Long Day’s Journey into Night by Eugene O’Neill, Royal Lyceum, Edinburgh
The British premiere of Eugene O’Neill’s Pulitzer Prize play, “Long Day’s Journey into Night” was staged at the Royal Lyceum Theatre in the Edinburgh Festival 1958.
As a cathartic release of private emotions, this is O’Neill’s brutally honest, autobiographical portrait of his own family: James and Mary Tyrone (based on his parents, John and Mary), their elder son, Jamie and his brother Edmund representing Eugene as a young man.
The setting is their beachfront Summer home in Connecticut, across one single day in August 1912. The living room is simply furnished – blonde oak, pale blue Shaker wood, wicker chairs, lace-clothed dining table, book case, piano and central staircase.
The action begins with an everyday scene at breakfast time. But from morning sunshine to late evening lamplight, we gradually witness the truth and tragedy within the family relationships as they delve into their individual haunted pasts.
Fussing over Edmund who has a bad cold, Mary plays the gentle, caring mother, but soon reveals an anxious, vulnerable manner. She has recently returned home from the sanatorium but is in total denial of her morphine addiction.
Tentatively watching her every move, James is unsure how to help his wife. A former successful actor, he is very much the father figure, controlling and questioning his sons. Yet he needs the crutch of whiskey to escape reality – as does Jamie, wild and wayward, who has a bitter and cynical approach to life.
Physically frail, the consumptive Edmund is a quiet intellectual with a passion for theatre and Shakespeare; he‘s a dreamer, wistfully remembering a sailing trip to South America, the freedom of the sea.
They all have their demons to fight and so the blame game begins: allegations, accusations, jealousies, smouldering anger, releasing their personal feelings as an expression of guilt and sense of failure in themselves.
The rollercoaster journey into the past for the Tyrone family is dramatised like an ocean-going voyage: waves of deep, dark emotion, moments of calm sea, stormy debate and hard hitting argument like thunderbolts.
Intimate conversational duets – James and Jamie, Mary and Edmund, James and Mary, Jamie and Edmund – are artistically staged like a series of softly lit “Hopper-esque” vignettes. Scene changing music of soft cello strings and the gradual darkening shadows of night create a tangible melancholic mood, the ebb and flow of simmering tension.
The entire cast is impeccable in capturing the multi-layered personalities, each trapped in their own fraught and fragile emotional state. Paul Shelley (a tall gentle bear of a man reminiscent of Harrison Ford), shifts with ease between dominant patriarchal figure, loving husband and desperate alcoholic drinker.
With graceful elegance, Diana Kent as Mary glides across the stage perpetually distracted in a world of her own – we feel her inner torment; kissing her crucifix pendant, she realises the loss of her comforting Catholic Faith.
A recent Royal Conservatoire graduate, Timothy N. Evers is pitch perfect as the troubled, tortured soul, Edmund, relating his travel tales with poetic precision and pace. Adam Best portrays the boorish, hard drinking Jamie with a subtle mask of self-pity to try and regain his family’s respect.
If there any quibbles, sight lines are poor if sitting in the far right hand stalls, (e.g. F 4 nd 5), obstructing views of the staircase and a window, at which Mary often stands staring out to sea.
Fog is a recurring theme, both the actual weather slowly permeating the porch outside, but also symbolising the isolation and loneliness they all feel. The fog could perhaps have been used for more dramatic effect with a drowning cloud of dry-ice to envelop this Summer house of despair – this family home of enduring love.
Poignant, profound, engrossing, this is an exquisitely choreographed production by Tony Cownie. The audience watched and observed the Tyrone family in utter silence, drawn into their complex lives and heartfelt memories.
Fifty six years after its first performance on the same stage, this is a gracefully cool and classy revival of a classic American masterpiece.
Royal Lyceum Theatre, Edinburgh, 17 January – 8 February, 2014
Celebrate New Year in Scotland’s Capital, the Home of Hogmanay for 21 years.
Edinburgh’s Winter Festival over Christmas and New Year 2013 has been a fantastic success with a bigger and brighter feast of entertainment, a Carnival atmosphere, Funfair fun and Fireworks for all ages.
Scotland’s capital city is without doubt the ‘Home of Hogmanay’.
Throughout December, city visitors and local residents have flocked to Princes Street Gardens to enjoy a sky high ride on the Ferris Wheel, a whirl around the ice-rink and browse the European Christmas market.
Over at St. Andrew’s Square, there were screams of delight from those brave enough to go on the Star Flyer; a circus cabaret at the Spiegeltent theatre, kids’ carousel rides, then warm up with a hot whisky toddy at the Chalet bar.
First launched in 1993, Edinburgh’s Hogmanay is a three day Festival starting on 30th December with the ever popular Torchlight procession led by Viking Warriors, from George IV Bridge to Calton Hill. The finale was a dramatic Son et Lumiere fireworks and longship-burning spectacle.
On the evening of 31st December, my partner Ken and I were among 75,000 international revellers gathering in the city centre to celebrate New Year at Edinburgh’s Hogmanay Street Party. The weather was perfect, mild, dry with a clear sky to see the dark silhouette of the Castle up on the rock.
This is a major global event, welcoming visitors from over sixty countries including Australia, Brazil, Germany, Hungary, Italy, Japan, Korea, Malta, New Zealand, Portugal, Sweden, Turkey and USA.
We weaved our way through the happy crowds of friends singing and laughing, many wearing crazy costumes – three men dressed as large yellow bananas! – and others in novelty hats, kilts and even formal tuxedos with black ties.
The Street Party began with a burst of Fireworks from Calton Hill at 20:14 (8.14pm), followed by countdown fireworks at 9.00pm, 10.00pm and 11.00pm from the Castle Rock. Music performances took place all evening on various stages from Waverley Bridge to Frederick Street, featuring such bands as King Creosote, Django Django and the Rezillos.
At the top of the Mound, the Rewinder DJs played the best dance tunes while those with tickets to the Keilidh joined in a truly Scottish party for traditional Highland reels and country dancing.
The Concert in the Gardens, headlined by Pet Shops Boys with special guests, The 1975 and Nina Nesbitt, (live music from 8.30pm – 1am) was a sell out gig.
The minutes ticked by very quickly amidst the festive mood and soon time for what we had all been anticipating, the magnificent Fireworks at midnight: a sparkling display of 16,000 shooting rockets and golden flashes from Edinburgh Castle lit up the night sky. 2014 had begun with a cracking, colourful bang.
And the Hogmanay Festival continues next day on 1st January with more entertainment, Art Galleries, Films and outdoor activities on offer.
Start the New Year perhaps with a refreshing, chilly dip in the Firth of Forth – the Loony Dook – beside the Forth Bridge!.
New in this year’s Festival was Scot:Lands, an imaginatively-curated programme of regional arts, culture, music and drama from around Scotland – families with children welcome and especially ideal for all the international visitors. And it was all completely free.
At the National Musuem of Scotland, participants were given postcards and a map to set off on a walk around the Old Town to churches, galleries and theatre venues for a magical range of performances all afternoon.
First to Greyfriars Kirk to hear Jenna and Bethany Reid from Shetland playing keyboards and fiddle, then on to Assembly CheckPoint for Highland Storytelling and Songs, with charming hospitality – local beer, cheese and oatcakes – from Ullapool.
Our journey continued to the Hub to see the multi-media play, “Whatever gets you through the Night” by Cora Bissett and friends. The audience sat on rugs on the floor watching the romantic, enchanting story unfold through drama, mime, music, dance and film.
As darkness fell around 4pm, we reached Old St. Paul’s Church to join a queue of like-minded Scot:Lands enthusiasts – many faces we had seen in each venue. We waited and chatted and shared our mutual, cultural experience from place to place and nobody minded the slight drizzle of rain.
Soon we made our way upstairs into the ancient Church – dark shadows, candlelit. In the centre, the art collective FOUND, a unique band of eclectic instruments performed melodic, electronic, funky, jazzy music and choral songs.
This dreamlike concert in the incense-scented chapel was the perfect, calm and quietly spiritual start to the New Year. 2014 is Scotland’s Big Year – Commonwealth Games, Homecoming, Ryder Cup, Arts Festivals and a lot more besides!
“Life is not measured by the number of breaths we take,
but by the places and moments that take our breath away”
So begins Patricia Schultz’ travel book, “1,000 Places to See Before you Die.”
Edinburgh’s New Year Festival is one of her 1,000 breathtaking places to see. If you haven’t experienced Edinburgh’s famous Hogmanay Party, add it to your own travel Bucket List now!
Happy New Year – Cheers!
http://www.edinburghshogmanay.com
Photographer credit: Ken J. Scott