plants and animals, far from their native Africa, Europe and South America.
An artist’s escape for a remote island life is not without precedent given Gauguin’s passion for the Marquesas islands – its women and seascapes – in the South Pacific.
Guild’s painstakingly detailed work is necessarily a lengthy artistic process. The viewer too needs time to study these remarkable paintings of flora and fauna based on exquisite animal and botanical drawings.
The cream on black background gives the appearance of stained, dry parchment, with the clear impression of rips, tears and dog-ear folds as if an ancient sheet of paper has now been unwrapped after many years.
Inside museum-style glass cases or hanging on the wall, there are also remarkable resin sculptures of fruit and vegetables – giant oranges, diamond studded parsnips and potatoes, and a leaf with pearl ear-rings.
With inspirational insight, Guild’s iconic art form both imitates and re-imagines his own view of the Origin of Species – a complex blend of naturalist authenticity and surreal wit.
Think Dali’s elephants and lobster telephone.
Nel Linssen’s 80th birthday is celebrated by a retrospective of her innovative, light as air, paper jewellery. Nel initially trained as a pattern cutter which led her to experiment with 3D paper crafts.
Here is a magical showcase of vintage and new necklaces and bracelets, handcrafted from ingeniously entwined paper discs: pure magic in design, texture and shimmering shades of light and colour.
Tsubusa Kato is showing his first solo show here, in collaboration with Sokyo Gallery, Kyoto, Japan. This is a cool, calming collection of porcelain entitled A World of White – smooth, snowy New Zealand clay crafted into slender vases, tiny bowls and plates. Kato’s decorative touch is the addition of a duck egg blue celadon glaze which looks as if it is still wet, dripping in a graceful flow down the side or centre of each delicate white creation.
And then next door into what I call the Garden room (from here you can step outside to see sculptures amongst the plants). Angie Lewin moves between town and country, from Edinburgh and Speyside; thus her sketchy-stylised watercolours illustrate both the Highland landscape of woodland, river and hills, as well as homely Still Life studies of vases of wild flowers on a kitchen table.
Across these four distinctive, delightful, contrasting exhibitions, the artists share a common theme, a tangible thread to express their vision of beauty, life and living in the natural world.
The Exhibition continues until 30 May, 2015.
The Scottish Gallery, 16 Dundas Street, Edinburgh EH3 6HZ